Category Archives: Foreign Comedy Films

Toni Erdmann-2016

Toni Erdmann-2016

Director-Maren Ade

Starring-Peter Simonischek, Sandra Huller

Scott’s Review #686

Reviewed October 1, 2017

Grade: A-

Reaped with a slew of award nominations in 2017, mostly in the Foreign Language film categories, Toni Erdmann is a unique film that I must champion, but for its imagination and humanistic perspective alone. At two hours and forty two minutes in length, it can almost be watched in segments- miniseries style. The film is set in Bucharest, Romania, so viewers are treated to several exterior scenes of the bustling city and interesting European culture. However, the film is actually German and Austrian made and produced.

Winfried Conradi is a hippie-type man in his sixties. Divorced and working as a music teacher, his dog suddenly dies resulting in his decision to reconnect with his corporate, power hungry daughter, Ines. She is forging her career in business consulting, currently on assignment in Bucharest. Winfried insinuates himself into Ines’s busy life as she wants little to do with him or the petty practical jokes he continues to play on her. Gradually, involving a few hysterical antics and embarrassing situations, father and daughter reunite and forge the loving relationship that they once shared.

What makes Toni Erdmann an unusual film is simply that one will not know what to expect from the film or what direction the film will go in as we get to know and love the characters. We do know that Ines is a driven career woman, busy beyond belief, with no time for her father. Yet, in all of the scenes that Ines and Winfried share, in large part due to fantastic and believable acting by the two principles (Peter Simonischek and Sandra Huller), there is an underlying love and appreciation for each other that comes across on-screen. This chemistry made me root for the father-daughter reunion and re-connection.

When Winfried dons his garish wig and horrid false teeth, naming himself “Toni Erdmann”, a series of hilarious scenes ensue. Winfried is successful at being noticed in important corporate functions and dinners he follows Ines to, as well as a ladies dinner with Ines and her friends as he explains to the women that he is in Bucharest to attend a funeral that a friend is having for his pet turtle. The way that actor Simonischek fills his character with an earnestness and dry wit is what makes these scenes so hilarious.

My favorite scene of all and, if this film goes down in history as remembered, is a scene that will surely be talked about for years to come, is the “naked party” scene. Not only is the scene comical, it is also fraught with meaning as it is a turning point for the character of Ines. Hosting a team building party for her birthday, the party is set to begin, except Ines cannot get her dress on and her shoes do not match. Frustrated, with a guest already at the door, Ines strips naked and decides to turn the party into a naked, team building experience. Some guests are disgusted and leave, others reluctantly agree to strip nude. It is the point where Ines sheds not only her clothes, but her stodgy, rigid persona and begins to appreciate and enjoy life again- thanks to her father.

Toni Erdmann is a unique and unpredictable film by a female director (Maren Ade), who has an interesting and strong perspective on the female psyche. She carves a thoughtful tale about a damaged father and daughter with characters to root for and a realism. The film is a fun, laugh out loud romp, that also goes into dramatic territory, careful to remain playful and not be too overwrought. I enjoyed the film tremendously.

Amelie-2001

Amelie-2001

Director-Jean-Pierre Jeunet

Starring-Audrey Tatou

Scott’s Review #74

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Reviewed June 27, 2014

Grade: C+

Amelie was a major disappointment for me. Critically acclaimed and admired, I clearly did not get this movie at all. First the positives: this film is French, which gives it an edge for the beautiful language and the setting of France.

The cinematography, art direction, and set design are inventive and unique. The movie had a magical, whimsical feel to it which was appealing. The story, however, was an enormous drawback. The central character, a waif-like, sweet, waitress is lonely and feels unloved, yet avoids meeting the man of her dreams by playing a cat and mouse game of leaving silly notes and sending him on wild goose chases because she is afraid of happiness, yet she does everything she can to ensure others find happiness.

The story did not work for me at all, but I admired the creativeness of the film itself. Perhaps I should allow myself a second viewing as this film received much fanfare.

I’m So Excited-2013

I’m So Excited-2013

Director-Pedro Almodovar

Starring-Antonio de la Torre, Hugo Silva

Scott’s Review #25

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Reviewed June 17, 2014

Grade: B-

The latest offering by superb Spanish director, Pedro Almodovar, who directed the brilliantly disturbing The Skin I Live In a few years ago, returns with a vast departure and delves into a campy, lighthearted, yarn about a group of passengers and crew aboard a troubled flight. The group turns to booze and drugs to console themselves and a circus ensues. Someone had described this as the gay Airplane! and that is certainly fitting. Everyone on board is gay, bi-curious, or otherwise sexually confused and the one-liners keep coming.

The premise sounds hysterical, but sadly, the film did not live up to expectations. FYI: I felt Airplane! was overrated. Some funny moments, but the “over the top-ness” was too much to take remotely seriously and somehow did not hold my attention throughout. Not Almodovar’s best work by a longshot.