Tag Archives: Comedy

The Skeleton Twins-2014

The Skeleton Twins-2014

Director Craig Johnson

Starring Bill Hader, Kristen Wiig

Scott’s Review #179

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Reviewed October 2, 2014

Grade: A-

The Skeleton Twins (2014) is a tremendous, character-driven, family drama that focuses on character development rather than standard plot devices.

The film stars Bill Hader and Kristen Wiig from Saturday Night Live, but do not be fooled based on the actors involved that The Skeleton Twins is a light comedy- it is not.

There are laugh-out-loud scenes throughout, but this is a serious story about depression, suicide, and anger, and at times, very dark.

Wiig plays Maggie, a woman in her thirties who seemingly has it all. Lance, her handsome, loyal husband, played by Luke Wilson, adores her. She has a stable job as a dental hygienist and lives a quiet, quaint life in upstate New York- seemingly enjoying a happy middle-class existence.

Hader plays Milo, Maggie’s estranged twin brother, who lives in Los Angeles and is a struggling actor with no agent, reduced to waiting tables in a lousy restaurant. Presumably, just out of a relationship, Milo attempts suicide by slitting his wrists.

Maggie flies to Los Angeles to visit Milo in the hospital and invites him to recuperate with Maggie and Lance in New York.

Having grown up as best friends, they reconnect once Milo moves in.

The Skeleton Twins is so jam-packed with interesting stories, both current and back story, that it becomes effortless to fall in love with Maggie and Milo.

When the twins were aged fourteen, their father committed suicide by jumping off a bridge, a father they were very connected to.

Their mother, played by Joanna Gleason, was a horrible mother growing up and, in present times, is a hippie involved in an interracial marriage. She awkwardly visits Maggie and Milo and attempts to heal them through meditation.

Other character history is revealed.

Milo, who is gay, was molested by his teacher when he was fifteen years old, a teacher he is still in love with, and is wonderfully played against type by Ty Burrell.

Maggie has carried on affairs with various men throughout her marriage to Lance and is secretly using birth control pills to avoid becoming pregnant. Lance happily thinks they are trying to conceive.

The characters of Milo and Maggie are incredibly layered and well-written. They are both damaged from a difficult childhood, suffer from depression, and now only have each other.

Scenes in The Skeleton Twins range from hysterical- a scene in a dentist’s office involving laughing gas rolling on the floor funny and a lip-synching scene to the hit “Nothing’s Gonna Stop Us Now”, are both wonderful.

Dramatic and shocking scenes where Milo and Maggie go at each other with gusto, dredging up childhood wounds, are brilliantly acted by Wiig and Hader.

The chemistry between Wiig and Hader is incredible and both actors are very successful at playing hysterical comedy versus dark drama, which impressed me.

Luke Wilson is great in support as the straight-laced, nice guy married to Maggie.

A slight criticism- the character of Milo is written as stereotypically gay- man-hungry and hardly a man’s man. He has trouble clearing brush because presumably, he is too girly to handle the task.

I wish more films would steer away from these stereotypes.

Ty Burrell’s character of Rich is so complex that I wish he would have been explored a bit more- being gay how can things work with his girlfriend while harboring many secrets? Is he still in love with Milo despite repeatedly pushing him away? I would have loved more depth to this complex character.

After the film, I felt the filmmakers did not go as dark as they could have, and audiences will know what I mean following the final scene.

There is no fairy tale ending ether.

Milo and Maggie are damaged goods who only have each other making for a dynamic character-rich film.

Bachelor Party-1984

Bachelor Party-1984

Director Neal Israel

Starring Tom Hanks, Tawny Kitaen, Adrian Zmed

Scott’s Review #163

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Reviewed September 1, 2014

Grade: D

Watching Bachelor Party (1984) for the very first time circa 2014, and the last time I plan on watching this film, I realized almost immediately how dated it is and at this point can only be presumably enjoyed for nostalgia purposes.

I can’t fathom anyone watching Bachelor Party for the first time and thinking it is a great film- it is not.

If not for Tom Hanks becoming a huge star this comedy would be forgotten as there are dozens of like-minded films from the 1980s that resemble it- think Pretty in Pink (1986), National Lampoon films, etc.

The premise is basic- Rick (Hanks) and Debbie (Tawny Kitaen) are engaged and Rick’s friends throw a Bachelor party while Debbie goes out with the girls.

Of course, Debbie’s parents hate Rick and scheme, along with her ex, to break them up.

Every decade seems to have a similar carbon copy of this party-themed film- Animal House (1978), American Pie (1999), and The Hangover (2009) though not as entertaining as the aforementioned films.

All the characters are caricatures, one-note, and types. There is a little back story for any of them.

The plot is silly and predictable, and the 1980’s look to the film does not hold up well.

The film contains every stereotype imaginable- the meddlesome parents, Debbie’s vicious ex-boyfriend who is the film’s foil, various frat boys and sorority girl types, and Rick’s inept siblings.

Avoid, it unless a trip down 1980’s bad film memory lane is needed.

Tower Heist-2011

Tower Heist-2011

Director Brett Ratner

Starring Ben Stiller, Eddie Murphy

Scott’s Review #160

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Reviewed August 29, 2014

Grade: D

Tower Heist (2011) is a completely formulaic, by-the-numbers comedy with absolutely no surprises or, frankly, creativity.

It tells the story of a luxury high-rise apartment manager named Josh Kovacs, weakly played by Ben Stiller and set in New York City, whose favorite tenant, a businessman named Arthur Shaw, played by Alan Alda is arrested for involvement in a Ponzi scheme.

The entire staff’s pensions have been squandered, thanks to Josh entrusting Shaw with the funds, and he strives to return the money to the rightful owners via a team of staff and an ex-con, played by Eddie Murphy. They team up and attempt to locate millions of dollars hidden in Shaw’s apartment.

If this film was a starring vehicle with Ben Stiller in mind, it was done horribly. He has been much funnier in There’s Something About Mary (1998) or Meet the Parents (2000).

Tower Heist has some similarities to the film Ocean’s Eleven (2001) since the score is recognizable and mirrors that film. The band of players is similar to that film and the look of it reminds me of it too.

Murphy plays a silly, stereotypical role, and zero chemistry exists within the group striving to retain the money.

There is also no chemistry between Stiller and Tea Leoni, who plays an FBI agent with a phony Queens accent that I found laugh-out-loud bad.

Nothing worked in this film since it was one tired gag after another and completely predictable.

I will admit that the two minor positives in Tower Heist were Alan Alda who it’s always great to see him in films, and the interesting choice of a luxurious high-rise setting with cool, ritzy interiors taken from real buildings in New York City.

Otherwise, Tower Heist (2011) is a complete dud.

A Hard Day’s Night-1964

A Hard Day’s Night-1964

Director Richard Lester

Starring The Beatles

Scott’s Review #154

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Reviewed August 18, 2014 

Grade: C

Why this rock documentary, a day in the life film, is considered among the Top 100 films of all time completely escapes me. I’m a huge fan of the band The Beatles, but this is a letdown.

The segments consisting of musical numbers performed by the band are excellent, and, humming along, I enjoyed the black and white filming of the “documentary.” Still, the film is not a documentary in the traditional sense and is very difficult to categorize.

Is it a rock opera, a comedy, a documentary, or a musical? It is somewhat of a hybrid as the viewer journeys through a typical day in the life of a Beatle.

But everything else seems fluff to the point of silliness. Countless scenes of the band running through the streets with adoring fans screaming and chasing after them become irritating. The film has little plot.

The Beatles were a huge band. We get it.

Paul, George, Ringo, and John do a capable job in the film, considering they are non-actors. I’d much rather have been exposed to a straightforward documentary focusing on the background of some of the songs or the band members themselves instead of a lightweight tale of a day in the life of The Beatles with silly attempts at humor thrown in.

A Hard Day’s Night (1964) influenced the 1960s television comedy starring The Monkees.

Oscar Nominations: Best Story and Screenplay Written Directly for the Screen, Best Scoring of Music-Adaptation or Treatment

The Evil Dead-1981

The Evil Dead-1981

Director Sam Raimi

Starring Bruce Campbell

Scott’s Review #144

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Reviewed July 31, 2014

Grade: B+

For its time The Evil Dead was a unique, creative, visually impressive horror classic and far different from the wave of mediocre slasher films from this time (1981).

In the story, five teenagers head to a remote cabin in Tennessee for spring break.

From the beginning of the trip, there is trouble- they are almost killed in a head-on collision, their car almost falls into a rickety bridge, and finally, at the cabin, they stumble upon a haunted book.

From this point, even stranger events begin to develop and the haunting, crazy action begins.

Director Sam Raimi does an excellent job from a visual standpoint- the camera racing through the woods from the demon’s point of view is very effective and scary.

The ambiance is creepy- fog, mist, smoke, and the lighting are great.

The film has all the elements- darkness, remote cabin, and woods coming alive for a genuinely scary horror flick.

Yes, the film seems a bit campy to watch now, but at the time the special effects were brilliant.

My personal favorite is the long shot of the twitching dismembered body and the various, hysterically funny chattering and gibberish among the demons.

The ending of the film is very well done.

The Grand Budapest Hotel-2014

The Grand Budapest Hotel-2014

Director Wes Anderson

Starring Ralph Fiennes, F. Murray Abraham

Scott’s Review #143

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Reviewed July 30, 2014

Grade: B+

The Grand Budapest Hotel (2014) is a witty and unique film by director Wes Anderson, who has also directed similarly quirky films,  notably Monsoon Kingdom (2012) and The Royal Tenenbaums (2001).

The famous story of the history of the Grand Budapest Hotel is recounted, over dinner, by the current owner Zero (played by F. Murray Abraham), and an inquisitive guest (Jude Law).

The film then goes back to the 1930s and shares the story of the actual history of the hotel.

The main story centers on the head concierge, Gustave, (Ralph Fiennes), and his antics involving older wealthy blonde women, a murder, stolen art, and a missing will.

Gustave is a ladies’ man, and bisexual, who spends time with the rich women who stay at the hotel.  Fiennes does an excellent job as the quick-witted, almost manic Gustave.

This sets off a series of interesting, mysterious events for the remainder of the film that turns into a whodunit yarn.

The visual aspects usurp the story. The art direction is amazing. The sets are constructed so perfectly and ingeniously that they almost look like animated sets or like a dollhouses.

The costumes and makeup are flawless.

The story tends to be tough to follow at times and is just not as strong as the other aspects of the film, although this is not to be interpreted as the story is not good- it is entertaining, but nothing more.

It’s just that the other aspects of the film are magnificent and the story is secondary. It’s an odd film, certainly, but unique and interesting.

Well-known Hollywood stars appear- Tilda Swinton, Edward Norton, Adrien Brody, Willem Defoe, and Harvey Keitel.

Oscar Nominations: 4 wins-Best Picture, Best Director-Wes Anderson, Best Original Screenplay, Best Original Score (won), Best Production Design (won), Best Cinematography, Best Makeup and Hairstyling (won), Best Costume Design (won), Best Film Editing

Quartet- 2012

Quartet-2012

Director Dustin Hoffman

Starring Maggie Smith, Tom Courtenay

Scott’s Review #122

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Reviewed July 20, 2014

Grade: B+

Quartet (2012) is a fantastic little British film, directed by Dustin Hoffman, and starring the always wonderful Maggie Smith, whom one might argue could be watched in anything.

I certainly could.

Smith stars as a stubborn retired opera singer who begrudgingly settles in at Beecham House, a luxurious senior retirement home for former musicians in their final years.

There she reunites with colleagues from years past who attempt to reunite for a concert for the public to save the home from foreclosure.

The cast of senior citizens in Quartet is quite likable in one of the few smart films handling aging gracefully.

There is comedy and drama mixed in as the intelligent characters are treated as such in their final years with a hint of soap opera to the film as some of them were intimate with others in years past and the current hijinks are hysterical.

The subject of aging is treated with respect and dignity and not played for laughs, which is one aspect of the film that I adore.

A talent-filled cast of British theater actors, along with some real-life musicians make this film a treat.

It is terrific to see Pauline Collins (Upstairs/Downstairs) in a large role.

Rebecca of Sunnybrook Farm-1938

Rebecca of Sunnybrook Farm-1938

Director Allan Dwan

Starring Shirley Temple

Scott’s Review #113

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Reviewed July 16, 2014

Grade: B

Rebecca of Sunnybrook Farm (1938) is one of several Shirley Temple films released in the 1930s and 1940s.

In this story, Rebecca (Temple) is a confident child singer auditioning for a New York City radio gig with her opportunistic Uncle. Through a series of mishaps, she winds up outside the city with her aunt and other people living on or near the farm.

The radio people race to find Rebecca in time and make her a star. Other romantic subplots involving the supporting characters occur.

The film is innocent and cutesy, but you must be a Shirley Temple fan to enjoy it truly. If not, you might find it contrived and sentimental.

It falls somewhere in the middle for me. While I enjoyed the Shirley Temple musical numbers and the star’s talent, the story was predictable, and no surprises were in store. It felt more like a pleasant trip down memory lane.

The film is harmless and contains the standard Temple curls, smiles, and joyfulness. The supporting cast includes Jack Haley (The Wizard of Oz) and Gloria Stuart (Titanic-1997).

Jeff, Who Lives at Home-2011

Jeff, Who Lives at Home-2011

Director Jay Duplass, Mark Duplass

Starring Jason Segel, Susan Sarandon

Scott’s Review #107

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Reviewed July 12, 2014

Grade: B

I confess to not being a huge fan of Jason Segel.

Jeff, Who Lives at Home (2011) tells the story of a slacker who lives with his mother and lives in the shadows of his successful brother, played by Ed Helms.

He regularly smokes pot and looks for meaning in random occurrences.

One day he begins an adventure when he believes he sees meaning in a phone call and it sets up a series of mishaps involving his brother and estranged wife, played by Judy Greer.

The secondary story involves the mother (Susan Sarandon), who leads a dull life working a mundane job. She suddenly develops a secret admirer at her job.

The film was much better than expected. As the movie unfolds it turns into a day in the life of a dysfunctional, yet loving family.

I expected a silly, dumb comedy given the star and the premise, but the film was much better than that. It is a nicely layered, touching movie with a message and some spirituality mixed in.

I loved the ending and was impressed by the heartfelt nature of this small little slice-of-life film.

Ace Ventura: Pet Detective-1994

Ace Ventura: Pet Detective-1994

Director Tom Shadyac

Starring Jim Carrey, Courtney Cox, Sean Young

Scott’s Review #106

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Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carrey as a goofy private investigator specializing in pet rescue.

He is fairly inept but is hired by the Miami Dolphins to find their stolen mascot.

The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carrey who defined the goofy, slapstick film star of the 1990s and, although over-the-top, is quite funny with his weird gestures and absurd mannerisms.

If the writing were only slightly better- think Dumb and Dumber (1994) or The Mask (1994), this film would have been almost enjoyable, but it pushes the definition of dumb fun just a little too far and sooner rather than later becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this move seem sad and desperate.

Sean Young is appealing as the villain.

An Affair to Remember-1957

An Affair to Remember-1957

Director Leo McCarey

Starring Cary Grant, Deborah Kerr

Scott’s Review #105

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Reviewed July 12, 2014

Grade: B

An Affair to Remember (1957) is an excellent example of how romantic comedies have changed.

‘rom-com’ is not my genre of choice as typically they are clichéd and predictable. The romantic comedies in years past were vastly different, containing a glamorous innocence lacking in today’s generic rom-com.

In An Affair to Remember, the charisma of Cary Grant and Deborah Kerr makes the movie. They portray two strangers who take a luxury cruise and inexplicably fall madly in love despite having significant others at home.

The couple wine and dine with each other, revel in merriment for a week and make a pact that if they don’t forget each other in a year, they will meet at the top of the Empire State Building on a specified day and time.

It does not get much more romantic than that.

The extravagance of the gorgeous sets on the cruise ship makes the film a visually satisfying experience. In my book, any movie set in New York City, as the second half does, is a plus.

An Affair to Remember is not a cutting-edge film, though for 1957, adultery may have raised a few eyebrows, but rather a pleasant, warm romantic comedy of the past.

It’s meant to sit back and escape with a sappy, sweet, fun romance.

Oscar Nominations: Best Scoring, Best Song, “An Affair to Remember”, Best Costume Design, Best Cinematography

Blue Jasmine-2013

Blue Jasmine-2013

Director Woody Allen

Starring Cate Blanchett, Sally Hawkins

Scott’s Review #92

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Reviewed July 3, 2014

Grade: A

Blue Jasmine (2013) is the latest offering by Woody Allen and one of his best since the 1970s. I have heard from several people that they are not typical Woody Allen fans but loved this film and I ponder why that is.

My theory is that Cate Blanchett, who stars as neurotic Jasmine, is the heart and soul of this movie.

Allen’s films usually center on neurotic characters and this film is no different.

Set primarily in San Francisco, it tells how Jasmine has lost all of her money thanks to bad investments by her ex-husband (played in flashbacks by Alec Baldwin).

She is a socialite and used to the best life in excess and extravagance.

Now Jasmine is reduced to making a clean start of it by rooming with her blue-collar sister, played by Sally Hawkins, and trying to scrape by.

Jasmine struggles to find success and the means to survive.

The film is hysterical, heartbreaking, and even a downer at moments. Through the assistance of pills and martinis, Jasmine is snobbish and ego-centric, yet the audience falls in love with and roots for her.

She is high-class yet broke. She keeps up appearances, and her wit, usually at the expense of others, never falters.

Blanchett is responsible for the love of this character and, thankfully, won the Best Actress Oscar for her portrayal.

The dialogue is sharp, witty, and filled with laugh-out-loud moments. Thanks to much of it taking place in flashbacks, the audience sees Jasmine’s life as it once was, having everything and then some, then back to her current reality and back and forth. This is a wise decision to show both of her lives.

Blue Jasmine (2013) is one of Woody Allen’s best.

Oscar Nominations: 1 win-Best Actress-Cate Blanchett (won), Best Supporting Actress-Sally Hawkins, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Female Lead-Cate Blanchett (won), Best Supporting Female-Sally Hawkins, Best Screenplay

The Guilt Trip-2012

The Guilt Trip-2012

Director Anne Fletcher

Starring Seth Rogan, Barbra Streisand

Scott’s Review #89

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Reviewed July 3, 2014

Grade: C+

The Guilt Trip (2012) is a lightweight, fun piece of fluff.

It stars Seth Rogan as a thirty-something single guy from New Jersey with a Jewish (in every clichéd way) overbearing mother played by Barbra Streisand.

Through circumstances from his job, they are forced to take a road trip cross country to California where they are to meet a long-lost beau of hers.

If not for the talents and humor of Barbra Streisand, this movie would have been a dud. It’s a dumb movie, but Streisand plays her overbearing, annoying character to the hilt and makes her loveable.

There is nice chemistry between Streisand and Rogan, though frankly, I wonder why Streisand has turned to mindless comedy over more highbrow film work.

Rogan plays a character he has played time and time again in these types of films.

The film screams predictable throughout as with similar road trip comedies, they encounter all of the United States’ geographical stereotypes (cowboys, steakhouses, bull-riding, etc.).

A dumb film made somewhat enjoyable by the two leads.

Easy to Love-1953

Easy to Love-1953

Director Charles Walters

Starring Esther Williams, Van Johnson

Scott’s Review #86

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Reviewed July 2, 2014

Grade: D

Easy to Love (1953) is a romantic comedy from 1953 starring competitive swimmer turned actress Esther Williams.

Williams plays a (surprise!) swimmer in love with her boss, who does not return her affections. She also has two other suitors madly in love with her, so it’s a love triangle film with Williams having a side-kick, played by Edna Skinner.

They go from Florida to New York on a job adventure.

The main problem with this film is the silly script. It’s a romantic comedy of its day, with Williams scampering from one beau to the next. By the end, she has three suitors all vying for her affection, but the viewer hardly cares whom she chooses or which one was meant to be the hero.

The endless scenes of Williams swimming around were necessary since she was known for it, but the film is a dud on almost every level.

Williams, hardly known for her acting ability, spends much of the film jet-skiing and prancing around in swimwear while men lust after her.

That pretty much sums up Easy to Love (1953).

Williams is not a terrible actress, though she is hardly Katharine Hepburn. The movie is lackluster, relatively trivial, and not too much fun.

Outrageous Fortune-1987

Outrageous Fortune-1987

Director Arthur Hiller

Starring Bette Midler, Shelley Long

Scott’s Review #85

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Reviewed July 2, 2014

Grade: D

Outrageous Fortune (1987) is one of many silly plot-driven comedies to come out of the late 1980s.

It stars huge comedic actresses of the time (Bette Midler and Shelley Long) as opposites, Midler-brash, Long-refined, who are acting students and in love with the same man (Peter Coyote).

Of course, they meet and hate each other then become friends. This sets off a series of misunderstandings and standard comedy fare.

It’s a female buddy movie. I must say that I did enjoy the chemistry between Long and Midler as the on-screen chemistry is evident.

Besides the chemistry, the only other positive is the New York City location scenes and the acting/theater workshop setting.

Whose idea was it for Midler to use a horrible, phony New York accent??

It distracted throughout the entire film which is not very good, to begin with. Otherwise, this is a dud and is completely plot-driven and predictable.

It has a pure 1980s comedy feel to it (by that I mean overdone hairstyles, bad music, and a silly plot).

Shelley Long is the highlight of this film as she is great at comedic timing, but, unfortunately, her film-starring career was short-lived.

Amelie-2001

Amelie-2001

Director Jean-Pierre Jeunet

Starring Audrey Tatou

Scott’s Review #74

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Reviewed June 27, 2014

Grade: C+

Amelie (2001) was a major disappointment for me. Critically acclaimed and admired, I did not get this movie at all.

First the positives: this film is French, which gives it an edge for the beautiful language and the setting of France.

The cinematography, art direction, and set design are inventive and unique. The movie has a magical, whimsical feel to it which is appealing.

The story, however, is an enormous drawback.

The central character, a waif-like, sweet, waitress is lonely and feels unloved, yet avoids meeting the man of her dreams by playing a cat-and-mouse game of leaving silly notes and sending him on wild goose chases because she is afraid of happiness, yet she does everything she can to ensure others find happiness.

The story did not work for me at all, but I admire the creativity of the film itself.

Perhaps I should allow myself a second viewing as this film received much fanfare.

Oscar Nominations: Best Screenplay Written Directly for the Screen/Original Screenplay, Best Foreign Language Film, Best Sound, Best Art Direction, Best Cinematography

Independent Spirit Award Nominations: 1 win-Best Foreign Film (won)

Enough Said-2013

Enough Said-2013

Director Nicole Holofcener

Starring Julia Louis-Dreyfus, James Gandolfini

Scott’s Review #71

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Reviewed June 25, 2014

Grade: B+

Enough Said (2013) is a surprisingly well-written, small indie romantic comedy and, sadly, James Gandolfini’s (TV’s The Sopranos) final film performance.

The film stars Julia Louis-Dreyfus, who portrays a down-to-earth massage therapist who meets her odd match (Gandolfini) at a party.

They slowly begin dating and some interesting misunderstandings ensue.

The seemingly odd couple fall in love and form a special bond over time. They are both struggling to overcome past relationships and trust someone again so are vulnerable and interesting characters.

They strive to be happy but are not quite there yet.

I found the dialogue very sharp and witty and Dreyfus is perfectly cast in this film. She and Gandolfini have enormous chemistry and the film is not contrived in the least as many romantic comedies are.

The film feels like a West Coast Woody Allen film from a female perspective with many neurotic, flawed characters.

I enjoyed it immensely.

Independent Spirit Award Nominations: Best Supporting Male-James Gandolfini, Best Screenplay

The Anniversary-1968

The Anniversary-1968

Director Roy Ward Baker

Starring Bette Davis

Scott’s Review #52

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Reviewed June 21, 2014

Grade: B+

The Anniversary (1968) is a British film based on a play of the same name.

The story centers on the Taggert family reunion, celebrating the anniversary of the matriarch (Bette Davis) and the deceased patriarch.

The film is set like a play, and most of the action takes place inside the Taggert family mansion.

The film is all Davis, and she gives a deliciously over-the-top performance as a vicious mother intent on controlling her son’s life and terrorizing their wives or significant others with cutting remarks and insults.

Davis must have had fun with this role, as her storied career was clearly on the downturn, and this role allowed her to let loose.

One must wonder if Davis chewed up the actors in the cast as much as the characters- rumor has it she was pretty intimidating to her fellow actors and a terror to work with, which adds to the macabre enjoyment.

Her physical appearance, with an eye patch, wig, cigarette, and bright red lipstick, all work in her favor. Her maniacal laugh is incredibly campy and wonderful to watch.

Bette Davis is one of the greats, and The Anniversary (1968) serves as a late-career romp that is fun to watch.

Annie Hall-1977

Annie Hall-1977

Director Woody Allen

Starring Woody Allen, Diane Keaton

Scott’s Review #48

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Reviewed June 19, 2014

Grade: A

Annie Hall (1978) is one of Woody Allen’s finest works and that says something as his list of wonderful films goes on and on (Manhattan, Blue Jasmine, and Interiors) are gems.

Annie Hall is a witty, intelligent, great comedy. It is sharply written, quirky, and neurotic all rolled into one.

Comedy is a tough genre. Romantic comedies are even tougher to get right.

My favorite part of the film is Woody Allen himself. Some might say he plays himself, but he is engagingly hysterical as the neurotic, skeptical, Jewish, cynical New York man named Alvy.

He meets and falls in love with equally neurotic Annie Hall, played by Diane Keaton.

They quarrel, love, and traverse from New York to California and back.

There are some very funny scenes (lobster, movie theater line, and the drive-through Manhattan), and the intelligent, crisp dialogue makes this a top-notch comedy.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Woody Allen (won), Best Actor-Woody Allen, Best Actress-Diane Keaton (won), Best Screenplay Written Directly for the Screen Based on Factual Material or Story Material Not Previously Published or Produced (won)

Frances Ha-2012

Frances Ha-2012

Director Noah Baumbach

Starring Greta Gerwig, Adam Driver

Scott’s Review #44

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Reviewed June 18, 2014

Grade: B+

Frances Ha (2012) is an intelligent, quirky comedy-drama made ever so appealing by its star, Greta Gerwig, an up-and-coming indie star (Greenberg-2010, The House of the Devil-2009).

She is the heart of this film and has an intense rooting value to her. You want to be her friend.

Made in black and white, which is unique and highly effective in an indie way, it tells the tale of a moderately talented dancer struggling to make it in New York City.

“Frances”, along with her best friend, hops from situation to situation in an attempt to establish normalcy. Gerwig shines with the perfect blend of awkwardness, sarcasm, and wit that she gives to the character and the viewer falls in love with her as she travels through many trials and tribulations.

It’s a year-in-the-life type of film.

Frances Ha is reminiscent of a Woody Allen film as it contains many neurotic yet lovable characters.

Independent Spirit Award Nominations: Best Feature, Best Editing

Catch-22-1970

Catch-22-1970

Director Mike Nichols

Starring Alan Arkin, Martin Sheen

Scott’s Review #41

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Reviewed June 18, 2014

Grade: B

Catch-22 (1970) is a satirical film similar in subject matter to Robert Altman’s M*A*S*H, released the same year though admittedly I have not seen that film yet.

It does remind me of Dr. Strangelove, and Slaughterhouse-Five in their anti-war theme.

This film is well-made and certainly effectively portrays the outrageousness and lunacy of war.

Most of the characters are presented as crazy, albeit in a dark-humored, over-the-top way.

Alan Arkin is wonderful as the protagonist trying to find a way out of the island of Italy where he and his fellow pilots are stationed.

At times the film feels disjointed and tough to follow, which I understand the novel is too (I have not read the entire book), but the message of the movie comes across loud and clear.

The Way, Way Back-2013

The Way, Way Back-2013

Director Nat Faxon, Jim Rash

Starring Steve Carrell, Toni Collette

Scott’s Review #40

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Reviewed June 18, 2014

Grade: B-

The Way, Way Back (2013) is a cute, summery, “coming of age” story about a teen misfit struggling to fit in.

It contains the basic stereotypical characters (boozy neighbor, overbearing step-father type), but kudos to great performances by Allison Janney and Steve Carell who make the film much more than it would have been otherwise.

The film feels like something that has been done many times before but contains a charming, feel-good quality.

Still, I would have enjoyed it more if some risks had been taken and the characters delved into more.

It is a one-dimensional film that ultimately disappoints.

American Hustle-2013

American Hustle-2013

Director David O. Russell

Starring Christian Bale, Bradley Cooper, Jennifer Lawrence

Scott’s Review #39

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Reviewed June 18, 2014

Grade: A

Having seen American Hustle (2013) a month ago and finally getting around to reviewing it, it’s a perfect time as a slew of Oscar nominations has been reaped upon it, thus, undoubtedly more people will be seeing it in the weeks ahead.

I loved this film.

Some were underwhelmed, but I found it quite authentic and stylish.

I loved the 1970’s period and felt the hairstyles, clothes, and props were spot on.

I also felt the film had great acting and, though I’m not a fan, Jennifer Lawrence enraptured me. The same with Cooper, Bale, and Adams, who all deserve their Oscar nods.

I found it similar in style to Boogie Nights, a 1997 masterpiece directed by Paul Thomas Anderson.

The 1970s musical rock score was perfect. The subject matter of political corruption and cat-and-mouse intrigue was effective and resounding.

Oscar Nominations: Best Picture, Best Director-David O. Russell, Best Actor-Christian Bale, Best Actress-Amy Adams, Best Supporting Actor-Bradley Cooper, Best Supporting Actress-Jennifer Lawrence, Best Original Screenplay, Best Production Design, Best Costume Design, Best Film Editing

Inside Llewyn Davis-2013

Inside Llewyn Davis-2013

Director Ethan Coen, Joel Coen

Starring Oscar Isaac, Carey Mulligan

Scott’s Review #35

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Reviewed June 17, 2014

Grade: B+

Being a tremendous fan of the Coen brothers (Fargo-1996, No Country for Old Men-2007) I was eager to see their latest offering, Inside Llewyn Davis (2013).

The Coen’s have such a sense of quirkiness in their characters and while this film is not on the level of their other gems, it is a good piece.

I love the cold, winter, Greenwich Village setting as struggling folk singer, Llewyn Davis (expertly played by Oscar Isaac) struggles over two weeks to land gigs or breaks while encountering many people who either thwart or help his chances of success.

Sadly, the film was ignored by the Oscar brethren, but alas it tells of a slice-of-life experience of a 1960s artist.

As with most Coen brother films, it is cast with unique, interesting character actors in a bit but nuanced parts.

Oscar Nominations: Best Sound Mixing, Best Cinematography

Independent Spirit Award Nominations: Best Feature, Best Male Lead-Oscar Isaac, Best Cinematography

The Wolf of Wall Street-2013

The Wolf of Wall Street-2013

Director Martin Scorsese

Starring Leonardo DiCaprio, Jonah Hill

Scott’s Review #33

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Reviewed June 17, 2014 

Grade: A

Martin Scorsese’s latest offering, The Wolf of Wall Street (2013) is a tale of overindulgence, chaos, and debauchery in the world of stockbroking during the 1980s.

The film is superb.

It is a drug-filled, sex-filled, over-the-top, loud, testosterone-fueled, frenetic extravaganza that works on so many levels.

Humorous and mouth-dropping scenes occur throughout the film.

The casting is flawless- Leonardo Dicaprio and Jonah Hill deserve the praise and Oscar nominations heaped on them.

The supporting actors are perfect- Rob Reiner, Matthew McConaughey, Jean Dujardin, and Kyle Chandler.

With Scorsese, you will receive an intelligent film, though very R-rated.

Similar in style to another of his masterpieces, Goodfellas-1990, as it is narrated by the main character (Dicaprio).

Comparisons to the 1987 film Wall Street are silly. This film is much deeper, grittier, and frankly, much better.

Do not let the unfathomable running time of three hours discourage you- the time goes by very fast.

Oscar Nominations: Best Picture, Best Director-Martin Scorsese, Best Actor-Leonardo DiCaprio, Best Supporting Actor-Jonah Hill, Best Adapted Screenplay