{"id":16257,"date":"2022-06-03T16:42:04","date_gmt":"2022-06-03T20:42:04","guid":{"rendered":"https:\/\/scottsfilmreviews.com\/?p=16257"},"modified":"2026-03-16T19:11:45","modified_gmt":"2026-03-16T23:11:45","slug":"free-to-be-you-and-me-1974","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=16257","title":{"rendered":"Free to Be&#8230;You and Me-1974"},"content":{"rendered":"<p><strong>Free to Be&#8230;You and Me-1974<\/strong><\/p>\n<p><strong>Starring Marlo Thomas, Alan Alda, Harry Belafonte<\/strong><\/p>\n<p><strong>Scott&#8217;s Review #1,262<\/strong><\/p>\n<p><a href=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2022\/06\/Free_to_Be._You_and_Me_album_cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-22742\" src=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2022\/06\/Free_to_Be._You_and_Me_album_cover.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2022\/06\/Free_to_Be._You_and_Me_album_cover.jpg 250w, https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2022\/06\/Free_to_Be._You_and_Me_album_cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p>Reviewed June 3, 2022<\/p>\n<p><strong>Grade: A<\/strong><\/p>\n<p>I don&#8217;t typically review television specials or television series, since, as the title suggests, my website isn&#8217;t about that.<\/p>\n<p>But, because of the sheer relevance and groundbreaking nature of Free to Be&#8230;You and Me (1974), and that it is more of a &#8216;project&#8217; than merely a television special, I felt compelled to give it the recognition and praise it deserved.<\/p>\n<p>A record album and illustrated book first released in November 1972, featuring songs and stories sung or told by celebrities of the day, also makes it meatier than a one-and-done hour-long slot on a random Monday night.<\/p>\n<p>The running time is a mere 45 minutes, but a lot happens in that time, leaving any viewer with an open mind about how everyone should see it.<\/p>\n<p>To summarize, the emotions the experience elicits outweigh the limited screen time.<\/p>\n<p>The project was conceived, created, and executive-produced by actress Marlo Thomas, who also serves as host. What a great human being she proves herself to be, bringing something so valuable to the small screen.<\/p>\n<p>The result is so ahead of its time that the message feels powerful when watching it for the first time nearly fifty years later, in 2022.<\/p>\n<p>You can&#8217;t say that about most television.<\/p>\n<p>The basic concept is to celebrate and encourage gender neutrality, saluting values such as individuality, tolerance, and comfort with one&#8217;s identity. Strong messages.<\/p>\n<p>These ideals began to emerge in the late 1960s, when the sexual revolution took hold.<\/p>\n<p>A major theme is that anyone, regardless of whether they are a boy or a girl, can achieve anything and be whatever they want to be.<\/p>\n<p>I adore early on when a scene from a hospital emerges, infant depictions of Thomas and Mel Brooks debating their genders. They say their goodbyes as they leave the hospital, but the moment is long remembered.<\/p>\n<p>Later, Thomas and Alan Alda sing about a boy named William who wants a doll. And why shouldn&#8217;t he? Just as Sally, Jennifer, or Mary should be allowed to play with a dump truck if they feel like it.<\/p>\n<p>Surely, the United States, the project&#8217;s main region, has slowly become more progressive in the subsequent decades. A sad reminder is that some people still have a problem with gender neutrality or even gender equality.<\/p>\n<p>We&#8217;re not out of the woods yet, folks.<\/p>\n<p>But those people are to be dismissed and not embraced.<\/p>\n<p>Guest performers include Alda, Cicely Tyson, Tom Smothers, and Harry Belafonte, while Roberta Flack, Michael Jackson, Rita Coolidge, and Kris Kristofferson help supply the tunes.<\/p>\n<p>A shockingly young Jackson also appears in a skit.<\/p>\n<p>The production features uplifting sketches and songs that urge both the young and the old to welcome diversity and embrace individualism.<\/p>\n<p>I ruminated throughout my viewing on how, in many ways, it is similar to PBS&#8217;s Mister Rogers Neighborhood, using puppets to appeal to youngsters and teach treasured messages. The kindness of the characters provides protection and warmth, teaching worth and value.<\/p>\n<p>Free to Be&#8230;You and Me (1974) deservedly became an Emmy-winning TV special that taught many children (and adults) how to celebrate and respect diversity.<\/p>\n<p>I hope that someone somewhere gives Free to Be&#8230;You and me, a boost, and it&#8217;s shown in schools all across the world.<\/p>\n<p>It&#8217;s a timeless masterpiece.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Free to Be&#8230;You and Me-1974 Starring Marlo Thomas, Alan Alda, Harry Belafonte Scott&#8217;s Review #1,262 Reviewed June 3, 2022 Grade: A I don&#8217;t typically review television specials or television series, since, as the title suggests, my website isn&#8217;t about that. But, because of the sheer relevance and groundbreaking nature of Free to Be&#8230;You and Me &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=16257\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Free to Be&#8230;You and Me-1974<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96,1016,9718,9717,7640,9723,796,597,9721,1021,1017,1012,9719,9722,9720,9716,622,416],"tags":[97,1018,9726,9725,7643,9731,798,600,9729,1024,1019,1015,9727,9730,9728,9724,624,417],"class_list":["post-16257","post","type-post","status-publish","format-standard","hentry","category-1974-films","category-alan-alda","category-carol-channing","category-cicely-tyson","category-diana-ross","category-dionne-warwick","category-dustin-hoffman","category-harry-belafonte","category-jack-cassidy","category-kris-kristofferson","category-marlo-thomas","category-mel-brooks","category-michael-jackson","category-rita-coolidge","category-roberta-flack","category-rosey-grier","category-shirley-jones","category-television-specials","tag-1974-movie-reviews","tag-alan-alda","tag-carol-channing","tag-cicely-tyson","tag-diana-ross","tag-dionne-warwick","tag-dustin-hoffman","tag-harry-belafonte","tag-jack-cassidy","tag-kris-kristofferson","tag-marlo-thomas","tag-mel-brooks","tag-michael-jackson","tag-rita-coolidge","tag-roberta-flack","tag-rosey-grier","tag-shirley-jones","tag-television-specials"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/16257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16257"}],"version-history":[{"count":12,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/16257\/revisions"}],"predecessor-version":[{"id":22744,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/16257\/revisions\/22744"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}