Starring-Beanie Feldstein, Kaitlyn Dever
Scott’s Review #1,113
Reviewed February 17, 2021
I usually avoid teenage coming-of-age comedies or more to the point, being not of that demographic, they are not usually even on my radar. The only reason I saw Booksmart (2019) is but for the Independent Spirit Award it won and the Golden Globe nomination it achieved. Still, I was skeptical of what the appeal of two female teenaged bookworms who decide to become party animals would have on me.
Boy, was I wrong? The film is a fabulous and fast-paced experience that I enjoyed immensely.
Director, Olivia Wilde, in her very first effort, believe it or not, delivers the goods. She takes a genre absolutely told to death and knocks it on its keester offering a fresh and creative spin on a tried and true formula that feels anything but formulaic. There is diversity, inclusiveness, and heart for miles without the feeling that these add-ons were done intentionally for a modern spin.
Before I get carried away too much Wilde carefully keeps the standard moments of teenage angst, rejection, breakups, and makeups, and there are one or two of the commonplace high school “types”- loner, jock, weirdo, etc. but evident is a strong LGBTQ+ stronghold including one of the main female characters. Booksmart sure feels authentic to me.
Molly (Beanie Feldstein) and Amy are forever friends. The girl’s study, they giggle, they hang-out, and they tell each other about their problems, sexual and otherwise. The kicker is that Molly is straight and Amy is gay. Amy is happily “out” and nobody gives a damn. Her parents, played in small but juicy parts by Will Forte and Lisa Kudrow are hilarious and progressive in their approach to understand a gay child. They incorrectly assume that Molly and Amy are a couple which the girls use to their advantage.
Anyway, Amy and Molly are intelligent and anticipate graduation day and going off to great schools. Once they realize that their fellow students who in their minds slack off and party are also going off to Ivy League schools, they panic. They realize they have wasted four years studying and decide to let finally let their hair down the night before graduation, intent on attending a popular boy’s (and Molly’s crush) party.
The situations the duo get themselves into are clever and witty and the most fun of the film. Feldstein and Dever have exceptional chemistry and I bought them as best friends from the moment of their first scene. When they have a knock-down, drag-out argument towards the end of the film it’s acting at its finest, which made me feel proud. I admire young talent with great acting chops and pride in their craft and Feldstein and Dever both have it.
Wilde peppers much of the film with hip and trendy pop songs that surprisingly enhance rather than slow down or take away from the viewer enjoyment. The lyrics match the specific events of the particular scene.
The romanticism is pivotal as the crushes Molly and Amy have are not necessarily who they wind up with at the end of the film, which naturally culminates on graduation day. I love how their ceremony includes no parents.
The creativity within Booksmart is admirable. When Molly and Amy trip on a hallucinogenic they accidentally ingest they imagine they are barbie dolls. The scene is laden with hilarity as they bend and twist and turn. Later, Molly imagines a dance with Nick amid a colorful, slow-motion sequence that is beautiful, while Amy has an awkward unexpected sexual experience with a mean girl.
Booksmart (2019) is quite R-rated almost shockingly so, which is not a negative. In fact, it’s a positive. Too many films of this ilk try to soften how teenagers really speak and the feelings they really have which are usually sexual. It’s raunchy and definitely not for the younger teen set but mature audiences will reminiscence about their own high school days.
Independent Spirit Award Nominations: Best First Feature (won)