Crazy Rich Asians-2018
Director-Jon M. Hu
Starring-Constance Wu, Henry Golding
Scott’s Review #860
Reviewed January 26, 2019
Grade: B+
Crazy Rich Asians (2018), the romantic comedy smash of 2018 is a fun romp that is memorable because it centers on the Asian population, shamefully underrepresented in mainstream American cinema.
For this point alone, the film is recommended and worthy of praise but otherwise is a standard genre film with gimmicks and stock characters galore and a predictable conclusion.
A mention must be made for the numerous cultural tidbits included which rises the film above mediocrity.
Rachel Chu (Constance Wu) and Nick Young (Henry Golding) are a happily dating New York City couple, she is a New York University college professor, and he is an entrepreneur.
They fly to Singapore to attend Nick’s best friend’s wedding resulting in antics and anguish. Rachel realizes that Nick comes from an extremely wealthy family and is Chinese royalty owning a multitude of lavish hotels and real estate.
Most of Nick’s family, especially his traditional mother Eleanor (Michelle Yeoh), disapprove of the pairing viewing Rachel as a typical American placing passion over family.
Nick is a sought-after commodity among the single women of Singapore as Rachel is forced to endure harassment and mockery at every turn. Her allies are Nick’s kind sister Astrid (Gemma Chan) and Rachel’s outrageous college pal Peik Lin (Awkwafina) and her equally garish family.
The plot thickens when Nick’s scheming mother does a background check on Rachel and discovers a family secret.
Crazy Rich Asians is a formulaic romantic comedy with the standard types of situations and characters expected of a genre film. The rivalry between the good girl and her boyfriend’s domineering mother, the comic relief of the gay sidekicks as Peik Lin and another friend of Rachel’s provide.
The caricatures of Peik Lin’s wild family, her unattractive brother fond of taking secret photos of Rachel, and Eleanor’s snooty judgmental circle of female friends are all well cast yet one-dimensional.
Perplexing is why the filmmakers decided to make Nick only half Chinese rather than authentically Asian. Sadly, this may have been a reassurance of making the film more marketable to mass audiences.
The film is presented as an Asian film, but it is an American film.
The storyline justification is that Nick’s father (surprisingly never seen) is British and that he and Eleanor met in college- only she being Chinese. Nick and Astrid’s English accents gnawed at me throughout the film.
Despite the myriad of cliches and manipulations Crazy Rich Asians have a nice flow and offer a fun two hours. The film is flavorful with bright colors and visual spectacles of the stylish and sophisticated Singapore and its modern and sleek nuances.
I adored the locales featuring the skyline and a rich overview of the robust and relevant city/country.
Fantastic is how the filmmakers add spices of traditional Chinese culture throughout the telling of the film quickly becoming more of an ode to the good history. Nick’s grandmother Su-Yi (Lisa Lu) takes pride in her wonderful and artistic flowers and Rachel is introduced to the art of dumpling making.
Crazy Rich Asians introduce a history lesson for those unfamiliar with ancient Chinese customs.
Flavorful inclusions of Mandarin Chinese language versions of American pop hits are also nice additions, so the film has some tidbits to revel in other than the story.
Most of the songs offer a reference to money such as “Money Honey” by Lady Gaga and “Rich Girl” by Hall & Oates.
The pacing of the film is nice with never a boring or dragging moment and a nice balance of comedy and drama results. Humorous is when Peik Lin provides Rachel with a costume makeover ensuring she looks dynamic for the grand wedding as she convinces her to fight Eleanor with fire.
Drama ensues when someone casts a dead fish on Rachel’s bed and Eleanor spits that Rachel will never be enough for her son.
Predictable is the film’s conclusion resulting in a marriage proposal aboard a jet heading from Singapore to New York City. With a film like Crazy Rich Asians, it is guaranteed that the couple lives happily ever after riding off into the sunset in great defiance of Nick’s roots.
Due to the success of the film a sequel is a solid bet though I am also not betting the follow-up will be any good. Are romantic comedy sequels ever decent?
Filled with cliches, but satisfying most mainstream film-goers, Crazy Rich Asians (2018) creates a film with enough shards of Asian culture to at least get the Asian population on the map with a Hollywood production.
Containing a polished look and some stereotypes the film breaks no new ground other than good inclusion and that is a start.