Director-Dorota Kobiela, Hugh Welchman
Voices-Douglas Booth, Saoirse Ronan
Scott’s Review #738
Reviewed April 5, 2018
Loving Vincent (2017) is a highly unique animated feature that is quite the artistic experience and vastly different from any typical film of this genre. Being the first of its kind to be a completely painted animated feature, hopefully other films will follow suit, as the result is an exuberance in creativity. While the biography of Vincent van Gogh is interesting, I was oftentimes left wondering the accuracy of all the details as the plot is rather dramatic. Still, the film is to be celebrated for its progressive and edgy nature.
In clever fashion the actors starring in the vehicle simply act while they are subsequently drawn so that the viewer can imagine the action as if it were a standard film, since the drawings mirror the actors involved. For example, Saoirse Ronan can clearly be distinguished as the daughter of a local boatman, who was rumored as keeping close company with van Gogh before his death. We know it is the actress, but in painting form, eliciting a surreal experience.
The action begins one year following tortured artist, Vincent van Gogh’s, tragic suicide. Postman Joseph Roulin asks his son Armand to deliver Van Gogh’s last letter to his brother, Theo. Suspicion surrounds the artist’s death as mere weeks earlier his mood was calm and level-headed making his death cause for alarm. From this point, Armand traverses throughout France to spend time with those who had dealings with Van Gogh during the last days of his life. Those characters include his doctor, an inn keeper, and others who may hold clues to the mystery surrounding his death.
From a story perspective, Loving Vincent is a compelling piece as mystery and suspicion is cast around the actual death of the artist. This is not so much a whodunit as we know of the resulting suicide, however, the film certainly casts some doubt about the why of that fateful night. Did someone drive Van Gogh to suddenly take his own life? What was the romantic situation between either Marguerite or perhaps even Adeline? The supposed copying of Van Gogh’s art by his doctor, Dr. Paul Gachet is an interesting point. Through all of these dramatic and intriguing facets I did begin to wonder what was factual and what was not.
The brilliant part of Loving Vincent exists in the unusual and artistic method in which the film is created. The fact that the film is about one of the most respected and appreciated artists of all time is no accident and this perfectly encases the overall tone of the film in wonderful fashion. Throughout the one hour and thirty four minute duration of the film I was continually enamored by the “look” of the film. Exquisite and quite beautiful, the film makers chose classically trained painters over traditional animators and I feel this makes all of the difference.
The use of actual Van Gogh paintings were an instrumental part of the film and modified to fit into the allotted screen room. The cast performed the film, as if a play, in front of a green screen, and then the painters created their magic- pretty incredible! Also mind blowing is the use of colors to change the time of day (brightness and darkness) that results in a highly effective tone.
By creating a visual masterpiece of cinematic beauty, Loving Vincent is a feast for the eyes. Unknown if the story is true to form or whether facts are embellished, the film succeeds as a work of art and a good glimpse into the life of one of the worlds most beloved and tortured artists.