Director-Paul Thomas Anderson
Starring-Daniel Day-Lewis, Vicky Krieps, Lesley Manville
Scott’s Review #722
Reviewed January 31, 2018
Phantom Thread is a 2017 gem of a film that ideally will be studied in film schools and remembered for decades to come, or at the very minimum be discussed and dissected among those fortunate enough to see it currently. Set in England during the 1950’s and centering on the dress-making industry, the film mixes romance with a bizarre psychological element that leave the viewer breathless as the final act comes to a dramatic and startling conclusion.
Daniel Day-Lewis once again does brilliant work as Reynolds Woodcock, an esteemed and famous dressmaker living and working in London during the 1950’s. He creates lavish dresses for the members of high society, including the wedding gown for the famous Belgian princess. Masterful at his work, he is also controlling and demanding, requiring plenty of support and attention from his equally controlling sister, Cyril (Lesley Manville). When he meets Alma Elson, a waitress from a countryside resort, the pair fall into a relationship, as she acts as his assistant, muse, and lover. Complexities develop between Reynolds, Alma, and Cyril as the plot progresses in cerebral and nail-biting fashion.
The film itself is ravishing to look at and a feast for the eyes if only for the classic costumes alone. Each dress that Reynolds creates is exceptional and at the height of glamour. His domineering nature only makes this realistic as perfection is his modus operandi and his dresses are evidence of this. In one particularly fantastic sequence, Reynolds begrudgingly creates a dress for the boozy Barbara Rose, a rich and mature woman, who promptly falls asleep drunk at her own wedding, soiling the garment. A livid Reynolds, along with Alma, strip Barbara of the dress, rather than see her sleep in and tarnish it.
The main draw to the film, however, is the wonderful, intricate main plot involving Reynolds, Cryil, and Alma. This weaving of personalities and their nuances must be attributed to the fabulous direction of Paul Thomas Anderson, known for edgy, dark films such as 1997’s Boogie Nights and 1999’s Magnolia. He comes up with a masterpiece in Phantom Thread. The three principle characters are quite unlikable and viewer allegiances may change throughout the tale. Appearing to be the innocent, debutante character of the film, the character of Alma will surprise- especially in the films final act.
A successful nuance to the film is the multitude of scenes involving characters breaking bread with others as events unfold over danishes, omelettes, and crisp asparagus-in fact, sometimes the banter involves discussions and debates about the preparation of the food. This characteristic is a dream for any foodie, and the meals actually aid in the progression of the plot. Earlier in the film, Alma is scolded by a maid for nearly picking poisonous mushrooms which later becomes a major clue and part of the films conclusion. During a pivotal scene between Reynolds and Alma, she prepares a delicious mushroom omelette for her love as motivations, secrets, and desires come to the surface.
The grand twist that Anderson reveals at the end of the film will only leave the viewer open-mouthed and quickly reviewing the events and circumstances of the entire film.
The close-up scenes that Anderson uses are magical and each actor allowed to be very expressive- the camerawork over several breakfast scenes- Alma and Cyril gazing at each other revealing emotions that border between hatred and mutual respect, are effectively done. Manville in particular does so much with her blue eyes as she sips coffee, peering over her cup with venomous indignation at her foe. How splendid is the comparison of Cyril to the famous Hitchcock villainous Mrs. Danvers from the classic 1940 film in her cold and creepy mannerisms.
My hope is that Phantom Thread will eventually be appreciated and analyzed as a cinematic work of art. Deservedly honored with a 2017 Best Picture, Best Actor, Best Supporting Actress, Best Director, and Best Costume Academy Award nomination, the film also is a lesson in great writing, bizarre angles, and important effects. Let’s wish for this film to be recognized as the great work that it is.
Oscar Nominations: Best Picture, Best Director-Paul Thomas Anderson, Best Actor-Daniel Day-Lewis, Best Supporting Actress-Lesley Manville, Best Original Score, Best Costume Design (won)