Seann Williams Scott | Scott's Film Reviews-1,425 + Reviews posted so far!!!

Final Destination-2000

Director James Wong

Starring Devon Sawa, Ali Larter, Kerr Smith

Scott’s Review #1,186

Reviewed October 16, 2021

Grade: B

Following the commercial success of Wes Craven’s Scream in the mid-1990s, the horror genre was now a hot ticket item once again.

New Line Cinema capitalized on this financial goldmine by creating the popular Final Destination franchise in 2000. Five films were created in total.

The Final Destination films all have the same premise. A small group of people escapes impending death after one individual sees a sudden premonition and warns the others about the mass-casualty accident that is about to happen.

Their luck is unfortunately short-lived.

After avoiding their foretold deaths, the survivors are systematically killed off one by one in bizarre accidents caused by an unseen force creating complicated chains of cause and effect. There is no way they can cheat death and the bastard will have his way with them.

The upside is that the deaths are highly creative and oodles of fun for the blood-thirsty horror viewer to feast upon. Instead of a knife-wielding maniac, the protagonist is an evil force which at the time was a neat little add-on that made the film unique.

The victims are mainly teenagers or twenty-something characters which are the target audience for these and most other horror films.

In Final Destination (2000), high school student Alex Browning (Sawa), is about to embark on a fabulous trip to Paris for his senior class trip. He is joined by a group of his schoolmates.

Just before takeoff as the group is settling in for their eight-hour journey from New York to Charles de Gaulle Airport Alex experiences a premonition and sees the plane explode moments after leaving the ground.

Alex becomes unruly and insists that everyone get off the plane and seven people including Alex, are forced to disembark. All watch as the plane explodes in an enormous fireball, killing everyone on board. He and the other survivors have briefly cheated death, but will not be able to avoid their fate for very long.

One by one, these lucky survivors fall victim to the grim reaper.

I have seen each one of the Final Destination films and enjoyed them all. Atypically, the first film is not the best. I may argue that part 2 is the best but that is irrelevant to this review.

The premise is extremely clever and instantly absorbing. Instead of the dated “final girl” one assumes that Alex will be the last survivor and that may or may not be true as a twisted game of figuring out which order the seven survivors will be killed is based on their seating arrangements on the flight that nearly drives Alex mad.

It’s the perfect engagement for the viewer.

As a clue, director James Wong who co-wrote the screenplay creates stock characters like the dumb jock, Carter Horton, with the muscle car, played exceptionally well by Kerr Smith, and the douchey Billy Hitchcock (Seann Williams Scott).

There is a teacher and FBI agents thrown in for good measure so it becomes obvious who is going to be killed off.

The fun is watching how they are killed. Delicious deaths like being run over by a bus, embedded by flying knives, and a good old-fashioned decapitation by flying shrapnel are to be enjoyed.

The final sequence, ironically set in Paris, is exceptional as three survivors are left and they feel safe. They are not safe at all as one of them suddenly realizes resulting in a clever final kill followed by sudden end credits.

This is narrowly usurped by the brilliant plane crash premonition scenes as Alex teeters between reality and premonition. The plane explosion is highly effective and is shown from inside the fuselage. The visual effects which used a miniature Boeing 747 are wonderful to watch with heart-racing detail and excitement.

At times during Final Destination, the action lags and Ali Larter who plays Clear Rivers is not the greatest actress. Her silly battle with electric sparks while sitting in a car is not the film’s finest sequence.

Final Destination (2000) is a fun popcorn film with some admirable unexpected turns. It stays true to the horror formula while offering some unique additions that feel fresh.

It’s a roller coaster ride meant to be enjoyed and not overanalyzed. The innovation suitably balances the fun.

American Pie-1999

Director Paul Weitz

Starring Jason Biggs, Alyson Hannigan

Scott’s Review #813

Reviewed September 23, 2018

Grade: B+

With each generation of film, there seems to be a gross-out comedy that speaks to a young, coming-of-age generation- of the mostly male and jock persuasion.

American Pie (1999) finishes the 1990s strongly with a raunchy story that feels fresh and genuinely funny with precarious situations facing the cast, specifically the protagonist and “everyman”, played by Jason Biggs.

The film is a teen sex comedy of the crudest nature yet engulfed with characters audiences like- not mean-spirited, but rather fun-loving and endearing.

An enormous box office hit at the time, the film was all the rage and brought tawdry new meaning to the Americana staples of apple pie and band camp.

Spawning several sequels throughout the next decade, the franchise successfully brought back the teen comedy genre with strong and highly recognizable characters.

American Pie also brought back the fun to R-rated films and put a nice cherry on top of a creative decade in cinema. The film is not high art, but what it aims to do, it does quite well.

Living a middle to upper-middle-class existence in the suburban USA (presumably Michigan), five high school seniors make a pact to lose their virginity by the time they graduate. Most of the group are nerdy, insecure, and sexually naive, the central character being Jim Levenstein (Biggs).

Most events are taken from his point of view and he is continually advised by his very nerdy father, Noah (Eugene Levy).

The setup is an age-old premise with lots of room for jokes and precarious situations in hilarious form. As Jim has the hots for a sexy foreign exchange student, Nadia, she is out of his league.

In a hilarious scene, a “warm apple pie” incident leads to a webcam setup attempt to watch Nadia change clothes. When events go amiss everyone gains access to the webcam link, and Nadia is sent back to Czechoslovakia in shame.

This leads to a new pursuit for Jim, in geeky band camp girl, Michelle (Alyson Hannigan). Surprisingly, they fall madly in love and have fantastic chemistry.

Some of the supporting characters add energy and sometimes hilarity. Jennifer Coolidge is great as the mother of Stifler (the jock of the group), who has eyes for younger men, specifically Finch.

As they finally consummate their relationship on a basement pool table, Stifler walks in at the worst time and faints in horror. These antics are genuine and fresh, with great acting by all principals.

Coolidge, Hannigan, and Levy are arguably the best secondary characters. Each, in a different way from the others, provides comic relief by crafting interesting nuances to the characters.

Levy, as Jim’s father, is well-meaning, yet bumbling. Every teen cringes at the thought of having a father like Noah, yet the pair share a close bond and a classic father-son relationship, so the character is therefore enamoring.

American Pie was successful at coining new pop-culture phrases such as “warm apple pie”, “milf”, and “this one time in band camp…” that the young generation of the time (myself included) enjoyed giggling over and repeating in glee.

The film set the tone for other similar genre films, but none of them lived up to the chemistry and the charm that American Pie had. This film was better than it ever should have been!

The turn-of-the-century version of Animal House, American Pie (1999) introduces a new generation of young people into the world of comedic, R-rated, raunchy fun. Films like this have been churned out by the numbers, but rarely any are as authentic as this film feels.

The franchise was able to sustain its popularity with well-written sequels, most notably American Pie 2 (2001), which developed the situations more, but the original is a fine blueprint for what good comedy can achieve.