Starring-Robert Pattinson, Willem Dafoe
Scott’s Review #987
Reviewed February 5, 2020
The Lighthouse (2019) is the sophomore effort by acclaimed and novice horror director, Robert Eggers. His first, The Witch (2015) garnered praise and independent film award nominations, and his latest offering has also received many accolades across the board.
This time around, he wisely secures top-notch talent casting the incredible Willem Dafoe and Robert Pattinson to star.
The result is a well-acted, gorgeously photographed film, that is odd beyond belief, requiring a second viewing to even attempt some understanding. The atmosphere of this film will draw some viewers in and push away others. It is that type of film experience.
Shot in startlingly good black and white, the time is the 1890s, set somewhere off New England.
The film stars Dafoe and Pattinson as two lighthouse keepers who start to lose their sanity when a storm strands them on the remote island where they are stationed. They spar, love, and play games, while imaginations run wild with bizarre images of mermaids, death, and claustrophobic storm conditions.
Frequent hallucinations render the plot unclear of what is fantasy and what is reality.
The technical aspects of The Lighthouse are superior to the story elements.
The gorgeous camera work, looking like either a modern film or a film from the 1940s is superior. Almost never is a film made like this, and the black and white filming provides a cold and bleak atmosphere.
The prevalent wind and driving rain buttress with flying objects and mud create a looming and foreboding danger. The viewer can tell that sinister events are on the horizon, perfectly encrusting the increasingly dangerous storm.
The story is tough to figure out with the exception that one or both men are losing their minds. Winslow (Pattinson) is the newbie, sent to assist the elder lighthouse keeper, the elderly and cranky Thomas Wake (Dafoe).
Wake forbids Winslow to ever set foot in the lantern room, insisting that task is his job alone. This piques the interest of the young man especially when Winslow observes Wake going up to the room at night and stripping naked. Winslow begins experiencing visions and dreams of tentacles in the lighthouse, tree stumps floating in the water, and distant images of a mermaid.
Peculiar scenes exist that make The Lighthouse both memorable and tough to figure out. The presence of seagulls makes the film authentically beach-like with the cawing and flying around.
Their existence soon becomes an ode to Alfred Hitchcock’s The Birds (1963) as a one-eyed gull begins to stalk Winslow.
Told it is bad luck to ever kill a gull since they harbor the souls of sailors, Winslow finally kills the attacking one-eyed gull in a fit of rage during one of the film’s most brutal scenes. Wake seethes with rage.
The film is homoerotic in many scenes, none more so than the lovely scene when the two men begin to dance and sway to the music. About to kiss, reality strikes, and the two drunk men come to blows.
The scene reminds me of an important one in the groundbreaking LGBT masterpiece Brokeback Mountain (2005). The combustible pent-up masculine tension explodes, and we wonder if in another time the men lovers might be. This aspect is cerebral, filling The Lighthouse with psychological mystique.
A common element is the two men’s distrust of one another. Trapped by the bad storm they frequently drink themselves into oblivion- what else is there to do?
They sit and stare at each other, sometimes filled with rage, sometimes suspiciously. In a scene both jaw-dropping and hilarious, Winslow forces Wake into a collar and leash and lead him on his hands and knees into a muddy grave.
Unsure if the scene is fantasy or reality, it could almost be taken from a gay leather porn film.
Eggers has a bright future ahead of him and I am eager to see his next project. I am not averse to odd or even nonsensical films if the intent is good, but I would recommend a more straightforward approach next time to see what he comes up with.
The Lighthouse (2019) successfully offers a creepy and bizarre tale of men losing their sanity in a dream-like and creative way that will assuredly divide audiences.
Oscar Nominations: Best Cinematography
Independent Spirit Award Nominations: Best Director-Robert Eggers, Best Male Lead-Robert Pattinson, Best Supporting Male-Willem Dafoe (won), Best Cinematography (won), Best Editing