All posts by scottmet99

Love Is Strange-2014

Love Is Strange-2014

Director-Ira Sachs

Starring-John Lithgow, Alfred Molina

Scott’s Review #174

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Reviewed September 24, 2014

Grade: B

Love Is Strange is sweet, though not nauseatingly sentimental, look at many different types of relationships, but at the forefront is the same sex couple, Ben and George, played by John Lithgow and Alfred Molina respectively.

They are a successful New York City couple of a certain age, who have been together for nearly 30 years and finally legally wed in a low-key ceremony surrounded by friends and family members.

George teaches music at a strict Catholic high school where the students and staff know and love both him and his new husband. The bishop, however, is not supportive of his marriage and he is unceremoniously fired.

This causes Ben and George to become homeless and rely on family and friends for a roof over their heads.

The film features several secondary character relationships- Ben’s nephew and his wife balance busy careers with a temperamental, rebellious, confused son; Ben’s niece from Poughkeepsie seems neurotic.

Neighbors who are gay police couples have loud parties seemingly every night. Marisa Tomei, who plays Ben’s niece by marriage, Kate, and Charlie Tahan as Joey, Ben’s great-nephew are probably the most prominently featured of the supporting cast.

Kate, while well-meaning and accommodating, oftentimes bottles her anger and comforts herself with nightly consumption of red wine. Joey lashes out at his great Uncle in frustration criticizing his artwork and scolding him for using his teen friend in a portrait, a friend whose sexuality is unclear.

Most of the other characters are not fleshed out well and simply are there to move the plot along. This is slightly disappointing. I would have preferred a bit more backstory regarding the rest of the cast.

Throughout the film, a few clues are dropped surrounding Joey and his friend’s sexuality, but never pursued further than on the surface. I was curious about the cop’s back story. How long have they been together? Do they face conflict at work? Numerous scenes show both cops in uniform while running errands or visiting the hospital, which seems to be the film’s desire to emphasize that cops can be masculine and gay- a fact I love, yet the characters are only one dimensional.

Why is Ben’s niece neurotic? This is also not pursued at all.

The film belongs to Lithgow and Molina. The two of them have such effortless, natural chemistry that the audience instantly believes they have been together for decades- the fact that Lithgow and Molina are lifelong friends in real-life surely adds to the realism and naturalness.

Ben is the yin to George’s yang. The performances of Lithgow and Molina are so understated and calming that one might overlook how excellent they are since they are both low-key characters.

At its heart Love Is Strange is a film about strength, courage, loyalty, and perseverance through life’s challenges.

It is a sensitive and lovely film.

Independent Spirit Award Nominations: Best Feature, Best Male Lead-John Lithgow, Best Supporting Male-Alfred Molina, Best Screenplay

The Birds-1963

The Birds-1963

Director Alfred Hitchcock

Starring Tippi Hedren, Rod Taylor

Top 100 Films #2     Top 20 Horror Films #2     

Scott’s Review #173

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Reviewed September 22, 2014

Grade: A

The Birds is one of director Alfred Hitchcock’s finest works.

Made in 1963, following Psycho, it continues Hitchcock’s run of successes, both commercially and critically.

Set in northern California (in both San Francisco and Bodega Bay) it tells the story of unexplained bird attacks in a peaceful small bay town.

Tippi Hedren plays Melanie Daniels, a wealthy socialite from San Francisco, who drives to Bodega Bay to romantically pursue a love interest, Mitch Brenner.

Mitch, played by Rod Taylor, is a successful attorney who meets and shares a flirtation with Melanie the day before at a San Francisco pet store. He regularly visits his mother (Jessica Tandy) and sister (Veronica Cartwright) in Bodega Bay.

Once Melanie arrives in town birds begin periodically attacking the locals living in the sleepy community.

The Birds is a film that holds up incredibly well and is as exciting and horrifying today as it has ever been in the past.

One intriguing aspect of the film is that it offers no rhyme or reason for the bird attacks, which keeps the viewer guessing from the moment a gull swoops down and attacks innocent Melanie.

It is completely mysterious and open to interpretation- are birds fed up with being caged?

Are the love birds that Melanie purchased the cause of the attacks? Do the birds hate humans? Why do they attack the children? Why do they peck the eyes of their victims out?

One could spend hours debating these questions.

A major creative success of the film is its elimination of a musical score. The eerie silence mixed in with the loud sounds of the birds attacking is a haunting dynamic.

My favorite scene of The Birds features Melanie sitting on a wooden bench in the schoolyard enjoying a cigarette. Behind her is a deserted jungle gym. She barely notices a tiny bird innocently fly past her and land on the jungle gym.

She continues smoking her cigarette. The viewer sees what Melanie cannot- as slowly hundreds of birds land on the jungle gym behind her.

Without music, this scene is deadly silent and very dramatic as it switches from close-ups of Melanie to long shots of the birds gravitating behind her.

Another interesting aspect of The Birds is the character relationships- Mitch’s mother Lydia is afraid of losing her son so she initially despises Melanie; Mitch’s ex-girlfriend, schoolteacher Annie Hayworth strikes up a close friendship with Melanie- one might expect them to be rivals.

A hysterical mother lashes out at Melanie, calling her evil, and blaming her for the attacks.

One wonders, amid the long periods of calm, when the next attack will occur- and we know it will. We look for clues as to what triggers the attacks and we find none.

This makes for brilliant and suspenseful filmmaking. They hardly come better than the masterpiece that is The Birds (1963).

Oscar Nominations: Best Special Effects

Requiem for a Dream-2000

Requiem for a Dream-2000

Director Darren Aronofsky

Starring Ellen Burstyn, Jared Leto

Top 100 Films #51     Top 10 Disturbing Films #3    

Scott’s Review #172

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Reviewed September 21, 2014

Grade: A

Requiem for a Dream (2000) is a disturbing film and, at times, very difficult to watch, but it is also a brilliant masterpiece, visually as well as from a storytelling perspective, that I appreciate more and more with each painful (in a good way!) viewing experience.

The film is easily one of the most disturbing films I have ever seen.

The subject matter is drug trafficking/addiction that affects more than one character in the cast- this subject has been tackled by a myriad of different films- think Traffic, released around the same time as Requiem for a Dream for a comparison.

At the risk of directly comparing Requiem for a Dream to Traffic, which is unfair, I will say that as gritty as Traffic is, Requiem for a Dream makes it look like a kid’s film.

Director Darren Aronofsky’s direction is superb.

The story revolves around a young man (Harry) from Brooklyn, played by Jared Leto, his girlfriend Marion, played by Jennifer Connelly, Harry’s mother Sara, played by Ellen Burstyn, and Harry’s best friend Tyrone, played by Marlon Wayans.

Each individual falls into a trap of drug addiction in their way, but all are written sympathetically so that the audience cares about them and feels their sorrows intensely.

Harry and Tyrone are involved in drug selling but aspire to be successful and both love their mothers and their significant others- in Harry’s case that is Marion.

Marion (Connelly) falls in over her head and is forced to turn tricks to feed her heroin habit. She is an intelligent young woman from an affluent family, which makes her downward spiral into prostitution all the more shocking.

The standout among the central characters is Sara Goldfarb, who is a lonely widowed woman obsessed with a television game show. She develops delusions of grandeur of becoming a contestant and is tragically determined to lose weight to fit into her favorite red dress.

She becomes dependent on diet pills and begins hallucinating that her refrigerator is attacking her.

Aronofsky perfectly mixes in fantasy sequences showcasing Burstyn’s real attractiveness contrasted with the desperation of Sara. Sara is a sad character and Burstyn is mesmerizing in the role.

How she lost the Oscar to Julia Roberts in 2000 is and always will be one of the biggest Oscar travesties in my opinion.

The special part of this film is the visual and cerebral aspects. The film is dreamlike in its texture and extreme, fast-paced close-ups of the diet pills or heroin being consumed.

The viewer feels the highs and lows that the characters feel and there is immediately a sense that all of the characters are doomed and hopeless.

Besides, this film has one of the most effective and haunting scores I have ever experienced, right up there with John Carpenter’s Halloween.

The slow-motion sequences combined with frenetic images make this quite cerebral to watch. I cannot watch this film very often as it is too disturbing and upsetting, but I sure am glad it was made at all.

Oscar Nominations: Best Actress-Ellen Burstyn

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Darren Aronofsky, Best Female Lead-Ellen Burstyn (won), Best Supporting Female-Jennifer Connelly, Best Cinematography (won)

The Past-2013

The Past-2013

Director Asghar Farhadi

Starring Berenice Bejo, Tahar Rahim

Scott’s Review #171

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Reviewed September 16, 2014

Grade: B+

The Past (2013) is an international film directed by acclaimed Iranian director Asghar Farhadi, who directed the brilliant A Separation in 2012.

Despite being directed by an Iranian director, the film is written in French and set in France.

While not quite on the level of A Separation, The Past is still a good, layered, and quite compelling film, though admittedly slow-paced in spots, similar to real life.

The film centers on a couple, Marie and Ahmad, amid a divorce. Marie lives in France with her two daughters from a relationship before Ahmad so they have no children. He lives in Iran and comes to visit and finalize the divorce proceedings.

Further complicating the situation is that Marie is in a relationship with another man, Samir, who has a son with his current wife, who is a vegetable in a coma after a suicide attempt.

What were the events that led her to attempt suicide? Did someone reveal something of importance to her? If so, who?

Questions such as these compel viewers to invest in the characters.

The Past is an excellent family drama done right- there are no needless stereotypes and the children serve more of a purpose than being cute or attractive wallpaper like in many family dramas.

Each child involved- there are 3- has real feelings and realistically expresses themselves. All three principal adult characters are mature, complicated, and have depth. Nobody is the villain and the intent is not to make the audience root for one couple over the other- the film is more mysterious than that.

Rather, the audience spends the film trying to figure out secrets that the characters keep.

Is Marie ready to divorce Ahmad or does she still love him? Does Samir blame Marie for his wife’s condition? Why does the oldest daughter hate Samir so much?

These are questions that arise more and more as The Past unfolds.

Another interesting facet of the film is there are no red herrings introduced to manipulate the viewer. The film is simply a detailed, complex drama.

All three leads (Berenice Bejo, Tahar Rahim, and Ali Mosaffa) give wonderful performances, though I’m not sure why Bejo’s performance is considered the standout.

Upon completion and thought, I noticed many similarities to A Separation.

The Past (2013) is a good, solid, family drama, with rich writing and honest, compelling situations.

The Red Balloon-1956

The Red Balloon-1956

Director Albert Lamorisse

Starring Pascal Lamorisse

Scott’s Review #170

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Reviewed September 15, 2014

Grade: A

The Red Balloon is a poignant short film (34-minute running time) in its innocence and creativity.

The film is directed by acclaimed French filmmaker Albert Lamorisse. It tells the story of a young Parisian boy named Pascal who befriends a special red balloon that arrives out of thin air and greets him one day.

Amazingly, the balloon follows him everywhere and they become inseparable friends. The balloon has a mind of its own and acts as a protector of Pascal from schoolyard bullies and others who do not understand nor care about his bond with the balloon.

The balloon does not leave his side and during school hours and sleeping hours faithfully waits outside for Pascal.

Director Lamorisse’s children play Pascal and a little girl with a similar blue balloon.

The entire film is shot in Paris so many beautiful glimpses of the city are featured. The neighborhood (Belleville) where most of the adventure involves little Pascal and his balloon meandering through the streets to and from school, sadly no longer exists and was destroyed in the 1960s due to decay.

It is a bleak, melancholy neighborhood that perfectly contrasts the extreme brightness of the balloon.

The Red Balloon is a thought-provoking short film and effectively contains almost no dialogue. None is needed as a powerful message of friendship, heartbreak, and loyalty is portrayed.

The climax of the film is heartbreaking yet uplifting.

The Red Balloon is a film for all ages to enjoy and fall in love with and, in fact, for many years the film was shown to children by educators.

The Red Balloon is the only short film to ever win the Academy Award for Best Writing (Original Screenplay).

Oscar Nominations: 1 win-Best Screenplay-Original (won)

Mandela: Long Walk to Freedom-2013

Mandela: Long Walk to Freedom-2013

Director Justin Chadwick

Starring Idris Elba, Naomie Harris

Scott’s Review #169

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Reviewed September 13, 2014

Grade: B

Mandela: Long Walk to Freedom (2013) recounts the true story of the life and times of South African leader Nelson Mandela chronicling fifty-plus years of his life from 1942 to 1994, his passion for freedom and dedication to anti-apartheid, his battles with the government, and his struggles to survive in prison.

The film is shot beautifully, the cinematography gorgeous, and the South African landscape is breathtaking.

I enjoyed the chemistry between Idris Elba and Naomie Harris, who plays Nelson Mandela and his second wife Winnie respectively, and Elba, in particular, is very well cast.

He is charismatic, handsome, calm, and perfectly encompasses the famous leader’s mannerisms.

It was interesting to be exposed to a biopic that spanned such a lengthy period and, in a way, is a history lesson, especially for viewers young enough not to remember the details of Mandela’s life.

I was too young to know of all of Mandela’s trials and tribulations.

For example, I knew he was imprisoned and released, but knew not how long he had spent in prison and away from his wife and family. I got the sense that factually, some details were either embellished or skipped over entirely.

I’ve heard this criticism from moviegoers regarding Mandela: Long Walk to Freedom.

A few drawbacks- this film is VERY Hollywood. It has a glossy feel to it. I would have preferred a bit more grit.

Was there any sexual abuse while Mandela was imprisoned? Was Winnie abused while she was in prison? Why was the lack of sexuality in Mandela’s and Winnie’s marriage in later years alluded to, but never explored?

This is a negative to the film.

Since the film is rated PG-13, aspects are toned down and it has a very safe feel.

Also, for such a perfect shot and designed film, the makeup is dreadful! It was apparent that Idris Elba was wearing a glued-on, unflattering grey wig.

Furthermore, the woman playing Mandela’s mother was surely the same age if not younger than Elba, with dyed grey hair. This aspect feels poorly produced.

Overall, Mandela: A Long Walk Freedom (2013) is a good film, largely due to its acting and the look of the film, but it is not a great one.

Oscar Nominations: Best Original Song-“Ordinary Love”

Pit Stop-2013

Pit Stop-2013

Director Yen Tan

Starring Bill Heck, Marcus DeAnda

Scott’s Review #168

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Reviewed September 10, 2014

Grade: B

Pit Stop is a small independent film from 2013 that centers on a group of gay men living in rural Texas, outside of Houston or San Antonio.

The plot focuses on two specific men, Gabe and Ernesto, who are not acquainted with each other. They tell of their ups and downs, mostly regarding dating and relationships.

Gabe lives with his ex-wife Shannon and they share a child they raise together as a family. They have a warm relationship and live together as friends.  Gabe was recently dumped by a married man who wants Gabe to stop calling him.

Ernesto lives with a younger man whom he used to date and is trying to convince him to move out and get his life together.

Ernesto also has a former partner who is comatose and whom he continues to visit in the hospital.

A subplot of the film is Shannon’s struggles to date. She arranges a date with a co-worker and, after drinking too much, embarrasses herself by coming on too strong to him.

The point of the film is that all of the characters are struggling to find love and companionship and most are quite lonely people, yet not unbalanced or neurotic folks.

They reside in the middle of nowhere which dims their chances of finding love.

There are no villains and all the characters are quite likable. There is a rooting value to each of them especially towards Gabe and Ernesto and all along I kept hoping that they would be brought together as they seem to be a wonderful pair fraught with potential chemistry.

Both are caregivers in their current situations so interesting is what transpires after the film.

Pit Stop (2013) is a feel-good, happily-ever-after type film, mostly screened at independent film festivals and the gay festival circuit.

The film is small and steady, but nice, uplifting experience and worth checking out.

Independent Spirit Award Nominations: John Cassavetes Award

Gloria-2012

Gloria-2012

Director Sebastian Lelio

Starring Paulina Garcia

Scott’s Review #167

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Reviewed September 10, 2014

Grade: B+

The subject matter of the film Gloria (2012) is so unusual in this day and age of the clichéd, youth-obsessed world of Hollywood that it is incredibly refreshing and pleasing to view.

Gloria tells the story of the title character, a middle-aged (50’s) divorced woman, living in Chile, who simply lives life to the fullest.

She loves and embraces new experiences. She tries smoking pot, sings along to disco songs, and dances the nights away.

Gloria is looking for love, but she is not a depressed or dowdy woman. She is stable, attractive, intelligent, and funny.

She lives!!

Gloria meets and begins a relationship with Rodolfo, a similar-aged divorced man with a family filled with baggage whom she meets in a nightclub. His ex-wife and two daughters reside with and are dependent on, him.

The film wisely does not feature Rodolfo’s family at all until the very end which adds to the mystique of the character. Gloria and Rodolfo begin a series of trials and tribulations involving both of their families.

Gloria introduces Rodolfo to her family at a birthday party in which her ex-husband and his current wife are in attendance.

Her family is very close including her relationship with her ex-husband and his new wife. They take a wine-induced trip down memory lane. This is too much for Rodolfo and he bails. He is constantly barraged with phone calls from his family during alone time with Gloria.

They continue to have ups and downs.

The audience wonders, will they find their way to a happily ever after? Is Rodolfo really a cad? Does Gloria want to settle down? A moment of bliss at an expensive hotel is ruined by an event and the audience’s heart breaks for Gloria.

How wonderful that this film dares to feature more than one explicit nude scene between these two middle-aged people in a classy, tender style. This is not common in American films so happily, foreign-language films are not as rigid or prudish in their sexuality.

Why Paulina Garcia received little recognition for this role is unfortunate to me. She deserved an Oscar nomination as she relays an enormous level of complex emotions- she feels the loss, she is betrayed, she is giddy, she is silly, and the list goes on and on.

Gloria, at times, is admittedly slow-paced, but what a breath of fresh air the film and the story is.

The film is a character-driven, tender tale centering on mature, intelligent people.

Independent Spirit Award Nominations: Best International Film

Gloria-1980

Gloria-1980

Director John Cassavetes

Starring Gena Rowlands

Top 100 Films #23

Scott’s Review #166

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Reviewed September 9, 2014

Grade: A

Gloria (1980) is an action/thriller film that features the standard action-crime thriller elements, the shoot ‘em up, guns blazing, clichéd fare but contains an interesting, appealing leading character, a gritty atmosphere, and smart dialogue.

It is a much better film than most indistinguishable films of the action genre.

Directed and written by independent film master, John Cassavetes, who wanted to make a more conventional, mainstream film than was typical for him- think the very left of center, brilliant A Woman Under the Influence, also starring Gena Rowlands, and Gloria was the perfect film for him to create with Rowlands as the focal point.

Made in 1980, Gloria perfectly portrays New York City at the time.

New York City was gritty, dirty, rough, crime-infested, violent, and chaotic and the film travels throughout Manhattan, the Bronx, and New Jersey very often, with many scenes shot directly on the streets of New York.

Several other scenes are set in dingy apartments, hotels, sleazy bars, and dumpy streets and are highly effective in portraying a gloomy atmosphere. The cinematography is perfect in the film.

The heart of the film lies with Rowlands (Director Cassavetes’s wife) who gives a mesmerizing performance as a former mob girlfriend who, by circumstance, must protect a young Hispanic boy from execution by the mob because of an informant book he clings to for dear life.

No other actress could have played this role of a tough-talking, brash New Yorker, as well as Rowlands, plays her. The boy’s father, played by Buck Henry, is a scared accountant with ties to a company fronted by the mob.

He fears his entire family will be murdered and hands his kid over to Gloria. Julie Carmen gives a brief but effective performance as Phil’s frazzled mother.

I wish Henry and Carmen had been given more screen time and fleshed-out characters because both had huge potential. The film belongs to Rowlands- she is no-nonsense, tough, and so convincing in the part.

I also enjoyed the casting of John Adames as the kid, Phil. His performance was inexplicably panned by many critics and I’m not sure why.

I also love the unique opening credits as intense folk/jazz music plays over watercolor portraits that turn into the skyline of New York City and the music has a melancholy and eeriness to it.

Amid the violence, there is a sweet bond that develops between Gloria and Phil that is not too sentimental or cheesy.

A great, compelling, late 1970s/early 1980s film that has some definite Godfather and Dirty Harry influence in texture and characters, especially with some of the mobster characters.

The appeal of the film is that it has a heart but never delves into schlock. Surprisingly rated only PG, it is gritty, but not lewd or harsh and seems dirtier than it is with barely any filthy language.

The chemistry and heartfelt connection between Gloria and Phil are darling without being too sappy or safe. Gloria is a fast-paced, action gem that is both appealing and tough.

Oscar Nominations: Best Actress-Gena Rowlands

Psycho-1960

Psycho-1960

Director Alfred Hitchcock

Starring Janet Leigh, Anthony Perkins

Top 100 Films #1     Top 20 Horror Films #1

Scott’s Review #165

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Reviewed September 6, 2015

Grade: A

Psycho (1960) is the film to end all films and not just within the horror genre- at the time of release it transcended the art of film to a new level and has influenced generations of films since, and still holds up incredibly well today.

It is certainly one of the greatest Alfred Hitchcock films and one of the greatest films ever made, in my opinion.

Hitchcock took a huge risk and dove from the thriller genre to the horror genre with Psycho.

The story involves a young woman named Marion Crane, superbly played by Janet Leigh. Marion lives in Phoenix, Arizona, and sees her boyfriend (the dashing John Gavin) for frequent afternoon rendezvous at cheap motels when he is in town because they are both struggling financially.

She is presented with an opportunity, via her job, to steal $40,000 and flee the state to start a new life with her beau. She seizes the opportunity.

On the run, she stops at a run-down Bates motel where she meets owner Norman Bates, hauntingly played by Anthony Perkins.

Perkins and Leigh have amazing chemistry together and the audience picks up on it- is it romantic? Is there mysteriousness to it? Something is odd about Norman. They bond over a quiet meal of sandwiches at the motel while discussing life and his ailing mother.

The famous shower scene and the shocking twist after the film are now almost taken for granted since most people know about them already, but I can only imagine the shock when viewers were first treated to these two delights.

To this day both are still suspenseful to watch.

When I saw this film for the first time I, fortunately, did NOT know the ending and I am glad I didn’t because my breath was taken away.

To kill off the main actor at the start of the film halfway through was a novel idea and mind-blowing at the time of release (1960).

This act had the audience’s mouths hanging open in disbelief and saying, “What now”? “How can this be followed”? This act would later influence the original Scream (1996) film and surprise audiences all over again.

Per Hitchcock, no one could enter the film after it had started and viewers were persuaded not to reveal the ending- oh how I wish that occurred these days.

A very important aspect of the success and longevity of Psycho is the chemistry between Perkins and Leigh who got along famously while shooting Psycho, and more importantly, the likability of Norman Bates. There is a rooting value for him even though he is the villain.

When Marion’s car is only half-submerged in a lake containing her dead body, we root for the car to completely sink because Norman does and the concerned look on Norman’s face has a sincerity to it that affects the audience. Norman is troubled and wounded and the audience does not know why at this point in the story.

Let’s not forget the likability of Janet Leigh. The audience sympathizes with her predicament. She is hopelessly in love with her man, steals money, is conflicted, and at her core is a nice, decent, kind woman.

Halfway through the film Marion’s sister Lila, played by Vera Miles, is introduced as well as a detective and the film becomes more of a suspense/mystery as they search for Marion and investigate the Bates Hotel and Norman Bates himself.

Miles then takes center stage as the lead in the film, which is intriguing in itself.

The film then returns to horror at the terrific and terrifying conclusion, which will shock first-time viewers.

The musical score (especially the shrill strings) is incredibly effective and was a huge influence on horror films to come (Friday the 13th immediately comes to mind).

Psycho is a film that can certainly be enjoyed and studied over and over again.

Oscar Nominations: Best Director-Alfred Hitchcock, Best Supporting Actress-Janet Leigh, Best Art Direction, Black-and-White, Best Cinematography, Black-and-White

Dressed to Kill-1980

Dressed to Kill-1980

Director Brian De Palma

Starring Angie Dickinson, Nancy Allen, Michael Caine

Top 100 Films #13    Top 20 Horror Films #5

Scott’s Review #164

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Reviewed September 2, 2014

Grade: A

Dressed to Kill (1980) is Brian De Palma’s greatest work throughout his storied career.

Set in New York City the film is essentially divided into two halves.

The first half centers around Angie Dickinson, who plays a bored housewife named Kate. She is unhappy in her marriage and seeks therapy from a psychiatrist played by Michael Caine, whom she makes sexual advances towards.

She is unfaithful to her husband, yet is a kind, intelligent, cultured woman. She adores her son and loves her husband, but is utterly unfulfilled with life.

Do we, the audience sympathize with her? Does she get what she deserves? Is she a victim? One powerful scene involves a wide-eyed little girl who cannot stop staring at Kate. Can she sense Kate’s shenanigans? Does she sense her conflict? Does Kate feel guilt? Kate is a complex character and brilliantly played by Dickinson who gives the character sexiness, softness, and appeal.

After a shocking event in a high-rise elevator rivaled only by the shower scene in Psycho (1960) in its surprise and terror, the remainder of the film belongs to Nancy Allen, who plays a prostitute named Liz, determined to solve a mystery to clear her name.

De Palma sets the dreamlike tone to the film with a sizzling opening shower scene sure to make the prudish blush in its explicitness, which I found deliciously sexy.

A ten-minute museum sequence speaks volumes without dialogue as Kate has a cat-and-mouse flirtation with a stranger.

The brilliance of Dressed to Kill is its versatility and complexity and contains one surprise after another from the elevator scene to the final reveal to the final stage itself.

It is part horror film part thriller and always stylish.

The film was surprisingly not well regarded upon its release, but over the years has achieved respect due to its creativity and excellent mood. Many scenes are shot in slow motion adding an effect to them.

Dressed to Kill (1980) is simply brilliant on every level.

Bachelor Party-1984

Bachelor Party-1984

Director Neal Israel

Starring Tom Hanks, Tawny Kitaen, Adrian Zmed

Scott’s Review #163

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Reviewed September 1, 2014

Grade: D

Watching Bachelor Party (1984) for the very first time circa 2014, and the last time I plan on watching this film, I realized almost immediately how dated it is and at this point can only be presumably enjoyed for nostalgia purposes.

I can’t fathom anyone watching Bachelor Party for the first time and thinking it is a great film- it is not.

If not for Tom Hanks becoming a huge star this comedy would be forgotten as there are dozens of like-minded films from the 1980s that resemble it- think Pretty in Pink (1986), National Lampoon films, etc.

The premise is basic- Rick (Hanks) and Debbie (Tawny Kitaen) are engaged and Rick’s friends throw a Bachelor party while Debbie goes out with the girls.

Of course, Debbie’s parents hate Rick and scheme, along with her ex, to break them up.

Every decade seems to have a similar carbon copy of this party-themed film- Animal House (1978), American Pie (1999), and The Hangover (2009) though not as entertaining as the aforementioned films.

All the characters are caricatures, one-note, and types. There is a little back story for any of them.

The plot is silly and predictable, and the 1980’s look to the film does not hold up well.

The film contains every stereotype imaginable- the meddlesome parents, Debbie’s vicious ex-boyfriend who is the film’s foil, various frat boys and sorority girl types, and Rick’s inept siblings.

Avoid, it unless a trip down 1980’s bad film memory lane is needed.

Rush-2013

Rush-2013

Director Ron Howard

Starring Chris Hemsworth, Daniel Bruhl

Scott’s Review #162

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Reviewed August 31, 2014 

Grade: B+

Rush (2013), a film directed by Ron Howard, delves into the world of auto racing with the true story of the 1970s rivalry between racing superstars of the day, James Hunt and Niki Lauda.

The film mainly focuses on the period from 1970-1976 and the series of races and championships involving the two with some of their life trials and tribulations thrown in.

At first bitter enemies, respect, and friendship slowly build over the years.

Chris Hemsworth and Daniel Bruhl give excellent performances as Hunt and Lauda, respectively.

Ron Howard, a very mainstream, Hollywood-style director carves a nice film that is not edgy or particularly risk-taking but is a solid biopic that works and will hold the viewer’s interest.

The film is not gritty and has a definite safe feel, but that is unsurprising since Ron Howard directed it and is a characteristic of his films.

Reportedly, the feud between Hunt and Lauda is slightly embellished from the low-key real-life feud, and some events are created for effect- Hunt never beats up a reporter in Lauda’s defense.

The racing sequences are compelling and are not overdone or take away from the human aspect of the film. I loved seeing the real-life Hunt and Lauda at the end of the film as is quite common these days when telling a true-life story.

Bruhl, an unknown to me, received a deserving Golden Globe nomination for Best Supporting Actor.

Rush is not a movie to go down in history nor will it leave one thinking about or asking questions days after viewing it, but a slick, competent, entertaining story with impressive acting by the two leads.

The Spectacular Now-2013

The Spectacular Now-2013

Director James Ponsoldt

Starring Miles Teller, Shailene Woodley

Scott’s Review #161

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Reviewed August 29, 2014

Grade: B

The Spectacular Now (2013) is a coming-of-age independent film that tells the story of a romance between two unlikely high school seniors.

Sutter (Miles Teller) is a popular student who takes a shine to smart loner Aimee (Shailene Woodley) and the two develop a strong bond as they each struggle with parental issues while being opposite social types.

She is college-bound and motivated, he lives in the now with no thoughts of the future. But somehow they forge a connection.

The success of this film lies with Teller and Woodley who each give nice performances and the chemistry between them is evident.

At first, I neither bought Teller as a traditionally popular kid nor Woodley as the friendless recluse, but somehow the film works as each has a rooting value to them.

Sutter’s ex-girlfriend Cassidy, whom he still has feelings for is played by Brie Larson, and the character is rather undeveloped, needless, and not much rooting value for her or competition for the main couple.

Interestingly, alcohol and alcoholism are touched on as the two leads drink quite heavily and regularly for being only eighteen years old, but glossed over.

I think the film is more about the romance between the two rather than any social issues.

There are capable supporting performances by Jennifer Jason Leigh, Kyle Chandler, and Mary Elizabeth Winstead.

Shailene Woodley received an Independent Spirit Award nomination for Best Actress, but Miles Teller received no nomination and I am surprised as I thought he was a bit better than she was and had the meatier role.

The Spectacular Now (2013) is hardly anything groundbreaking, but a nicely told story that is authentic and admirable for a teen film.

Independent Spirit Award Nominations: Best Female Lead-Shailene Woodley, Best Screenplay

Tower Heist-2011

Tower Heist-2011

Director Brett Ratner

Starring Ben Stiller, Eddie Murphy

Scott’s Review #160

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Reviewed August 29, 2014

Grade: D

Tower Heist (2011) is a completely formulaic, by-the-numbers comedy with absolutely no surprises or, frankly, creativity.

It tells the story of a luxury high-rise apartment manager named Josh Kovacs, weakly played by Ben Stiller and set in New York City, whose favorite tenant, a businessman named Arthur Shaw, played by Alan Alda is arrested for involvement in a Ponzi scheme.

The entire staff’s pensions have been squandered, thanks to Josh entrusting Shaw with the funds, and he strives to return the money to the rightful owners via a team of staff and an ex-con, played by Eddie Murphy. They team up and attempt to locate millions of dollars hidden in Shaw’s apartment.

If this film was a starring vehicle with Ben Stiller in mind, it was done horribly. He has been much funnier in There’s Something About Mary (1998) or Meet the Parents (2000).

Tower Heist has some similarities to the film Ocean’s Eleven (2001) since the score is recognizable and mirrors that film. The band of players is similar to that film and the look of it reminds me of it too.

Murphy plays a silly, stereotypical role, and zero chemistry exists within the group striving to retain the money.

There is also no chemistry between Stiller and Tea Leoni, who plays an FBI agent with a phony Queens accent that I found laugh-out-loud bad.

Nothing worked in this film since it was one tired gag after another and completely predictable.

I will admit that the two minor positives in Tower Heist were Alan Alda who it’s always great to see him in films, and the interesting choice of a luxurious high-rise setting with cool, ritzy interiors taken from real buildings in New York City.

Otherwise, Tower Heist (2011) is a complete dud.

All That Heaven Allows-1955

All That Heaven Allows-1955

Director Douglas Sirk

Starring Rock Hudson, Jane Wyman

Scott’s Review #159

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Reviewed August 26, 2014

Grade: B+

All That Heaven Allows is a perfect-looking film as Director Douglas Sirk famously dressed his films in a contemporary, stylish fashion. Traditionally, his films contain a social aspect to them as evidenced by the story at hand in this film.

Affluent socialite Cary falls in love with handsome young gardener Ron and they face the discrimination of a town where status is everything and gossip is rampant.

I love the chemistry between Jane Wyman (Cary) and Rock Hudson (Ron) and the small town in New England is so perfect looking- sets, cinematography, that it fits the subject matter perfectly- most of the townspeople live these seemingly perfect lives and look down on anyone with a different outlook or way of living.

There is a stifling feeling oozing from these people that contrasts perfectly with the open-mindedness and freedom of Ron and the conflict faced by Cary.

On the one hand, she is passionate about Ron and wants a life with him; on the other, she is unsure if she wants to toss away a comfortable, affluent life with perks like the social club and a beautiful house.

The aforementioned chemistry between the leads is really what makes this film special.

All That Heaven Allows was heavily influential to one of my favorite films, the masterpiece Far from Heaven, which substituted the age factor for race.

Argento’s Dracula-2012

Argento’s Dracula-2012

Director Dario Argento

Starring Thomas Kretschmann, Marta Gastini

Scott’s Review #158

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Reviewed August 22, 2014

Grade: C-

As a huge fan of Dario Argento, his classic horror films such as Suspiria (1977) and Deep Red (1975) would surely land in my Top fifty of all time, not just in the horror genre, this film is a bit of a mess.

The story, as I understand it, involves a young man named Harker, who is hired by Count Dracula to work in his castle as a Librarian. His wife Mina arrives later in the story and is the focal point of the film from that point on.

Another female named Tania rises from the dead to seduce and bite Harker. Dracula intervenes and wants to claim Harker as his own. From this point on, Harker’s wife Mina attempts to look for her husband within the halls of Dracula’s castle.

The plot is difficult to keep track of, not compelling, and not one of Argento’s finest efforts.

An homage to Hammer horror films of the 1950s and 1960s, the film comes across as too campy, poorly performed, and some miscasts among the actors.

The actor who plays Count Dracula is not convincing and seems a strange choice for the part- too nice looking?

It feels like Argento did not know whether to make the film serious or go for being completely over the top. Since when can Dracula change forms into a grasshopper, owl, and other creatures besides a bat?

Other characters like the Priest were introduced for no other purpose than to be killed.

On the positive side, the art direction is amazing. The film is filled with creepy sets, especially inside the mansion, and has a distinct 1970s feel to it. The ambiance is highly effective at portraying a spooky, dark setting.

All in all, though, Argento’s Dracula (2012) is a disappointing experience, and much better films of the same subject matter have been covered in the past.

The Missing Picture-2013

The Missing Picture-2013

Director Rithy Panh

Starring Randal Douc

Scott’s Review #157

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Reviewed August 21, 2014

Grade: C+

One question continued to go through my mind while viewing The Missing Picture (2013). Is it a documentary or a foreign film? It is a documentary, but strangely, the film was nominated for the Best Foreign Language Film Oscar.

I hate to say this, but after fifteen minutes or so I found the film quite dull.

I respect the creative, expressionist clay figures and enjoy the black-and-white real-life clips of the horrific events from 1970’s Cambodia.

But I found the narration as dull as dishwater.

I watched forty-five minutes of the one hour and thirty-five minutes run time and deduced that I had gotten the film’s point. It does not take away from the importance of the subject, but the presentation could have been a bit more exciting.

This is a common occurrence in the documentary genre.

Oscar Nominations: Best Foreign Language Film

On Her Majesty’s Secret Service-1969

On Her Majesty’s Secret Service-1969

Director Peter Hunt

Starring George Lazenby, Diana Rigg 

Top 100 Films #25

Scott’s Review #156

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Reviewed August 19, 2014

Grade: A

On Her Majesty’s Secret Service (1969) is often shamefully derided by fans of the James Bond franchise, which is sad since artistically and story-wise it is top of the heap and is my personal favorite from the series.

Bond, now played by George Lazenby, is on the hunt for arch-nemesis Blofeld, played by Telly Savalas. Blofeld is intent on securing amnesty for his past deeds and is threatening to ruin the world’s food supply if his demands are not met.

Often known among Bond historians as “the one with George Lazenby”, who, if not for Sean Connery returning to the series in the next film, could have lasted much longer in the role, is a breath of fresh air and wonderfully cast.

Lazenby brings his form of charisma, great looks, and charm to the role and Sean Connery is a tough act to follow, but Lazenby succeeds in spades.

Diana Rigg is one of the best Bond girls of all time as she is intelligent, sophisticated, confident, and beautiful, a great counterpart to Bond- she is more his equal, rather than simply just a conquest for him, and the two actors have real chemistry.

Telly Savalas is effective as the Blofeld, though not my all-time favorite Bond villain by any stretch- something is missing in his performance.

In typical Bond fashion, the film begins in sunny Portugal, side steps to London, and finishes in cold Switzerland. I love the icy, snowy Switzerland locales in the film and the ski chase, downhill bobsled chase, car chase on ice, and subsequent blizzard, which are brilliantly atmospheric.- a perfect film to view on a cold winter’s night!

I love the inside quips in this one especially when Lazenby says “I bet this never happened to the other fellow” and “He had lots of guts” both are laugh-out-loud clever.

The shocking and tragic ending is uncharacteristic of a Bond film and a brilliant change from many of the films as Bond is humanized.

On Her Majesty’s Secret Service (1969) is more character-driven than the other films in the franchise while still providing lots of adventure, and should be revered as a more layered Bond offering.

The Day the Earth Stood Still-1951

The Day the Earth Stood Still-1951

Director Ray Wise

Starring Michael Rennie

Scott’s Review #155

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Reviewed August 18, 2014

Grade: B+

The Day the Earth Stood Still (1951) is one of the best, most credible, original, science fiction thrillers and certainly stands the test of time considering it is over 60 years old.

Made in 1951, the film is a message movie that tells the tale of a spaceship that suddenly arrives on planet earth in the United States capitol of Washington D.C.

Michael Rennie is fantastic as Klaatu, the calm, poised, leader of the spaceship who, along with Gort, a 7-foot tall robot, intends to deliver a message of peace and humanity to the leaders of Earth.

The arrival of the spaceship sets off a panic and Klaatu is captured, only to escape and meet local townspeople as he tries to pass himself off as human and deliver his message.

The Day the Earth Stood Still is a liberal-slanted, anti-war, pro-tolerance, and acceptance movie, but also a good, old-fashioned black-and-white science fiction thriller rolled into one.

It’s an important film.

It is an edgy, questioning film that can easily still be viewed and appreciated today (sad that not much seems to have changed in the world after all of these years). It is political and the setting of Washington D.C. is wise and symbolic.

While a handful of humans are portrayed as intelligent and accepting, the majority of Earth’s human beings, especially politicians, are portrayed as war-happy, foolish individuals and the viewer will question the world around him or herself, and hopefully begin to question political decisions and the horrors of war that go on and on and on.

A Hard Day’s Night-1964

A Hard Day’s Night-1964

Director Richard Lester

Starring The Beatles

Scott’s Review #154

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Reviewed August 18, 2014 

Grade: C

Why this rock documentary, day in the lifestyle film is considered among the Top 100 films of all time completely escapes me. I’m a huge fan of the Beatles but found the film a disappointment.

The segments consisting of musical numbers performed by the band are excellent and, humming along, I enjoyed the black and white filming of the “documentary” as well, but the film is not a documentary in the traditional sense and is very difficult to categorize.

Is it a rock opera?  Is it a comedy? Is it a documentary? Is it a musical? It is somewhat of a hybrid as the viewer journeys through a typical day in the life of a Beatle.

But all else seems fluff to the point of silliness. Countless scenes of the band running through the streets with adoring fans screaming and chasing after them become irritating. There is little plot to the film.

The Beatles were a huge band. We get it.

Paul, George, Ringo, and John do a capable job in the film, considering they are non-actors, but I’d much rather have been exposed to a straightforward documentary focusing on the background of some of the songs or the band members themselves instead of a lightweight tale of a day in the life of The Beatles with silly attempts at humor thrown in.

A Hard Day’s Night reportedly influenced the 1960s television comedy starring The Monkees.

Oscar Nominations: Best Story and Screenplay Written Directly for the Screen, Best Scoring of Music-Adaptation or Treatment

After Tiller-2013

After Tiller-2013

Director Martha Shane, Lana Wilson

Scott’s Review #153

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Reviewed August 13, 2014 

Grade: A

After Tiller (2013) is a brilliant and thought-provoking documentary about the controversial topic of abortion. The issue presented is not whether abortions should be performed, but rather if they should be performed late-term (beyond twenty weeks).

The Doctor Tiller mentioned in the title was the Doctor who opened the handful of clinics that perform late-term abortions and who was murdered outside of his church by fanatics before the documentary was made.

The four remaining protégé of his are Doctors who now openly perform these controversial procedures and who are presented as, not monsters as some would think of them, but as sympathetic, kind professionals who put the pregnant mothers’ needs first.

As I assumed before seeing the documentary, the Doctors are not strictly performing the abortions for mothers seeking a way to get rid of a “problem”, but rather, in most cases, the baby will lead a life of pain, misery, and health problems.

Typically, the parents do not learn of the problem until late in the pregnancy which adds dimensions and levels to the issue.

The viewer is left wondering, what would I do?

Most of the parents struggle with the decision to terminate their pregnancies.

These Doctors (and their families) constantly receive death threats from pro-life groups who do not comprehend the issue and the Doctors are harassed by people who do not want their abortion clinics anywhere near them and as a viewer, this is painful to watch.

Any viewer who is pro-life or pro-choice ought to watch this for a better understanding of the complexities of late-term abortions.

After Tiller (2013) is riveting but has shamefully been seldom seen by audiences.

Independent Spirit Award Nominations: Best Documentary Feature

Last Exit to Brooklyn-1989

Last Exit to Brooklyn-1989

Director Uli Edel

Starring Stephen Lang, Jennifer Jason Leigh

Scott’s Review #152

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Reviewed August 13, 2014

Grade: A-

Last Exit to Brooklyn is a slice-of-life type film that takes place in the early 1950s and is set in lower-class Brooklyn, NY.

It tells the story of a group of struggling neighborhood people- sex workers, union members, drag queens, etc. whose lives intersect. Also in the neighborhood is a military base where soldiers come and go on their way to war-torn Korea.

The central characters, though there are several with small yet interesting stories, are Harry, played by Stephen Lang, a sexually conflicted union worker with a wife and newborn child.

He is in love with a selfish drag queen, and Marilyn Monroe lookalike, Tralala, played superbly by Jennifer Jason Leigh, a prostitute whose best days are behind her, and who will do anything for attention.

The sets and cinematography in the film are very well done- the feeling of despair and hopelessness are accomplished by the dowdy streets, homes, and bars that the cast frequents.

Some of the characters are sympathetic- the aforementioned plus Tralala’s love interest, the Diner boy madly in love with Tralala, and the virginal seeming (but not really), Donna, portrayed by a young Rikki Lake. Other characters are abhorrent in their violence and hatred.

Last Exit to Brooklyn is quite a dark film and sometimes tough to watch but captures a dreary time and atmosphere. The Brooklyn set is excellent in its dreariness.

Jennifer Jason Leigh is the standout as the tough-talking, boozy prostitute who is losing her luster and the final scene of the film is truly a heartbreaker.

The topics of union, strike, bisexuality, gangs, and drag queens are covered and unique characters and conflict/loneliness are presented.

This film is an overlooked gem from 1989.

Vertigo-1958

Vertigo-1958

Director Alfred Hitchcock

Starring James Stewart, Kim Novak

Top 100 Films #6

Scott’s Review #151

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Reviewed August 7, 2014

Grade: A

Over the years Vertigo has easily become one of my favorite Alfred Hitchcock films and I learn, appreciate, or see something new with each repeated viewing.

It is an absolute masterpiece.

The primary appeal to Vertigo is its mystique and dream-like quality which provides a beautiful cinematic experience. It is ominous, psychological, and gloriously complex, even confusing at times, but that makes it wonderful.

The colorful opening visuals are dynamic and groundbreaking.

The story involves a retired detective, Scottie, played by Hitchcock stalwart Jimmy Stewart. Scottie suffers from vertigo, which hinders his daily life. After an incident in which a police officer is killed and Scottie blames himself and his vertigo for causing the death, he whiles away the days brooding and keeping companionship with Midge- a college friend whom he was once engaged to.

One day he is hired by another college friend to follow his wife, played tremendously by Kim Novak, who is acting strangely and periodically disappearing, having an obsession with a painting of a woman from years past.

From this point, the plot twists and turns in a great mysterious fashion, and mixed in is a romantic, bizarre, obsessive, love story.

Is Scottie in his right mind? Will his vertigo continue to haunt him? What is the secret to Madeleine and Judy? Is Midge as sweet as she appears?

The score to Vertigo is haunting and unforgettable and adds so much mood and ambiance to the film.

Set in San Francisco, several location shots are featured- Golden Gate Bridge, downhill streets, the Mission, and Red Wood forest.

As with all Hitchcock films, all sets and details in the film are perfect from paintbrushes, coffee mugs, curtains, and furniture, to the gorgeous bright red décor of the restaurant heavily featured in the film.

How exquisite does Kim Novak look in the film??

Originally critically panned upon its release it is now considered one of the greatest films of all time, deservedly so, and has influenced countless other films with its unique camera angles and slow, methodical pacing.

The film is not always an easy watch as it is complex, to be fair, but like a fine wine, it gets better and better.

Vertigo is a layered psychological thriller that is appreciated more and more with each viewing.

Oscar Nominations: Best Sound, Best Art Direction

Room 237-2012

Room 237-2012

Director Rodney Ascher

Starring Bill Blakemore, Geoffrey Cocks

Scott’s Review #150

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Reviewed August 6, 2014

Grade: C-

My viewing of the documentary Room 237 (2012) resulted in mixed emotions.

On the one hand, it is an interesting glimpse into the world of the classic, horror masterpiece The Shining (1980), with many clips and film facts presented.

It also features other works by Director Stanley Kubrick and compares them to each other, which is interesting to fans like me.

I love the passion of the fans of this film and admire how they know every intricate detail of The Shining.

But at the heart of this documentary lies conspiracy theories from the fans and theorists, regarding The Shining, that are downright wacky and become redundant after about fifteen minutes.

What makes these people credible? Only their voices are heard and the audience does not see their faces. Who are they? What walks of life are they? Most of these conspiracy theories are much ado about nothing.

Somehow a camera angle or a photo of a surfer or an expression on the face of Jack Nicholson turns into a mythological meaning. There is also some gibberish about moon landings and the holocaust that did not interest me.

I bought very little of it if any.

I would have been quite content with a documentary solely focused on the making of The Shining, interviews with the cast and behind-the-scenes facts, or even bloopers. It would have been more realistic, interesting, and plausible.

As a tribute to the excellence of The Shining, this documentary succeeds; in all else, it fails.