Scott’s Review #787
Reviewed July 12, 2018
Sorry, Haters (2005) is small, indie film that was not well received by audiences or necessarily by many film critics, but that I am a champion of. The film is a little known gem and a showcase piece for star Robin Wright, who has become quite the indie queen over the years. Thankfully, the film did receive some recognition via two independent film nominations, which is how I heard of it. Regardless, Wright gives a fantastic performance as a troubled television executive who becomes involved with a Muslim taxi driver in New York City, in panic stricken post 9/11.
Ashade (Abdel Kechiche), struggles with driving a cab and the myriad of family issues he faces, including legal troubles. When an upscale, white woman, Phoebe (Wright) enters his cab one night, she insists on forging a friendship, but what is her motivation? She immediately seems slightly unbalanced and tense. Reluctant, but needing her help, Ashade’s life becomes entangled with hers as Phoebe offers Ashade assistance. But when her true motivations are revealed, the audience will never see the terrific and terrifying conclusion coming.
The film is very dark in tone and hardly a feel good film. The best facet of Sorry, Haters is the complicated relationship between Phoebe and Ashade and how this plays out within the story. More accurate is the complex dynamic of Phoebe herself as her motivations are slowly revealed. As great as Kechiche is, the standout is Wright, but both play well opposite each other. Her role is more developed and the centerpiece as the audience slowly becomes aware of her dark secrets and disturbing behaviors.
Phoebe immediately claims to be going through a divorce and hires Ashade to drive her to nearby New Jersey to observe her ex-husband. She talks his ear off, recounting how she has lost her family. This scene becomes the first clue that Phoebe may be unbalanced. As the film progresses, this becomes more obvious. As Phoebe dines with colleagues, she engages in reluctant conversation as she violently cuts her leg with a fork underneath the table for some relief.
Wright can do no wrong as an actress appearing in numerous films over the years. She is not a “box office” type of actress and this is to her credit. She chooses independent films that allow her to sink her teeth into good, meaty, complex, female roles. The role of Phoebe is certainly of that ilk. The character is unstable and borders on madness and has rage bubbling under the surface. Wright portrays these emotions successfully.
Let’s not forget the other leading actor- Kechiche is purely dynamic in the male leading role. The audience will undoubtedly sympathize right away with this man and the character. Since the time period is so close to the events of 9/11, and the character is Muslim (some big clues to the climactic conclusion here), the man is a prime target for discrimination. Since his brother is imprisoned and needs a legal team, Ashade is quite vulnerable and ultimately at Phoebe’s mercy.
The interesting dynamic between Phoebe and Ashade is that they do not share a romantic relationship at all. Developing a friendship based on need, there is clearly something not right with the situation, and director Jeff Stanzler, provides the appropriate mood with many scenes occurring either at night or in the confines of Ashade’s taxi. Dialogue frequently seems awkward between the two.
Despite not being an easy film to watch, Sorry, Haters (2005) is a film with a powerful message and great scenery of one of the most vibrant cities in the world. The film is dark, even dour, but above all contains a powerful message with a timely subject matter. Rich is character development between the leads and the maniacal motivations of some. I found the film to be topical, riveting, and disturbing.