Pain and Glory-2019
Scott’s Review #1,042
Reviewed July 20, 2020
Thought to be director Pedro Almodóvar’s most personal effort to date, Pain and Glory (2019) showcases the talents of actor Antonio Banderas, who has been appearing in Almodóvar’s films since 1982. A character study, the film poetically reflects on the life of an aging film maker (Banderas) who aches to find his lost creative soul while reminiscing about his first love. The triumphant film could have been faster paced, but above all celebrates life, regret, and pain, and is thus inspiring.
Salvador Mallo (Banderas) is a once well-known filmmaker well on the decline personally and professionally. He suffers from health maladies leaving him in chronic pain and has lost his knack for crafting good projects. When he runs into an old friend and actress, Zulema (Cecilia Roth), who barely acts anymore and is reduced to accepting any roles offered to her, he decides to visit the lead actor from his best-known film, Sabor. Salvador hasn’t spoken to Alberto (Asier Etxeandia) in thirty-years and both ruminate over the film as it is to be remastered and celebrated.
Once a subject of contention, Salvador and Alberto begin to smoke heroin prompting Salvador to revisit his childhood memories, rediscovering life. His most prominent memory is when he and his father and mother Jacinta (Penelope Cruz) move to a whitewashed cave to live. There he meets and befriends an older laborer, whom he teaches to read. Salvador discovers his sexuality through this young man after seeing him naked.
Years later, during the 1980’s, Salvador falls madly in love with Federico (Leonardo Sbaraglia) and the pair share a passionate love-affair that deteriorates at the end of the decade. In present times, Federico re-emerges and tracks down Salvador. They reconnect, sharing drinks and memories, nearly reigniting their passion. Federico is now married to a woman and raising kids in Argentina, but the powerful memories resurface, and the men flirt and gaze at one another longingly.
The film utterly belongs to Banderas. The actor has charisma in many other roles, but Salvador might be his crowning achievement. It’s such a personal role and written specifically for the actor by Almodóvar. He possesses the ability to grasp the viewer into his clutches and never let go. From the agonizing pain he experiences daily causing him to choke for no reason to his inability to fulfill his now elderly mother’s dying wish to die in her village after accusing him of never loving her, we empathize with him every step of the way.
His sexuality discovered and revealed at a young age, Salvador’s longing and unfulfilled passion are the most intricate and nuanced aspects of the film. As the laborer draws a picture of Salvador, which he rediscovers later, there is unspoken passion between the youngsters. In later years, his assistant nudges him to look the laborer up via Google, to see where he is, perhaps reconnecting. Salvador refuses, sinking in regret of what might have been.
To build on this, his fling with Federico as a young man, shown via flashbacks, is powerful. The scene when a teary Federico, during present times, sits in a theater weeping while watching Salvador’s play, is a testament to his love for the man. Unknown is why the relationship failed and Federico gave up men and succumbed to a traditional relationship, but we can only guess Salvador might not have been able to commit. When the men spend an evening together capped off with a passionate kiss but nothing more, we realize how they could have built a wonderful life together. Props to Sbaraglia for a tremendous performance in a small role.
Assuredly, Pain and Glory was patterned after 8 1/2, a 1963 masterpiece penned and directed by Federico Fellini. The themes of regret, writer’s block, and memories come into play throughout both films. Almodóvar even names Salvador’s lover Federico, an obvious tribute to the famous director, known for infusing stylistic touches and non-linear stories.
Like most of Almodóvar’s other projects, Pain and Glory celebrates vibrant colors, sexuality, and passion in its themes. Set in Madrid, the film has a zesty, cultured Spanish flair with blues, greens and oranges. Even though the overarching theme is loss, pain, and missed opportunities, the film is still stacked with rich energy and pizzazz. For those with a fondness for acting, cinema, or creativity there is enough to satisfy.
After decades in the spotlight crafting film after film with resounding results, Pain and Glory (2019) may be the cream of the crop for the Spanish director. Thanks in large part to the tremendous efforts of a legendary actor, the experience will please fans of the director’s and anyone with a taste for a film about zest for life, unfulfilled pleasures, and new experiences.
Oscar Nominations: Best Actor-Antonio Banderas, Best International Feature Film