Starring-Cybill Shepard, Cloris Leachman
Scott’s Review #383
Reviewed March 6, 2016
Daisy Miller is a largely forgotten 1974 film based on a Henry James novella of the same name, directed by Peter Bogdanovich and starring then-girlfriend Cybil Sheperd in the title role. I admire the film in certain aspects, but ultimately rank the film as good, but not spectacular. I pondered the film afterwards and had a feeling that there was something missing from it.
The story, set in the late 1800’s, tells of a wealthy upstate New York family, led by the naïve Daisy Miller (Sheperd), visiting Europe in the hopes of becoming more cultured and worldly, but instead, are largely met with defiance and snobbery from European sophisticates. Daisy attempts to find love with her numerous potential suitors. The film is largely shot in Switzerland and Italy.
The romantic story between Daisy and upper class Frederick Winterbourne is the focal point. Daisy, a chatterbox and flirtatious, captures Winterbourne’s fancy and he gradually woos her, but is conflicted by social norms and her innocent involvement with other men, most notably dashing Italian Giovanelli. This leads to conflict. I noticed some chemistry between Daisy and Winterbourne.
Bogdanovich, who only directed a handful of films, including the masterpiece The Last Picture Show, uses a number of great actors in both films. In addition to Sheperd, Cloris Leachman and Eileen Brennan appear in supporting roles. Leachman as Daisy’s equally chatty and naïve mother, and Brennan as the vicious socialite Mrs. Parker. Brennan, in particular shines. Outstanding at playing snobs and unique character roles, this was right up Brennan’s alley and she almost steals the show.
I adored the cinematography and the costumes featured in the production and thought both the films main strengths. The clothing that the characters were dressed in are both gorgeous and believable for the time period. The backdrop during the hotel garden scene is exquisite and picturesque as the lake, sky, and mountain are all in full view adding a unique viewing experience.
I also found the subject of cultural class distinctions quite interesting. The Millers are rich, but uneducated and unlikable- they live in Schenectady, and are considered far beneath the clever, intelligent figures of Europe. They clearly do not measure up and they lack the same breeding and class as many of the characters. Adding to this is the fact that the Millers never really seem all that interested in being in Europe, almost taking the opportunity for granted, so I was never completely captured by the Millers or found them particularly sympathetic as a group.
Given that she is the focus, I found the character of Daisy Miller a bit unlikable and this could be due to the casting of Sheperd. Daisy’s endless rants, largely about herself, teetered on annoying to say nothing of her irritant little brother. Sure, Daisy is sweet and is kindhearted, but there is something that did not compel me about me. She was a less charismatic, northern version of Scarlett O’Hara. I kept wondering if another actresses might have brought more to the character and given her more muscle. Was this role a showcase for Sheperd because of her relationship with Bogdanovich?
The conclusion of the film surprised me and features a downcast ending that I did not expect given the sunny mood of the rest of the film, and this is to Bogdanovich’s credit. He certainly did not make a mainstream film and I admire that. Daisy Miller is a mixed bag for me. I give my admiration for some aspects, but the story and the casting could have used a bit of altering.