{"id":7331,"date":"2018-01-07T11:23:14","date_gmt":"2018-01-07T16:23:14","guid":{"rendered":"http:\/\/scottsfilmreviews.com\/?p=7331"},"modified":"2026-07-26T11:13:51","modified_gmt":"2026-07-26T15:13:51","slug":"seven-brides-for-seven-brothers-1954","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=7331","title":{"rendered":"Seven Brides For Seven Brothers-1954"},"content":{"rendered":"<p><strong>Seven Brides For Seven Brothers-1954<\/strong><\/p>\n<p><strong>Director Stanley Donen<\/strong><\/p>\n<p><strong>Starring Jane Powell, Howard Keel<\/strong><\/p>\n<p><strong>Scott&#8217;s Review #711<\/strong><\/p>\n<p><a href=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2018\/01\/70010985.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7332\" src=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2018\/01\/70010985-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" srcset=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2018\/01\/70010985-210x300.jpg 210w, https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2018\/01\/70010985.jpg 284w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><\/p>\n<p>Reviewed January 7, 2018<\/p>\n<p><strong>Grade: B-<\/strong><\/p>\n<p>Seven Brides for Seven Brothers (1954) is a musical and another in a string of Metro-Goldwyn-Mayer productions, ever so present during the &#8220;Golden Age of Hollywood.&#8221;<\/p>\n<p>The songs are not quite as memorable as similar musicals of the day, and the film has a sexist slant that is jarring by today&#8217;s gender-equal standards.<\/p>\n<p>Given the time the film was made and its mid-nineteenth-century setting, however, things were very different, and the film does contain one semi-strong female character.<\/p>\n<p>Seven Brides for Seven Brothers is a lovely film, but in the present day, it is pretty dated and irrelevant\u2014little more than an ode to yesteryear.<\/p>\n<p>Adam Pompitee (Howard Keel), is a dashing, rugged man, living in the Oregon Territory in 1850.<\/p>\n<p>He struts into town and proclaims his desire for a wife- presumably to cook and clean for him and his six younger brothers, all living together in a cabin in the rural mountains.<\/p>\n<p>When he falls head over heels for tavern worker Milly (Jane Powell), they impulsively marry, but she is disappointed to learn she will be caring for seven men, not one.<\/p>\n<p>Milly then plots to marry off the unruly bunch to local girls.<\/p>\n<p>Throughout the film, characters partake in song and merriment as the hijinks play out.<\/p>\n<p>At its core, Seven Brides for Seven Brothers is meant to be a lighthearted romp, and it succeeds at that.<\/p>\n<p>It contains a strong romantic angle, and the message of finding one&#8217;s soulmate is palpable- Milly is the sensible female counterpart to erratic Adam, and there is chemistry between the actors.<\/p>\n<p>Milly is strong-willed and eventually puts her foot down, but still accepts her role as the domestic and the caretaker.<\/p>\n<p>Fun is how each brother finds the one girl in town meant for him as the duo pairs off in unison. This is a cute aspect of the film- and perhaps a film such as this one is not entirely meant to be over-analyzed.<\/p>\n<p>Humorous, if not slightly overdone,\u00a0 is the luscious red hair that each Pontipee brother has- dyed hair or wigs were used as needed.<\/p>\n<p>The film succeeds when it sticks to the song-and-dance numbers, which are far more entertaining than the storyline.<\/p>\n<p>MGM used actors who were classically trained singers or dancers, giving the film a more authentic choreography.<\/p>\n<p>Given the <em><strong>fourteen\u00a0<\/strong><\/em>principal characters in the production, this must have been a beast to achieve without making things look ridiculous.<\/p>\n<p>Keel, as the main character Adam, is a professional singer who has appeared in several musicals, such as Kiss Me Kate and Showboat. Powell, as Milly, holds her own with a gorgeous singing voice and has appeared in other musicals.<\/p>\n<p>Still, Seven Brides for Seven Brothers contains a bothersome sexist story, and women are treated more as objects for men to conquer rather than as real people with feelings or emotions.<\/p>\n<p>The overall implication within the film is that women are desperate to get married and should be flattered to be chosen by any man.<\/p>\n<p>This is readily apparent when the brothers accost the girls from their homes and take them unwillingly to the cabin, where, predictably, the women succumb to the men&#8217;s desires and fall in love with them.<\/p>\n<p>A film to be taken with a grain of salt and a trip back to olden times, Seven Brides for Seven Brothers is a dated picture, but it is fun.<\/p>\n<p>It contains grand production numbers such as &#8220;Lonesome Polecat,&#8221; &#8220;When You&#8217;re In Love,&#8221; and &#8220;June Bride.&#8221; These songs are light and airy, and a high point of the film.<\/p>\n<p>For those seeking a liberal-minded affair, this film will disappoint, as the film is very conservative with traditional male\/female roles and expectations, as much as one could imagine.<\/p>\n<p><strong>Oscar Nominations<\/strong>: <strong>1 win<\/strong>-Best Motion Picture, Best Screenplay, Best Scoring of a Musical Picture <strong>(won)<\/strong>, Best Cinematography, Color, Best Film Editing<\/p>\n<p><strong>Golden Globe Nominations:\u00a0<\/strong><strong>1 win-<\/strong>New Star of the Year-Actor-Jeff Richards <strong>(won)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seven Brides For Seven Brothers-1954 Director Stanley Donen Starring Jane Powell, Howard Keel Scott&#8217;s Review #711 Reviewed January 7, 2018 Grade: B- Seven Brides for Seven Brothers (1954) is a musical and another in a string of Metro-Goldwyn-Mayer productions, ever so present during the &#8220;Golden Age of Hollywood.&#8221; The songs are not quite as memorable &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=7331\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Seven Brides For Seven Brothers-1954<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,49,192,47,396,188],"tags":[4288,12288,4518,4519,4449,3458,4336,12086],"class_list":["post-7331","post","type-post","status-publish","format-standard","hentry","category-1954-films","category-comedies","category-dramas","category-musicals","category-musical-comedy","category-musicdramas","tag-howard-keel","tag-jacques-damboise","tag-jane-powell","tag-jeff-richards","tag-julie-newmar","tag-russ-tamblyn","tag-stanley-donen","tag-tommy-rall"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/7331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7331"}],"version-history":[{"count":13,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/7331\/revisions"}],"predecessor-version":[{"id":23794,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/7331\/revisions\/23794"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}