Mary Poppins Returns-2018
Starring-Emily Blunt, Lin-Manuel Miranda
Scott’s Review #848
Reviewed December 29, 2018
Mary Poppins Returns is a charming mixture of reboot and sequel to the immeasurably glorious original, Mary Poppins (1964). Impossible to live up to the magic of that film, the 2018 version comes quite close with a delightful turn by Emily Blunt, numerous Hollywood stalwarts in small roles, and gleeful musical numbers sure to leave audiences humming upon their exit from theaters.
Events begin to percolate twenty-five years following the original story and the setting is 1935 London amid the Great Depression. His wife recently deceased, Michael Banks (Ben Wishaw) lives in the house he grew up in with his three children and housekeeper (Julie Walters) in tow. His sister Jane lives and works nearby as a labor organizer. Faced with the dreary reality that the historic Banks house may be foreclosed, Mary Poppins (Blunt) arrives in elegant fashion on her umbrella to resume order and save the day.
Though her character does not overtake the film, Emily Blunt is dynamic in the title role. Her prim and proper good British charm and sensibilities crackle with wit and poise. It is tough to imagine anyone but Blunt in the role as she does so well with putting her stamp on it. With a smirk and a quick matter-of-fact tone, the character is both no-nonsense and utterly kind. The casting of Blunt is spot-on as she becomes Mary Poppins.
The London setting is both adorable and fraught with good culture and sophisticated manners. The inclusion of the storied Big Ben is meaningful to the tale in a major way and a teachable moment for children unfamiliar with London at all. Furthermore, the inclusion of an important time period in history-the inclusion of the Great Depression-is immeasurably positive.
The supporting characters are rapturous and a treat for elders familiar with the original Mary Poppins film. Meryl Streep plays Topsy, Mary Poppins eccentric eastern European cousin to the hilt, but never teeters over-the-top. Colin Firth adds snarky charm as the villainous bank president, and Angela Lansbury gives grandmotherly zest as The Balloon Lady, an ode to the original novel. Finally, Dick Van Dyke is a delight as the heroic Mr. Dawes Jr. who comes to the rescue at the last hour.
The real winners though are the enchanting musical numbers. With the lovely London landscape in full view Mary Poppins Returns gets off to a spectacular groove with “(Underneath The) Lovely London Sky”. Performed by the charming Lin-Manuel Miranda in the role of Jack the Lamplighter, Mary Poppin’s sidekick, the star has what it takes to keep up with Blunt. This is evident as the duo mesmerize and entertain with a colorful number, “A Cover is Not the Book”, alongside an animated music hall. Finally, fans will revel in the naughty and clever “Turning Turtle”, performed by Streep.
The costumes and lighting are both big hits. As Jack lights and defuses the street lights we get to see the luminous dawn and the evening sunsets which give the film a nice luminous touch. During the film’s conclusion and subsequent race against the stroke of midnight the moonlight is featured giving the film a warm glow. The period piece costumes are lush, but not garish, adding flavor and capturing the time-period perfectly.
With not quite enough oomph to rival the original Mary Poppins (but really who expected that?) Mary Poppins Returns (2018) nonetheless is enchanting and inspiring in every way that a remake or sequel should be. The film is polite, polished, and filled with an authentic zest given the mixing of human and animations. A fine creation and splendid entertainment.