{"id":20750,"date":"2024-11-25T17:46:21","date_gmt":"2024-11-25T22:46:21","guid":{"rendered":"https:\/\/scottsfilmreviews.com\/?p=20750"},"modified":"2025-03-07T17:39:57","modified_gmt":"2025-03-07T22:39:57","slug":"a-real-pain-2024","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=20750","title":{"rendered":"A Real Pain-2024"},"content":{"rendered":"

A Real Pain-2024<\/strong><\/p>\n

Director Jesse Eisenberg<\/strong><\/p>\n

Starring Jesse Eisenberg, Kieran Culkin, Jennifer Grey<\/strong><\/p>\n

Scott’s Review #1,452<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Reviewed November 25, 2024<\/p>\n

Grade: A-<\/strong><\/p>\n

A Real Pain (2024) is a well-written film about life’s emotions, experiences, joys, and pains. It wonderfully mixes comedy with drama, not one genre or the other but a pot of delicious flavors forming a potent concoction.<\/p>\n

Jesse Eisenberg produces, writes, directs, and acts in his creation, making it his own. Kieran Culkin is a revelation as a troubled young man plagued by depression and ravaged by passion.<\/p>\n

Emma Stone co-produces.<\/p>\n

David (Eisenberg) and Benji (Culkin) play New York Jewish cousins with seemingly minor in common who reunite for a tour through Poland to honor their beloved grandmother.<\/p>\n

David, a reserved and pragmatic father and husband, contrasts sharply with Benji, a free-spirited and eccentric drifter. Their personalities clash as Benji criticizes David for losing his former passion and spontaneity, while David struggles with Benji’s unfiltered outbursts and lack of direction.<\/p>\n

In Poland, the pair meets up with a Holocaust tour group that each shares a link to the Holocaust history.<\/p>\n

Emotional honesty among the group members and tour guide occurs during their week-long trip as brutal truths and past tensions surface.<\/p>\n

A Real Pain is a character study with flawless writing. Eisenberg delivers an effort reminiscent of a Woody Allen film with punchy moments, neurotic characters, and cheeky humor.<\/p>\n

Benji and David, more like brothers than cousins, admire and resent each other. Benji wishes he had what David does- a stable job, a wife and child, and peace of mind. David resents the way Benji lights up a room with his passion, quickly becoming center stage while David is forced to lurk in his shadow.<\/p>\n

Together, the film belongs to Eisenberg and Culkin as their dazzling chemistry emulates from the screen.<\/p>\n

From the first scene, we sense David’s frustration. He rushes to the chaotic airport, hurriedly leaving voicemails for Benji. But the carefree Benji has been at the airport for hours and dismisses David at every measure.<\/p>\n

David is a nice guy who selflessly gives Benji the window seat and first dibs on the shower. But he secretly feels bullied by Benji’s selfishness.<\/p>\n

David realizes that people always fall for Benji and give him a pass, which frustrates him. He essentially mocks and calls the tour group assholes but somehow is deemed ‘real’ or ‘honest.’<\/p>\n

Benji is tough to like, but Culkin’s wounded blue eyes allow the audience to realize he is hurting and suffering from deep pain.<\/p>\n

My only knock is why the tour guide, who is mocked and criticized by Benji, ultimately thanks him for his brutal honesty and more or less snubs David.<\/p>\n

Compared to the otherwise honest writing, this scene feels forced and unrealistic.<\/p>\n

Eisenberg flawlessly delivers a performance that showcases his range of emotions. Sufferingly patient, he explodes during a dinner scene, letting his emotions spill onto the table.<\/p>\n

Eisenberg and Culkin’s great acting is showcased, especially during the scenes where they let their emotions rip. Their best scene together is atop a hotel, where they smoke pot and old wounds furiously come to the surface.<\/p>\n

Besides the acting, Eisenberg, the screenwriter, immerses the audience in the importance of Holocaust history.<\/p>\n

It’s not for the faint of heart. Powerful scenes of the tour group walking through \u00a0Majdanek concentration camp are hard to watch, with the knowledge that thousands were exterminated.<\/p>\n

Led by a scene-stealing turn from Culkin and a bevy of creative talents by Eisenberg, A Real Pain (2024) is a powerfully funny, emotionally resonant dramedy that finds him playing to his strengths on either side of the camera.<\/p>\n

Oscar Nominations: 1 win-<\/strong>Best Supporting Actor-Kieran Culkin (won)<\/strong>, Best Original Screenplay<\/p>\n

Independent Spirit Award Nominations: 2 wins-<\/strong>Best Supporting Performance-Kieran Culkin (won)<\/strong>, Best Screenplay (won)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A Real Pain-2024 Director Jesse Eisenberg Starring Jesse Eisenberg, Kieran Culkin, Jennifer Grey Scott’s Review #1,452 Reviewed November 25, 2024 Grade: A- A Real Pain (2024) is a well-written film about life’s emotions, experiences, joys, and pains. It wonderfully mixes comedy with drama, not one genre or the other but a pot of delicious flavors … Continue reading A Real Pain-2024<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4976,49,192,2805,41,215,211,836,2745,5999,6001],"tags":[4980,252,193,2807,73,216,212,839,2751,6000,6002],"class_list":["post-20750","post","type-post","status-publish","format-standard","hentry","category-2024-films","category-comedies","category-dramas","category-emma-stone","category-indiefilms","category-indie-comedies","category-indie-dramas","category-jennifer-grey","category-jesse-eisenberg","category-kieran-culkin","category-will-sharpe","tag-2024-films","tag-comedies","tag-dramas-2","tag-emma-stone","tag-independent-films","tag-indie-comedies","tag-indie-dramas","tag-jennifer-grey","tag-jesse-eisenberg","tag-kieran-culkin","tag-will-sharpe"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/20750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20750"}],"version-history":[{"count":10,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/20750\/revisions"}],"predecessor-version":[{"id":21265,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/20750\/revisions\/21265"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}