Starring-Charlize Theron, Margot Robbie, Nicole Kidman
Scott’s Review #972
Reviewed December 26, 2019
Bombshell (2019) is the type of the film that depending on your political affiliation, you will either refuse to see, or see and have a love/hate reaction to. As a non-lover of “news” network Fox News I am firmly ensconced in the latter camp, so my opinion of the film is mixed. The importance of releasing the film in the time of political turmoil during 2019 is crucial and intentional, which is why I commend the film but the subject matter of sexual harassment against women is difficult to watch and a sobering reminder that this behavior continues to occur.
The performances of the principle players- Charlize Theron, Nicole Kidman, Margot Robbie, Kate McKinnon, and John Lithgow are wonderful and key to the film’s power. Theron and Lithgow receive the lion’s share of makeup and prosthetic work, making them look identical to their real-life counterparts. Beneficial are a myriad of Fox News political figure portrayals (Sean Hannity, Jeanine Pirro, and Bill O’Reilly) with frighteningly good accuracy creating a surreal effect.
The film centers on female Fox News personnel in Manhattan and their sexual harassment allegations against founder Roger Ailes (Lithgow). The central figure- Megyn Kelly (Theron) is conflicted over the risks to both her career and her financial stability if she comes forward and admits her own harassment by Ailes years ago after Gretchen Carlson sues the network. Margot Robbie plays Kayla, a young Fox employee, who is also harassed by Ailes. McKinnon plays closeted lesbian and confidante to Kayla, who works for the network despite being liberal and a huge admirer of Hillary Clinton.
The plot is fast-paced and plays out like a quick page-turner, with some of it narrated by Kelly. Bombshell feels timely and has a distinct “ripped from the headlines” makeup. The fact that the real-life events occurred as recent as 2016 is an unmistakable aspect that will grip the viewer, especially those who follow United States politics or current events. The story is fresh and vibrant with familiarity, not a story from an event decades ago that many viewers have forgotten or were too young to remember.
I had difficulty feeling much sympathy for most of the characters which knocks the film down a notch. The standard definition that the term “Fox News” usually conjures is one of male chauvinism and the good old boys club with old fashioned machismo ruling the roost. Why would any woman choose to work for them or align themselves with the Conservative party which is not a fan of women or women’s rights? With this fact in mind, it was difficult for me to watch the film.
To build on this, CEO Roger Ailes is written as the clear villain with no redeeming value. During one scene, he salivates over Kayla when she visits him in his office and instructs her to lift her skirt higher and twirl for him. The scene is sickening, and we feel Kayla’s embarrassment and humiliation. In a cheer out loud moment at the end of the film, she ups and quits, unable to remain in such a corrupt corporation.
One of the only likable characters is Jess Carr (McKinnon), probably fictitious. Hardly fitting the mold of the female staff, not perky or showing leg, she goes out for drinks with Kayla and admits to being gay, the two ending up having a one-night stand. The character is unique, and McKinnon makes wise acting choices. Worth mentioning is Ailes’s long-time secretary Faye (Holland Taylor). Surely, she has knowledge of the antics that go on in her boss’s office, but she almost serves as an accomplice. Why?
Sad to realize is that as recent as 2016, women were still having to face discrimination in the workplace. Industries with powerful men still can be toxic and poisonous to women attempting to climb the ranks. If the women harassed at Fox News were not top anchors there is no way the accusations would have even been heard. What about the receptionists, the cleaning staff, or the admins who are harassed? Would anyone listen to them? This message crossed my mind while watching Bombshell.
With fantastic acting and incredible makeup, time will tell if Bombshell (2019) remains a relevant film. Leaving the viewer with an unsatisfying ending rather than a hopeful one, it is tough to sympathize with most of the characters even when supposed to. Bombshell would make a perfect companion piece to Vice (2018), a similar political, yet superior film.