Category Archives: Ben Affleck

Air-2023

Air-2023

Director Ben Affleck

Starring Matt Damon, Ben Affleck

Scott’s Review #1,358

Reviewed April 19, 2023

Grade: B+

Ben Affleck both directs and co-stars in Air (2023), a sports drama that is surprisingly neither cliched nor enshrouded in a big climactic showdown at the conclusion. This happens in way too many sports-centered films.

Other than basketball game clips occasionally playing in the background the action takes place within boardrooms rather than on the court.

Being a basketball fan is not required.

There is a measure of predictability in Air which I didn’t mind, again surprising. Anyone superficially familiar with National Basketball Association superstar Michael Jordan knows about his famous  Air Jordan sneakers. His colorful footwear overtook the nation during the 1980s and 1990s.

This film is based on the true story of its origin and the circumstances surrounding it.

Air is a crowd-pleaser in every sense of the word with energy and affection and not a slow moment to be found.

An unlikely partnership develops between a then-rookie Michael Jordan and Nike’s struggling basketball division revolutionizing the world of sports and contemporary culture with the Air Jordan brand.

A Nike basketball talent scout Sonny Vaccaro (Matt Damon) comes up with an unusual and risky offer to land Jordan, a rising college star who would become the most successful NBA player in history.

His parents, Deloris and James (Viola Davis and Julius Tennon) cleverly negotiate for their son to earn his share of the pie usually saved only for executives and business people rather than the sports star. Deloris knows the worth of her son’s immense talent and unmovingly sticks to her guns.

A treat for anyone who grew up in the 1984 era, countless pop songs and pop culture references are included. Every few minutes, snippets of upbeat tunes emote from the screen adding pleasure and nostalgia to the film.

Peppered throughout also include automobiles, office telephones, fax machines, and basic computers. There’s even an early car cell phone included.

Other famous sneaker brands of the time like Adidas and Converse are represented during a time when celebrities and the like were starting to align with sneakers to make large profits.

I’ve said this too many times but in films set during a different time it either looks authentic or it looks like modern actors dressed for the times.

Affleck as a director knows his stuff in this regard. He is a good actor but a very good director.

Damon is the film lead and does so convincingly. Either wearing a padded suit or chunking up to fit the character of Sonny, it’s unclear which, the actor appears as a ‘regular guy’ rather than a Hollywood movie star. This is tricky to pull off for a big star but here it works.

Sonny’s earnestness to save Nike and his connection to the Jordan family feels fresh and unassuming. He’s painted as a good guy and counterbalances other scheming and bloodthirsty sports agents like David Falk, impressively played by Chris Messina.

Jason Bateman also shines brightly as Sonny’s colleague, Robby Strasser, a man revealed to be lonely. In a touching moment, Sonny brings Robby a birthday cake on a working Sunday, when his special day would otherwise have been forgotten.

Davis can never do wrong but is the anchor of the film and the role of common sense.

Finally, the character of Michael Jordan is portrayed in the film, though his face is not seen, and has limited dialogue.

Thanks to a crackling screenplay and genuine sincerity, Ben Affleck’s Air (2023) has gotten butts back in movie theater seats. It proves that people do love the theater when served a satisfying offering.

Gone Girl-2014

Gone Girl-2014

Director David Fincher

Starring Ben Affleck, Rosamund Pike

Scott’s Review #181

70305893

Reviewed October 6, 2014

Grade: A-

Gone Girl (2014), directed by dark yet mainstream filmmaker David Fincher, offers a simple premise. An affluent woman disappears without warning and a loved one is suspected of the crime.

This type of story has been done many times before in film- think Prisoners from 2013 to cite a very recent example, but what makes Gone Girl unique is its storytelling, pacing, and twists and turns aplenty.

The film is based on the best-selling novel, written by popular novelist Gillian Flynn, who also wrote the screenplay.

Ben Affleck plays Nick Dunne, a man in his 30’s, whose wife Amy, magnificently played by Rosamund Pike, mysteriously disappears, causing a media frenzy.

After clues are revealed, Nick is thought to be a sociopath and responsible for Amy’s disappearance. Nick and Amy have the perfect marriage….or so it appears. Until fairly recently Nick and Amy have lived an idyllic, well-to-do lifestyle in New York City.

Amy’s family is wealthy and writes as successful children’s authors.

Following the recession of 2010 causing both Nick and Amy to lose their jobs and all of their money, combined with Nick’s parent’s health problems, they wind up in a state of peril, and their marriage is severely tested.

They are forced to move to a small town in Missouri where Nick grew up and their lifestyle completely changes.

These facts are naturally revealed as the film progresses, via flashbacks, mostly told from Amy’s perspective, as she chronicles events by writing in her diary.

The story is so smart and layered that the audience continually asks questions throughout the film. Is Amy dead? Did she fake her death? Is Nick involved or innocent? Could Amy’s parents be involved in her disappearance? Can we trust Nick’s sister Margo? What involvement does Amy’s wealthy college sweetheart Desi Collings (Neil Patrick Harris) have?

As more of the plot is revealed new questions are asked.

Intelligently written, with twists and turns galore, after a slow start, the film is a thrill ride. The slow start is necessary to lay the groundwork of the film and it wisely keeps the audience guessing throughout.

The film seems to be a puzzle (literally and figuratively) as each layer is unraveled leading to further questions and new theories.

The film’s score is composed by Trent Reznor (Nine Inch Nails), which adds a dark, techno-gloomy feel, which increases the mood wonderfully.

The acting in Gone Girl is exceptional. Affleck is capable in the lead male role, though I did not find the part as meaty as one might think. Affleck is handsome and charismatic, though unlikeable too, and I think that is all the part requires.

The standout and breakout performance belongs to Rosamund Pike. After years of struggling in support film roles as someone’s wife or friend, Pike finally has a complex role that allows her to sink her teeth in.

Pike displays almost every emotion- kindness, anger, rage, deception, humor.

The character of Amy is nuanced and resourceful and more than one movie-goers mouth dropped open at her actions in a couple of scenes- think wine bottle and hammer for reference.

Neil Patrick Harris is dynamic in the role of Desi and brings a healthy dose of creepiness mixed with child-like sweetness.

Gone Girl features one of the most shocking scenes involving a bedroom, a box-cutter, and lots of blood.

Fincher’s setting of North Carthage, Missouri is interesting. Hardly the intelligentsia of Manhattan that Nick and Amy are accustomed to, the perfect mix of homespun kindness turned to a lynch mob of the townspeople is effectively portrayed.

The sweet neighbors, happily offering casseroles and hugs to Nick one minute, suddenly turn into sharks when detail is revealed.

The media is, almost ironically, portrayed as menacing and ready to pounce. Female reporters are played by Sela Ward and deliciously and comically played by Missi Pyle.

More than a handful of female characters are written as borderline man-hating and eager to either castrate, figuratively speaking, or bed (or both!), Nick Dunne.

Gone Girl contains a few plot holes. How could there be no recorded tapes of the goings-on at Desi’s lake house? The entire plot is so far-fetched when one decides to ponder it.

Gone Girl (2014) is a mainstream yet dark Hollywood thrill ride with a theme of dishonesty, and a film exceptionally well-written and layered.

Oscar Nominations: Best Actress-Rosamund Pike