Starring-Lily Tomlin, Keith Carradine, Karen Black
Top 100 Films-#7
Scott’s Review #47
Reviewed June 19, 2014
Nashville is a brilliant film. I have found that with each subsequent viewing it creeps higher and higher on my list of favorite movies of all time. The style is unique (largely improvised) and epitomizes creative freedom in film during the 1970’s. Director Robert Altman lets his actors express themselves, even allowing them to write their own songs, the dialogue overlaps at times, which results in a natural feeling as the viewer watches the cast of 24 principles intersect over a period of 5 days at a political rally/country music festivals. It is pure Robert Altman at his finest.
Nashville is a satire of the political arena of the early1970’s and of the Vietnam conflict and politicians, specifically. The film certainly questions and challenges the government with an ironic patriotic setting (Nashville). The country music industry was in an uproar upon initial release of the film. It is a layered film that can be discussed and appreciated and each and every character is cared about. I cannot adequately describe the multitude of nuances in each scene that are noticed over time.
Each character- even some with limited screen time are important to the story as is the political elements- the questions of wars, policies, etc. abound. The chaotic bits and individual storylines come together at the end and many background happenings are incredibly interesting to watch and take note of throughout each viewing. With each experience the audience will notice more and more. I certainly do.
Lily Tomlin, for example, plays Linnea, a haggard mother of deaf children with a supportive husband, a woman who on the surface is heroic, yet she has is a complex character; she is bored with her life and falls in love with a young musician despite the guilt and repercussions.
The musician in question is Tom Frank, played by Keith Carradine. Handsome, and self-absorbed, he arrives in Nashville to dump his bandmates in hopes of a solo career, and beds many willing females. He also lashes out at a soldier at the airport, saying, “kill anyone lately?” Despite his unlikable character, Carradine gives one of the most beautiful performances in the film when he sings “I’m Easy”. Several of the female characters assume he is singing the song for them, but who is he truly singing it for…if anyone?
Another character to analyze is Barbara Jean, played by Ronee Blakley. A frail yet very successful country singer, she is in and out of hospitals as she frets about her replacement singer stealing her thunder. Her insecurities rise to the surface. In fact, insecurity is a common theme among the characters. Many of them are either unsure, afraid, or not confident about either their musical talent, their relationships, or even themselves.
These are only 3 examples of the 24 richly layered characters- some ambitious, some falling apart, others meandering through life.
Many songs throughout were created by the actors themselves. Nashville is storytelling and filmmaking at its best. A creation by Altman that is deservedly admired, revered, and heralded as a major influence. It is studied in film schools as it should be.