Creed-2015

Director-Ryan Coogler

Starring-Sylvester Stallone, Michael B. Jordan

Scott’s Review #495

Reviewed October 16, 2016

Grade: C+

Creed will certainly please die-hard fans (and there are legions) of the Rocky franchise, eager for a trip down memory lane to revisit with Sylvester Stallone’s “Rocky Balboa”.

For those yearning for a slice of nostalgia and a harkening back to 1976, when the first Rocky was released, Creed will be a crowd-pleaser. For others expecting something new or innovative to the story will not be as satisfied.

The film is predictable for sure, with all of the expected elements of a sports film.

Instead of Rocky Balboa being the main attraction- he is now a senior citizen and long since retired, now owning a modest Italian restaurant in Philadelphia, the action centers on a young fighter- the bastard child of Apollo Creed- Rocky’s nemesis turned friend from the first few installments.

Adonis Johnson Creed (played by up and coming star Michael B. Jordan) is his name and until rescued from a group home (he has a temper and fights a lot, naturally) by Apollo’s wife (Phylicia Rashad) he does not know fighting is truly in his blood.

Determined to make it big in the boxing world, he moves to Philadelphia and convinces Rocky Balboa to train him.

Along the way, he meets a love interest-Bianca (played by Tessa Thompson), a musician.

The main positives for me are the nods to history and a few sentimental moments throughout the film. How wonderful to see Rocky Balboa again- like catching up with an old friend we have not seen for years.

We learn that sadly, Paulie and Adrian (Rocky’s brother-in-law and wife) have long since died and a sweet moment shows Rocky visiting their side by side graves, pulling up a chair, and reading the newspaper to them. Rocky’s son has moved far away so Rocky is left a lonely man- and Apollo’s son revives a father figure element within Rocky.

Also nice are some flashback scenes to the earlier Rocky films and we see portions of Rocky’s and Apollo’s fights. The plethora of external Philadelphia scenes does bring authenticity and familiarity to the film and this is a wise decision, instead of too many interior scenes in a studio.

Otherwise, the film is largely a miss.

The formulaic, predictability must have been intentional to make Creed an ode to fans and a film that is easy to watch.  We are served the many “inspirational” training scenes as Adonis trains and trains for the big match- with conveniently an arrogant, loud, Londoner, with an equally unlikable coach.

The “good vs. bad” mentality that the film develops is contrived and completely plot-driven- it makes Adonis that much more likable and gives him the rooting factor.

This occurs time and time again in sports films. Why not make both fighters nice guys?

But, of course, the film also gives Adonis a temper- to insure that he appeals to the testosterone-driven fans expecting such.

Phylicia Rashad and Tessa Thompson are stock characters- we get the standard reaction shots from both as they wince along with the blows that Adonis receives, and Rashad gets an unintentionally comic moment- when Adonis lands a flattening blow on his opponent, she proudly professes “that’s what I’m talkin’ about!”.

Interesting to note, however, is the clever decision to make Bianca suffer from progressive hearing loss. Having her handicapped gives her nice humanity, though once the fight scenes begin this is never mentioned again.

A standard boxing film with the expected elements- testosterone, brutal fighting, a bit of sentimentality for good measure, and dutiful female characters with little substance, Creed is a guys movie, basic and predictable, with a little edge and lots of machismo.

However, it does capitalize on the Rocky franchise and offers a nice little nod to the past. Otherwise, it is a rather forgettable film with a mediocre story.

Oscar Nominations: Best Supporting Actor-Sylvester Stallone