{"id":2726,"date":"2025-08-01T02:45:13","date_gmt":"2025-08-01T06:45:13","guid":{"rendered":"http:\/\/scottsfilmreviews.com\/?p=2726"},"modified":"2025-08-30T09:42:22","modified_gmt":"2025-08-30T13:42:22","slug":"rebecca-1940","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=2726","title":{"rendered":"Rebecca-1940"},"content":{"rendered":"<p><strong>Rebecca-1940<\/strong><\/p>\n<p><strong>Director Alfred Hitchcock<\/strong><\/p>\n<p><strong>Starring Laurence Olivier, Joan Fontaine<\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Top 250 Films #96<\/strong><\/span><\/p>\n<p><strong>Scott&#8217;s Review #345<\/strong><\/p>\n<p><a href=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/01\/895272.jpg\" rel=\"attachment wp-att-2727\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2727\" src=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2016\/01\/895272.jpg\" alt=\"895272\" width=\"166\" height=\"236\" \/><\/a><\/p>\n<p>Reviewed January 9, 2016<\/p>\n<p><strong>Grade: A<\/strong><\/p>\n<p>The only Alfred Hitchcock film to win the coveted Best Picture Oscar trophy, Rebecca is a very early offering in the famous director&#8217;s repertoire.<\/p>\n<p>His heyday being well ahead of this film (the 1950s and 1960s saw his best works), Rebecca is a blueprint of fine things to come and, on its own merits, is a great film.<\/p>\n<p>Shot in black and white, the film is a descent into mystery, intrigue, and madness with a gothic look.<\/p>\n<p>Laurence Olivier stars as wealthy widower Maxim de Winter, whose first wife, the title character Rebecca, died sometime before the story begins. In a clever twist, the character of Rebecca is never seen but takes on a life of her own through the tellings of the rest of the cast.<\/p>\n<p>Joan Fontaine plays a nameless, na\u00efve young woman who meets the sophisticated Maxim and marries him, becoming the new Mrs. de Winter.<\/p>\n<p>This development is met with disdain by the servants who work in the Grand de Winter mansion, Manderley, a character in its own right.<\/p>\n<p>The housekeeper, Mrs. Danvers (Judith Anderson), is cold and distant from Maxim&#8217;s new wife. She begins to reveal an obsession with the deceased Rebecca, which creates jealousy and intimidation for Fontaine&#8217;s character, to the point where she starts to doubt her sanity and decision-making capabilities.<\/p>\n<p>Thanks to Hitchcock&#8217;s direction, Rebecca is a fantastic, old-style film with layers of mystery and wonderment. The mansion, Manderley, is central to the story, as is Mrs. Danvers&#8217;s creepy obsession with Rebecca.<\/p>\n<p>She keeps the dead woman&#8217;s bedroom neat, a sort of shrine to her memory, so much so that, despite the time the film was made, 1940, a lesbian element is crystal clear to attention-paying audiences.<\/p>\n<p>This aspect may not have been noticed at the time, but it is apparent now.<\/p>\n<p>The film is also a ghost story since the central character, Rebecca, is never seen.<\/p>\n<p>Could she be haunting the mansion? Is she dead, or is this a red herring created to throw the audience off the track? Is the new Mrs. de Winter spiraling out of control? Is she imagining the servant&#8217;s menacing actions? Is Maxim in on the tormentor, simply seeking a replacement wife for his steadfast love?<\/p>\n<p>The pertinent questions are asked not only of the character but also of the audience as they watch with bated breath.<\/p>\n<p>The climax and finale of Rebecca (1940) are fantastic.<\/p>\n<p>As the arguably haunted mansion is engulfed in flames and the sinister Mrs. Danvers can be seen lurking near the raging drapes, the truth comes to the surface, leaving a memorable haunting feeling to audiences watching.<\/p>\n<p>Rebecca is a true classic.<\/p>\n<p><strong>Oscar Nominations: 2 wins<\/strong>-Outstanding Production <strong>(won)<\/strong>, Best Director-Alfred Hitchcock, Best Actor-Laurence Olivier, Best Actress-Joan Fontaine, Best Supporting Actress-Judith Anderson, Best Screenplay, Best Original Score, Best Art Direction, Black and White, Best Cinematography, Black-and-White <strong>(won)<\/strong>, Best Film Editing, Best Special Effects<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rebecca-1940 Director Alfred Hitchcock Starring Laurence Olivier, Joan Fontaine Top 250 Films #96 Scott&#8217;s Review #345 Reviewed January 9, 2016 Grade: A The only Alfred Hitchcock film to win the coveted Best Picture Oscar trophy, Rebecca is a very early offering in the famous director&#8217;s repertoire. His heyday being well ahead of this film (the &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=2726\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Rebecca-1940<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7948,315,38,42,362,3910,3942,493,3656,468,4069,3916,204,7530,7464],"tags":[7949,316,109,58,363,3911,3945,494,3657,471,4071,3918,258,7533,7460],"class_list":["post-2726","post","type-post","status-publish","format-standard","hentry","category-96-favorite-film","category-1940-movie-reviews","category-hitchcockfilms","category-bestpictureoscar","category-favorite-film-of-the-year","category-george-sanders","category-gladys-cooper","category-joan-fontaine","category-judith-anderson","category-laurence-olivier","category-leo-g-carroll","category-nigel-bruce","category-thrillers","category-top-100-films","category-top-250-films","tag-96-favorite-film","tag-1940-movie-reviews","tag-alfred-hitchcock-films","tag-best-picture-oscar-winners","tag-favorite-film-of-the-year","tag-george-sanders","tag-gladys-cooper","tag-joan-fontaine","tag-judith-anderson","tag-laurence-olivier","tag-leo-g-carroll","tag-nigel-bruce","tag-thrillers","tag-top-100-films","tag-top-250-films"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/2726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2726"}],"version-history":[{"count":16,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/2726\/revisions"}],"predecessor-version":[{"id":21953,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/2726\/revisions\/21953"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}