My Fair Lady-1964
Starring-Audrey Hepburn, Rex Harrison
Scott’s Review #938
Reviewed September 6, 2019
Winner of the Best Picture Academy Award (it would not have been my personal choice), My Fair Lady (1964) is a very good production that is based on the stage version, in turn based on the famous 1913 stage play, Pygmalion by George Bernard Shaw. The main negative to the musical is the casting choices; Hepburn and Harrison have only mediocre chemistry, and Hepburn did not actually sing, but the film is nonetheless enchanting and filled with lavish sets, colorful costumes and earnest songs, making it an entertainment for the whole family.
The iconic Eliza Doolittle (Hepburn) and Henry Higgins (Harrison) are household names to every fan of the musical genre. Set in London, sophisticated and arrogant Professor Higgins, a scholar of phonetics, is intent on proving that the tone and accent of one’s voice determines their lot in society. As an experiment, he chooses flower saleswoman Eliza, with her horrid Cockney accent, and is determined to crown her duchess of a ball. Unaware of his scheme but soon to find out she has been had, romance eventually blooms as the song “I’ve Grown Accustomed to Her Face” becomes important.
My Fair Lady is quite the epic at a run-time of two hours and fifty- two minutes, lofty for a film. The misty London setting adds layers of mystique and atmosphere and the cinematography drizzles with color and pizzazz, making the overall content look amazing. Because of the length of the film and the magnificent trimmings, the production looks like a spectacle and of the elegant extravagance of the 1950’s and 1960’s when musicals made into film were grand and robust. Little wonder is that this helped it win the Best Picture, Best Director and a smattering of other awards. It’s a film Hollywood loves.
When dissected and analyzed, social and class systems are a large part of the film, amid the cheery singing, dancing, and big-screen bombast. Social status and hints of socialism pepper the production rising it way above fluff that it could have been if just a “boy from good side of the tracks meets girls from wrong side of the tracks”. Eliza’s father Alfred (Stanley Holloway), a waste collector, is also an opportunist, singing his story during “With a Little Bit of Luck”. The differences between the “haves” and the “have nots” are clear.
I never bought Harrison and Hepburn as a romantic duo and the chemistry between them is limited. The teacher/student angle somewhat works though always bothersome is Henry’s self-assured behavior and superior attitude making him tough to root for. A controversy of the film includes the decision to dub nearly all of Hepburn’s singing with another singer’s voice, which devastated the actress and cost her an Academy Award nomination. Her snub is especially jarring given the dozen other nominations it received.
The story is heartwarming and in keeping with a like-minded theme of hero rescuing the damsel in distress. Hints of Cinderella (1950) and even Pretty Woman (1990) glisten with only a mere hint of male chauvinism that does not ruin the experience or reduce the film to a dated guy film, certainly as is the case with Pretty Woman. “I’m an Ordinary Man” describes how women ruin men’s lives and is not the most progressive or female friendly of all the numbers.
My Fair Lady (1964) is a film of the past that begs to be viewed on the big screen so that all the qualities can be enjoyed. Like Lawrence of Arabia (1963), best viewed on a wide-angle enormous theater setting to ensure notice and enjoyment of all aspects of the scene is recommended. It’s a Hollywood film done tremendously well. Young viewers would be wise to be exposed to this film to delight in the cinematic treats that await.