{"id":6925,"date":"2017-11-03T22:03:55","date_gmt":"2017-11-04T02:03:55","guid":{"rendered":"http:\/\/scottsfilmreviews.com\/?p=6925"},"modified":"2026-10-10T17:44:16","modified_gmt":"2026-10-10T21:44:16","slug":"a-room-with-a-view-1986","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=6925","title":{"rendered":"A Room with a View-1986"},"content":{"rendered":"<p><strong>A Room with a View-1986<\/strong><\/p>\n<p><strong>Director James Ivory<\/strong><\/p>\n<p><strong>Starring Helena Bonham Carter, Julian Sands<\/strong><\/p>\n<p><strong>Scott&#8217;s Review #695<\/strong><\/p>\n<p><a href=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2017\/11\/Room_with_a_View.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-23137\" src=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2017\/11\/Room_with_a_View-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2017\/11\/Room_with_a_View-198x300.jpg 198w, https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2017\/11\/Room_with_a_View.jpg 250w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\n<p>Reviewed November 3, 2017<\/p>\n<p><strong>Grade: B+<\/strong><\/p>\n<p>A Room with a View (1985) is one of four major films based on famed British author E.M. Forster&#8217;s novels, with Howards End (1992), A Passage to India (1986), and Maurice (1987) as the others.<\/p>\n<p>The four films share common elements, such as the vast English countryside and class distinctions, which lead to heartaches and passion.<\/p>\n<p>In A Room with a View, the film moves from artistic Florence, Italy, to a cozy village in England.<\/p>\n<p>The film is a period drama mixed with authentic, unforced good humor, and at its core a solid romantic drama; though, compared with the aforementioned films, it is not quite on par.<\/p>\n<p>It is still an entertaining watch, given the dismal year of cinema circa 1986.<\/p>\n<p>The film was considered one of the year&#8217;s best releases and received a handful of Oscar nominations, winning for Costume Design, Adapted Screenplay, and Art Direction.<\/p>\n<p>Cultured and oftentimes brooding, Lucy Honeychurch (Helena Bonham Carter) goes on holiday to Florence with her rigid and conventional older cousin Charlotte (Maggie Smith), who also serves as her chaperone.<\/p>\n<p>While enjoying the artistry of the European city, Lucy meets and falls madly in love with free-spirited George Emerson (Julian Sands), who is also visiting Florence with his easy-going father, Mr. Emerson (Denholm Elliott).<\/p>\n<p>The men seem oblivious to Lucy&#8217;s (and Charlotte&#8217;s) Victorian-era upbringing, which attracts Lucy and appalls Charlotte.<\/p>\n<p>Months later, the would-be lovers reunite in England and overcome obstacles that threaten their love, while admitting to themselves that it is blossoming.<\/p>\n<p>As Lucy has become engaged to snobbish Cecil Vyse (Daniel Day-Lewis), a sophisticate deemed suitable by her family to marry Lucy, the pair lacks the romantic connection that she shares with George.<\/p>\n<p>Day-Lewis, on the cusp of becoming a breakout star and a brilliant talent, gives Cecil a somewhat comical yet endearing persona that makes him the main foil while also drawing sympathy. This is especially evident during the Lucy\/Cecil break-up scene.<\/p>\n<p>The standout performance in A Room with a View is Smith&#8217;s comic brilliance as the manipulative, witty Charlotte Bartlett, evident throughout.<\/p>\n<p>Smith injects vigor and comic wit into her character, as Charlotte seems to make one blunder after another, using her self-deprecating manner to her advantage to humorously manipulate other characters into doing things her way.<\/p>\n<p>A risqu\u00e9 and quite hysterical all-male frontal nudity scene occurs midway through the film and, while not advancing the plot in any way, steals the entire film in its homoerotic and free-spirited way.<\/p>\n<p>As the Reverend, young George, and Lucy&#8217;s energetic brother, Freddy, walk along a beautiful path, they decide to skinny-dip in a pond, where they horseplay and wrestle completely in the buff.<\/p>\n<p>As they chase each other around the pond, grab each other, and lightly smack bottoms, one cannot help but wonder if this scene set the tone for 1987&#8217;s gay-themed period piece based on another E.M. Forster novel, called Maurice.<\/p>\n<p>A coincidence? I think not. As the trio of rascals comes upon the properly dressed girls on the path, hilarity ensues.<\/p>\n<p>The art direction and costumes in A Room with a View are excellent; the film &#8220;looks&#8221; like a 1910 rather than 1986, with the actors donning early twentieth-century styles.<\/p>\n<p>Every scene is a treat from this perspective, as we wonder who will wear what next.<\/p>\n<p>As with the other aforementioned E.M. Forster films, class distinctions and expectations are central a A Room with a View and make Lucy and George all the more likable as a couple.<\/p>\n<p>Still, overall, something feels slightly amiss in the story.<\/p>\n<p>I did not find Helena Bonham Carter, an actor I like, very compelling as Lucy overall, and I think this makes the story slightly less than it might have been with another in the role.<\/p>\n<p>We may root for Lucy and George, but if the pair do not wind up together, it is more of a pity rather than a travesty.<\/p>\n<p>To summarize A Room with a View, the story is good, not great, and other key components of the film are much better than the central love story of Lucy and George, but they&#8217;re secondary to the main action.<\/p>\n<p>Given a Charlotte romance, the film&#8217;s best character would have catapulted it to an exceptional grade. Imagine the possibilities.<\/p>\n<p>Or more of the two, Miss Alan&#8217;s and their gossipy nature, or even a story of the rugged nude horseplay among men.<\/p>\n<p>Many of the aspects that could have made A Room with a View (1986) great were too often on the sidelines.<\/p>\n<p><strong>Oscar Nominations: 3 wins-<\/strong>Best Picture, Best Director-James Ivory, Best Supporting Actor-Denholm Elliott, Best Supporting Actress-Maggie Smith, Best Screenplay Based on Material from Another Medium <strong>(won)<\/strong>, Best Art Direction <strong>(won)<\/strong>, Best Cinematography, Best Costume Design <strong>(won)<\/strong><\/p>\n<p><strong>Golden Globe Nominations:\u00a0<\/strong><strong>1 win-<\/strong>Best Picture-Drama, Best Director-James Ivory, Best Supporting Actress-Maggie Smith <strong>(won)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Room with a View-1986 Director James Ivory Starring Helena Bonham Carter, Julian Sands Scott&#8217;s Review #695 Reviewed November 3, 2017 Grade: B+ A Room with a View (1985) is one of four major films based on famed British author E.M. Forster&#8217;s novels, with Howards End (1992), A Passage to India (1986), and Maurice (1987) &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=6925\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">A Room with a View-1986<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[102,440,192,261,222],"tags":[1237,9126,1313,11043,1448,1447,1548,11046,690,1449,709,11044,11045,1549,1550],"class_list":["post-6925","post","type-post","status-publish","format-standard","hentry","category-1986-films","category-british-films","category-dramas","category-period-dramas","category-romantic-dramas","tag-daniel-day-lewis","tag-denholm-elliott","tag-e-m-forster","tag-fabia-drake","tag-helena-bonham-carter","tag-james-ivory","tag-james-wilby","tag-joan-henley","tag-judi-dench","tag-julian-sands","tag-maggie-smith","tag-patrick-godfrey","tag-rosemary-leach","tag-rupert-graves","tag-simon-callow"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/6925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6925"}],"version-history":[{"count":15,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/6925\/revisions"}],"predecessor-version":[{"id":24761,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/6925\/revisions\/24761"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}