{"id":10318,"date":"2025-08-01T00:09:53","date_gmt":"2025-08-01T04:09:53","guid":{"rendered":"http:\/\/scottsfilmreviews.com\/?p=10318"},"modified":"2025-11-23T18:35:31","modified_gmt":"2025-11-23T23:35:31","slug":"dr-strangelove-1964","status":"publish","type":"post","link":"https:\/\/scottsfilmreviews.com\/?p=10318","title":{"rendered":"Dr. Strangelove-1964"},"content":{"rendered":"<p><strong>Dr. Strangelove-1964<\/strong><\/p>\n<p><strong>Director Stanley Kubrick<\/strong><\/p>\n<p><strong>Starring Peter Sellers, George C. Scott<\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Top 250 Films #242<\/strong><\/span><\/p>\n<p><strong>Scott&#8217;s Review #958<\/strong><\/p>\n<p><a href=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2019\/08\/60020009.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10319\" src=\"http:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2019\/08\/60020009-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" srcset=\"https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2019\/08\/60020009-211x300.jpg 211w, https:\/\/scottsfilmreviews.com\/wp-content\/uploads\/2019\/08\/60020009.jpg 426w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><\/p>\n<p>Reviewed November 13, 2019<\/p>\n<p><strong>Grade: A<\/strong><\/p>\n<p>Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb, more commonly known simply as Dr. Strangelove, is a 1964 political satire black comedy film that satirizes the Cold War and fears of a nuclear conflict between the Soviet Union and the United States.<\/p>\n<p>The film, timely in the 1960s, is as relevant decades later amid the chaos during the 2016 United States Presidential election and the following tumultuous years.<\/p>\n<p>The film is powerful, brave, and essential.<\/p>\n<p>The story centers around an unhinged United States Air Force general (Sterling Hayden) who orders a first-strike nuclear attack on the Soviet Union.<\/p>\n<p>The plot follows the President of the United States (Peter Sellers), the Joint Chiefs of Staff, and a Royal Air Force (RAF) officer as they try to recall the bombers to prevent a nuclear apocalypse.<\/p>\n<p>The film also follows the crew of one B-52 bomber as they try to deliver their payload.<\/p>\n<p>The Cuban Missile Crisis was fresh in viewers&#8217; minds when this film was released, and President John F. Kennedy was recently assassinated. The United States and the Soviet Union were hardly best buddies.<\/p>\n<p>The film was a robust offering because its political satire was fresh. The ironic controversy between the two leaders, nearly sixty years after the film was released, is unintentionally clever.<\/p>\n<p>The acting is excellent. Peter Sellers plays three prominent roles. Each is quite different from the others. Group Captain Lionel Mandrake, a British RAF exchange officer, President Merkin Muffley (what a name!), the President of the United States, and Dr. Strangelove, the wheelchair-using nuclear war expert and former Nazi.<\/p>\n<p>Each glistens with goodness as the actor chomps at the bit, making them precise and unique, careful never to stray too far overboard into ridiculousness.<\/p>\n<p>Director Stanley Kubrick wisely chooses black-and-white cinematography with stellar results and prominent filmmaking techniques.<\/p>\n<p>As creative and progressive as many 1960s films started to become as the decade blossomed, it feels like it could have been made in the 1940s.<\/p>\n<p>Kubrick, well known for masterpieces such as The Shining (1980) and 2001: A Space Odyssey (1968), delivers perhaps the oddest film in his catalog with Dr. Strangelove.<\/p>\n<p>The story does not feel dated, and the dialogue remains crisp and razor-sharp in its delivery and meaning. With fast dialogue delivery and a monotone vocal style, the film is entertaining and humorous. It does not take itself too seriously yet brings a poignant and vital idea to life.<\/p>\n<p>The film keeps gnawing at the viewers that as far-fetched as events seem, the possibility they could become real is more than a bit scary.<\/p>\n<p>Who can forget the final sequence of the looming nightmare of the mushroom clouds, set to Vera Lynn&#8217;s hopeful We&#8217;ll Meet Again?<\/p>\n<p>Since the film has a 1940s cinema style, the rude awakening that the 1960s produced in nuclear weapons and insecurity hits home in this sequence.<\/p>\n<p>Dr. Strangelove (1964) is pure satire but frightening in its realism and uncertainty about how one crazy leader could lead an entire nation to detrimental results.<\/p>\n<p>The film highly influenced later satires and unique filmmaking styles\u2014Wes Anderson&#8217;s creations immediately spring to mind.<\/p>\n<p>One can wonder about the different possibilities offered\u2014in a way, the situation&#8217;s absurdity and the unthinkable way it could quickly become a reality.<\/p>\n<p><strong>Oscar Nominations<\/strong>: Best Picture, Best Director-Stanley Kubrick, Best Actor-Peter Sellers, Best Screenplay Based on Material from Another Medium<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Strangelove-1964 Director Stanley Kubrick Starring Peter Sellers, George C. Scott Top 250 Films #242 Scott&#8217;s Review #958 Reviewed November 13, 2019 Grade: A Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb, more commonly known simply as Dr. Strangelove, is a 1964 political satire black comedy film that satirizes the &hellip; <a href=\"https:\/\/scottsfilmreviews.com\/?p=10318\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dr. Strangelove-1964<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7652,91,49,179,660,1830,8590,734,207,5619,306,4526,7464],"tags":[7653,92,252,180,661,1833,8593,735,208,5620,307,4528,7460],"class_list":["post-10318","post","type-post","status-publish","format-standard","hentry","category-242-favorite-film","category-1964-films","category-comedies","category-darkcomedies","category-george-c-scott","category-james-earl-jones","category-keenan-wynn","category-peter-sellers","category-satires","category-slim-pickens","category-stanley-kubrick-films","category-sterling-hayden","category-top-250-films","tag-242-favorite-film","tag-1964-movie-reviews","tag-comedies","tag-dark-comedies","tag-george-c-scott","tag-james-earl-jones","tag-keenan-wynn","tag-peter-sellers","tag-satires","tag-slim-pickens","tag-stanley-kubrick-films","tag-sterling-hayden","tag-top-250-films"],"_links":{"self":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/10318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10318"}],"version-history":[{"count":15,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/10318\/revisions"}],"predecessor-version":[{"id":21777,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=\/wp\/v2\/posts\/10318\/revisions\/21777"}],"wp:attachment":[{"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scottsfilmreviews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}