{"id":3337,"date":"2025-08-01T01:52:09","date_gmt":"2025-08-01T05:52:09","guid":{"rendered":"http:\/\/scottsfilmreviews.com\/?p=3337"},"modified":"2026-05-26T11:27:37","modified_gmt":"2026-05-26T15:27:37","slug":"earthquake-1974","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=3337","title":{"rendered":"Earthquake-1974"},"content":{"rendered":"<p><strong>Earthquake-1974<\/strong><\/p>\n<p><strong>Director Mark Robson<\/strong><\/p>\n<p><strong>Starring Charlton Heston, Ava Gardner, <span class=\"mw-page-title-main\">Genevi\u00e8ve Bujold<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Top 250 Films #144<\/strong><\/span><\/p>\n<p><strong>Scott&#8217;s Review #407<\/strong><\/p>\n<p><a href=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/06\/60030175.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3338\" src=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/06\/60030175-210x300.jpg\" alt=\"60030175\" width=\"210\" height=\"300\" srcset=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/06\/60030175-210x300.jpg 210w, https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/06\/60030175.jpg 284w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><\/p>\n<p>Reviewed June 2, 2016<\/p>\n<p><strong>Grade: B+<\/strong><\/p>\n<p>One of the several disaster films to populate film screens in the early to mid-1970s, Earthquake is one of the &#8220;main four&#8221; blockbusters (The Poseidon Adventure, 1972, The Towering Inferno, 1974, and Airport, 1970, being the others) that still resonate with viewers in modern times and are nostalgic to watch.<\/p>\n<p>One might argue that the aforementioned few largely influenced Earthquake since it was the last of the group to be filmed.<\/p>\n<p>Certainly, the influence is apparent.<\/p>\n<p>Earthquake is a classic, traditional disaster film containing many stock characters (or types). It is an ensemble piece- as disaster films always are- frequently containing stars of yesteryear attempting exposure in the modern cinema.<\/p>\n<p>The gender roles in Earthquake are quite mainstream for the day, as the females are all clearly &#8220;damsels in distress&#8221; types, and the men are portrayed as the heroes.<\/p>\n<p>The action begins as we witness a Los Angeles-based middle-aged couple (the central couple, if you will) engaging in a dispute.<\/p>\n<p>Charlton Heston and Ava Gardner play Stewart and Remy Graff, an affluent couple, a former football star, she a boozy socialite. Her father is the wealthy Sam Royce, played by Lorne Greene. Stewart is having an affair with a young actress, Denise Marshall, creating a soap-opera-style romantic triangle that adds drama to the film.<\/p>\n<p>We meet other characters who round out the characters&#8217; stories- LAPD Sgt. Slade (George Kennedy) shares a flirtation with Rosa (Victoria Principal), while drunkard Walter Matthau and evil kineval character Richard Roundtree provide comic relief.<\/p>\n<p>These stories are merely filler until the inevitable earthquake arrives to &#8216;shake&#8217; things up.<\/p>\n<p>The earthquake is the main character in the film, just like the tidal wave, the fire, and the airline peril are in other films in the same genre.<\/p>\n<p>The character&#8217;s trivial relationships soon take a back seat to the action as the earthquake shatters the city in subsequent onsets and aftershocks, destroying buildings and resulting in many deaths.<\/p>\n<p>The very lengthy main earthquake sequence is second to none, hovering around the twenty-minute mark. We see many characters in peril. The scene goes on and on but is hardly redundant.<\/p>\n<p>The scene is masterful and well done. The effects, cinematography, and visuals alone hold up well today and must have been breathtaking circa 1974.<\/p>\n<p>In one particularly thrilling scene, a group of office workers on the thirtieth floor of a skyscraper desperately scrambles to the elevator as the building shakes and shimmies.<\/p>\n<p>One businessman shoves a secretary aside and selfishly steps into the crowded elevator as others desperately pound on the door to escape.<\/p>\n<p>Things do not end well for the folks on the elevator as bolts loosen and the car crashes to the ground. An animated blood splat fills the screen in a lighthearted, comical way.<\/p>\n<p>The film wisely\u00a0does not take itself too seriously.<\/p>\n<p>As fantastic as the destruction sequence is, Earthquake is not a film without a few flaws, mostly from a character standpoint.<\/p>\n<p>Unbelievable is Heston playing Greene&#8217;s son-in-law, and Gardner is assumed to be young enough to be his daughter- they appear to be around the same age.<\/p>\n<p>A strange character, Jody, a store clerk, suddenly dresses as a soldier, wearing a wig, following the destruction, and is assumed to be gay by thugs, who tease him, which prompts him to shoot them with a machine gun. He subsequently becomes obsessed with and nearly rapes Rosa.<\/p>\n<p>The sub-plot seems uneven and very unnecessary.<\/p>\n<p>With spectacular special effects, Earthquake (1974) is a must-see disaster film with a slightly downcast, hopeless tone. It does its job well- it entertains, thrills, and features an all-star cast of former Hollywood elite and a few rising stars.<\/p>\n<p>A fun time will be had.<\/p>\n<p><strong>Oscar Nominations<\/strong>: <strong>1 win<\/strong>-Best Sound <strong>(won)<\/strong>, Best Art Direction, Best Cinematography, Best Film Editing<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earthquake-1974 Director Mark Robson Starring Charlton Heston, Ava Gardner, Genevi\u00e8ve Bujold Top 250 Films #144 Scott&#8217;s Review #407 Reviewed June 2, 2016 Grade: B+ One of the several disaster films to populate film screens in the early to mid-1970s, Earthquake is one of the &#8220;main four&#8221; blockbusters (The Poseidon Adventure, 1972, The Towering Inferno, 1974, &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=3337\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Earthquake-1974<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7852,96,205,547,4556,563,10448,185,6666,855,867,11319,8859,4849,9681,4840,1864,7464,9680,1733],"tags":[7853,97,259,548,4560,566,10457,186,6667,856,869,11324,8863,4846,9683,4843,1865,7460,9682,1741],"class_list":["post-3337","post","type-post","status-publish","format-standard","hentry","category-144-favorite-film","category-1974-films","category-adventure-films","category-ava-gardner","category-barry-sullivan","category-charlton-heston","category-dick-warlock","category-disasterfilms","category-donald-moffat","category-genevieve-bujold","category-george-kennedy","category-john-randolph","category-lloyd-nolan","category-lorne-green","category-marjoe-gortner","category-mark-robson","category-richard-roundtree","category-top-250-films","category-victoria-principal","category-walter-matthau","tag-144-favorite-film","tag-1974-movie-reviews","tag-adventure-films","tag-ava-gardner","tag-barry-sullivan","tag-charlton-heston","tag-dick-warlock","tag-disaster-films","tag-donald-moffat","tag-genevieve-bujold","tag-george-kennedy","tag-john-randolph","tag-lloyd-nolan","tag-lorne-greene","tag-marjoe-gortner","tag-mark-robson","tag-richard-roundtree","tag-top-250-films","tag-victoria-principal","tag-walter-matthau"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/3337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3337"}],"version-history":[{"count":19,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/3337\/revisions"}],"predecessor-version":[{"id":22720,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/3337\/revisions\/22720"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}