E.T. The Extra-Terrestrial-1982
Starring-Henry Thomas, Dee Wallace
Scott’s Review #756
Reviewed May 10, 2018
E.T. The Extra-Terrestrial (1982) is a wonderful, magical film that will succeed in melting the hearts of anyone with even a tad of cynicism. The film is otherworldly (quite literally) and contains a message of acceptance and appreciation of other beings. Mixing many humorous moments with tender drama and tears, the film becomes part fantasy, science-fiction, and humanistic story. The film still feels fresh and relevant today with a bevy of forever remembered scenes and references- a wonderful story of friendship.
The audience is immediately introduced to a pack of alien botanists, arriving in a California forest from their far away planet to study plants one night. When government agents interrupt the peaceful moment, the “extraterrestrials” are forced to depart leaving one creature behind. When ten year old Elliott (Henry Thomas) discovers and begins to communicate with what will come to be known as “E.T.”, the duo forge a wonderful, lasting friendship as they attempt to return E.T. to his homeland.
E.T. The Extra-Terrestrial is crowd pleasing in every way offering a bit of everything for all of its lucky viewers. Director Steven Spielberg reportedly made this film as a result of his desire to share a childhood imaginary friend with the world so the charm really shines through in this very personal story. The film contains an overall innocence that is pure benevolence- E.T. teaches Elliott as much as Elliott teaches E.T. Who can ever forget the pairs initial interaction as the use of Reese’s Pieces candy became a huge cultural phenomenon? The lovely quote of “E.T. phone home!” is still as poignant and teary eyed as it was in 1982.
Enjoyable and recognizable is E.T. himself becoming a cult figure. Odd looking, wide-eyed, and yet of a lovable nature, even cute, the film makers were careful not to make him too frightening. Using real actors and distorted voices E.T. became famous, appearing on lunch boxes, tee-shirts, notebooks, and binders throughout the early 1980’s.
The film, released in the “modern age” of 1982, provides a genuine portrayal of suburban life at that time. From the sunny sub-division style neighborhood that Elliott and his family live in, the absent father figure (so common in many 1980’s films), the single-mom/divorced parents phenomenon takes hold and makes families like this common place. If made in the 1960’s Elliott would for sure have had two happy parents and a white picket fence. Dee Wallace as Elliott’s mother Mary, received several mom roles throughout the decade, portraying them with a wholesome middle-America quality.
Henry Thomas, as Elliott, is crucial to the success of E.T. The Extra-Terrestrial and sadly the actor never did much beyond this great film. While tough to create chemistry with a creature from outer space, the young actor does just that as we buy the two as connected friends. The duo especially shine during the emotional “death” scene and the farewell scene finale.
The other supporting characters rounding out Elliott’s family are well cast and appropriate at relaying what a typical suburban family looks like. Michael (Robert MacNaughton) is slightly surly yet protective as the older brother and Gertie, played by a very young Drew Barrymore (soon to experience super stardom throughout the 1980’s and 1990’s) is cute, bubbly, and teeters on stealing the show as the precocious five year old.
At its core and what makes E.T. The Extra-Terrestrial so appealing is its heart- a sympathetic creatures desire to return home and be with his loved ones is the main focus. In this way, only slightly reversed is a comparison to the 1939 masterpiece The Wizard of Oz. As Dorothy yearns to return to her home amid of an exotic, unknown, and sometimes scary world, the same can this be said for E.T. and this makes both films similar and equally appealing.
Rich with elegance, intelligence, and creativity, Spielberg creates a tale that is both primed for mass consumption and rife for mainstream appeal. Rather than weave a contrived or cliched story, he spins a magical and long-lasting, good story that will appeal to the kid in all of us. E.T. The Extra-Terrestrial (1982) reaped many Oscar nominations, but lost out on the big prize to the epic Ghandi that year.
Oscar Nominations: Best Picture, Best Director-Steven Spielberg, Best Screenplay Written Directly for the Screen, Best Original Score (won), Best Sound Effects Editing (won), Best Sound (won), Best Cinematography, Best Film Editing, Best Visual Effects (won)