Category Archives: Children’s Films

E.T. The Extra-Terrestrial-1982

E.T. The Extra-Terrestrial-1982

Director-Steven Spielberg

Starring-Henry Thomas, Dee Wallace

Scott’s Review #756

Reviewed May 10, 2018

Grade: A

E.T. The Extra-Terrestrial (1982) is a wonderful, magical film that will succeed in melting the hearts of anyone with even a tad of cynicism. The film is otherworldly (quite literally) and contains a message of acceptance and appreciation of other beings. Mixing many humorous moments with tender drama and tears, the film becomes part fantasy, science-fiction, and humanistic story. The film still feels fresh and relevant today with a bevy of forever remembered scenes and references- a wonderful story of friendship.

The audience is immediately introduced to a pack of alien botanists, arriving in a California forest from their far away planet to study plants one night. When government agents interrupt the peaceful moment, the “extraterrestrials” are forced to depart leaving one creature behind. When ten year old Elliott (Henry Thomas) discovers and begins to communicate with what will come to be known as “E.T.”, the duo forge a wonderful, lasting friendship as they attempt to return E.T. to his homeland.

E.T. The Extra-Terrestrial is crowd pleasing in every way offering a bit of everything for all of its lucky viewers. Director Steven Spielberg reportedly made this film as a result of his desire to share a childhood imaginary friend with the world so the charm really shines through in this very personal story. The film contains an overall innocence that is pure benevolence- E.T. teaches Elliott as much as Elliott teaches E.T. Who can ever forget the pairs initial interaction as the use of Reese’s Pieces candy became a huge cultural phenomenon? The lovely quote of “E.T. phone home!” is still as poignant and teary eyed as it was in 1982.

Enjoyable and recognizable is E.T. himself becoming a cult figure. Odd looking, wide-eyed, and yet of a lovable nature, even cute, the film makers were careful not to make him too frightening. Using real actors and distorted voices E.T. became famous, appearing on lunch boxes, tee-shirts, notebooks, and binders throughout the early 1980’s.

The film, released in the “modern age” of 1982, provides a genuine portrayal of suburban life at that time. From the sunny sub-division style neighborhood that Elliott and his family live in, the absent father figure (so common in many 1980’s films), the single-mom/divorced parents phenomenon takes hold and makes families like this common place. If made in the 1960’s Elliott would for sure have had two happy parents and a white picket fence. Dee Wallace as Elliott’s mother Mary, received several mom roles throughout the decade, portraying them with a wholesome middle-America quality.

Henry Thomas, as Elliott, is crucial to the success of E.T. The Extra-Terrestrial and sadly the actor never did much beyond this great film. While tough to create chemistry with a creature from outer space, the young actor does just that as we buy the two as connected friends. The duo especially shine during the emotional “death” scene and the farewell scene finale.

The other supporting characters rounding out Elliott’s family are well cast and appropriate at relaying what a typical suburban family looks like. Michael (Robert MacNaughton) is slightly surly yet protective as the older brother and Gertie, played by a very young Drew Barrymore (soon to experience super stardom throughout the 1980’s and 1990’s) is cute, bubbly, and teeters on stealing the show as the precocious five year old.

At its core and what makes E.T. The Extra-Terrestrial so appealing is its heart- a sympathetic creatures desire to return home and be with his loved ones is the main focus. In this way, only slightly reversed is a comparison to the 1939 masterpiece The Wizard of Oz. As Dorothy yearns to return to her home amid of an exotic, unknown, and sometimes scary world, the same can this be said for E.T. and this makes both films similar and equally appealing.

Rich with elegance, intelligence, and creativity, Spielberg creates a tale that is both primed for mass consumption and rife for mainstream appeal. Rather than weave a contrived or cliched story, he spins a magical and long-lasting, good story that will appeal to the kid in all of us. E.T. The Extra-Terrestrial (1982) reaped many Oscar nominations, but lost out on the big prize to the epic Ghandi that year.

Coco-2017

Coco-2017

Director-Lee Unkrich

Voices-Anthony Gonzalez, Benjamin Bratt

Scott’s Review #737

Reviewed April 4, 2018

Grade: B+

Winner of the 2017 Best Animated Feature Academy Award, Coco is an exuberant and colorful affair filled with marvelous lights and a Mexican cultural infusion that serves the film well, making it feel robust with diversity and inclusion. The overall theme of family, traditions, and musical celebration is apparent and makes for good razzle dazzle with lots of upbeat song and dance. Mixed in is a lovely inter-generational theme, where older folks are respected, something all too lacking in today’s real world.

Miguel Rivera is a twelve year old boy living in Mexico with his extended family, including his elderly great-grandmother, Coco- sadly suffering from intermittent dementia. Through flashbacks we learn that Coco’s father, (Miguel’s great-great-grandfather), was an aspiring musician who abandoned the family for greener pastures. Subsequently, all music has been banned by the Rivera clan in favor of a modest shoe-making business.

As Miguel realizes his passion for music, he comes into conflict with his family, who have other aspirations for the young man. Miguel embarks on a fantastic journey to the magical and somewhat frightening land of his deceased ancestors, coinciding with the festive Day of the Dead celebration, a tradition of Mexican culture. There he realizes the true nature of his great-great-grandfather’s sudden departure.

Coco is a film that can really be enjoyed by all members of the family and is structured in just that way. The blatant use of multiple generations holds great appeal for blending the family unit together. Pixar successfully sets all the right elements in place for a successful film, and the well-written story only adds layers. The film is quite mainstream, yet appealing to the masses.

Perhaps very young viewers may become frightened by some of the skeleton laced faces of Miguel’s ancestors in the other world where he visits, but these images are somewhat tame and mixed with vibrant colors and wonderful production numbers. These images are undoubtedly meant to entertain rather than be scary and the creatures possess a friendly vibe.

Having viewed the film on an airplane traveling cross-country (admittedly not the best way to watch a film), I was entranced by the lovely and touching  musical number, “Remember Me (Lullaby)”, so much so that I was moved to tears right on the plane. How’s that for effectiveness? The emotional level reached via this song impressed me immensely about Coco, even when the story occasionally is secondary to the visual or musical elements.

In fact, for me, the story began to lag slightly until the aforementioned big musical number came into play. The song really kicked the action into high gear in an emotional way, and I became more enamored with the characters and the connections they had to one another. The love that Miguel and his relatives share became clearer to me and the conclusion is fine and satisfactory.

A slight miss to the film, corrected mid way through, is the bratty and entitled nature to Miguel. Heaving sighs when he does not get his way, this seems more apparent early on and was quite the turn off- at first I did not care for the character, yet I knew I was supposed to. Thankfully, the character becomes, naturally, the hero of the film and ultimately a sweet, likable character. I began to ponder,  “is that what kids are really like these days”?

Pixar does it again as they create a family friendly experience with a positive, yet non cliched message of belonging, forgiveness, and the importance of family connections, that feels fresh. In current times of divisiveness, especially with immigration and other cultures being attacked, how appropriate to experience a feel-good, yet not contrived project.

Cinderella-1950

Cinderella-1950

Director-Clyde Geronimi, Hamilton Luske, Wilifred Jackson

Scott’s Review #731

Reviewed March 7, 2018

Grade: A-

Cinderella is a lovely 1950 Walt Disney production and a film that rejuvenated the animated film genre after a sluggish 1940’s period, thanks in large part to the ravages of World War II. The film glistens with goodness and bright colors, offering a charming fairy tale based story based on hope and “happily ever after”. Cinderella is enchanting on all levels.

Told largely in narration form especially to explain the history of the story, we learn that Cinderella’s parents have both died, leaving her an orphan and living with her wicked stepmother, Lady Tremaine. Her stepsisters Drizella and Anastasia are jealous of Cinderella’s natural beauty and she is abused and berated regularly, forced to work as a servant in a rundown chateau- tending to the trios needs and demands. Despite her unhappy life, Cinderella makes the most of it and befriends mice, birds, and many other animals she meets, singing and dancing in a cheery way.

Life chugs along for our heroine, until one day the King of the royal palace decides to throw a lavish Ball in order for his son, the Prince, to finally find his soulmate and marry her. The King requests that all eligible unmarried women attend. As Cinderella excitedly requests to go, Lady Tremaine cruelly grants her request, provided all of her work is done, having no intention of making things easy on her. In true fairy tale form, the Prince falls madly in love with Cinderella while many hurdles face the pair on their way to happiness.

Given the time period when Cinderella was made (1950), the timing was excellent for a lavish production, to say nothing of the fantasy that many young girls undoubtedly experienced of a handsome prince rescuing them, whisking them away from a life of doldrums to undying love. Female empowerment had not yet taken hold during the 1950’s, so the male rescuing female message was palpable and appealing to many. Dated not in the least, a story of true love overcoming hardship can always find an audience.

The colors and animations of the production are lush and powerful, oozing with perfection and drizzling with fantastic elements of romance and spectacular wealth. An example of this is the lavish ball at the palace- as Cinderella’s Fairy Godmother  transforms the young girl and her transportation into a magical fantasy of horses, gowns, and carriages, it is quite extravagant in its beauty.

Engaging, with a bit of humor mixed in, are the supporting characters of the three evil ladies and the bumbling Grand Duke- interestingly voiced by the same person as does the King. As Drizella and Anastasia attempt to impress Prince Charming, their awkward and haphazard mannerisms and scowls perfectly counterbalance the charm and grace of Cinderella in sometimes comical fashion.

Comparisons must be made to 1937’s masterpiece, Snow White and the Seven Dwarfs, and both films could easily be companion films to each other, being watched in sequence for better study and marveling about similarities. Both Snow White and Cinderella are purely “good” characters, singing lovely tunes, embracing animal friends and various forms of wildlife- they are both more or less also “saved” by men. In present day, instead of this being offensive or “old fashioned” , it still remains enchanting and a celebration of true love.

Cinderella is a treasure to be enjoyed after all of these years, never aging nor becoming dated or irrelevant, which is a true testament to the power of film. Carving a story of values and honesty, of hard work and of good payoff, generations of fans can appreciate this everlasting treasure.

Pinocchio-1940

Pinocchio-1940

Director-Ben Sharpsteen, Hamilton Luske

Voices-Cliff Edwards, Dickie Jones

Scott’s Review #723

Reviewed February 1, 2018

Grade: B+

As a follow-up to the marvelous 1937 Walt Disney production of Snow White and the Seven Dwarfs, 1940’s Pinocchio is a darling tale  of a wooden puppets longing to become a real boy. The film is vastly different from its predecessor in that the protagonist is male and the thematic elements are Italian (based on an Italian children’s novel), but similarly, Pinocchio is a touching experience and is magical and whimsical, telling a humanistic story about wishes and dreams coming true.

As narrated by a fantastic, cheerful little insect named Jiminy Cricket, an elderly wood-carver, Geppetto, creates a wooden puppet named Pinocchio and wishes upon a star for the puppet to be turned into a little boy. A mysterious, yet lovely Blue Fairy arrives one night and tells Pinocchio that he must be brave and truthful for the desired effect to occur- Jiminy serves as his conscience. Throughout the remainder of the film  Pinocchio’s morals are tested by unsavory characters, who attempt to steer him down a dark path.

Certainly Pinocchio is intended as a message film to little boys and girls everywhere regarding the importance of being honest and truthful, but with some comic elements mixed in so as to not make the experience too dark or scary. This is evidenced by the , by now legendary, way in which Pinocchio’s nose grows longer with each fib that he tells.  What a valuable lesson the film preaches, and is a main reason the adorable story holds up so well in present times. Some values never go out of flavor.

In wonderful Disney form, Pinocchio features an emotional, tearjerker of a scene towards the end of the film as Geppetto mourns the loss of his son.  The scene is sweet, touching, and will fill even the hardest of hearts with feeling- regardless of age. In this way Pinocchio becomes even more of a timeless treasure, and is a film that the entire family, generations upon generations, can enjoy together. Films of this nature are so important as a bonding form.

Enough praise cannot be given to the incredibly effective theme song of Pinocchio, “When You Wish Upon A Star”, belted out by Jiminy Crickett. The resounding tune is as emotional as it is timeless and bold, belted out at just the ideal time during the film and is still identified with the legendary film. In fact, over the years the song has come to be identified with the Walt Disney company itself.

One slight oddity of the film is how Geppetto- clearly at the grandfather age- is the father of a young boy, which perhaps in 1940 might be perceived as sweet, but in 2018 may be perceived as a bit creepy or at least unusual. Still, this is a minor flaw and easily overlooked. In fact, I have come to assume Geppetto serves as the grandfather in the story.

For those in the mood for a charming, classic animated Disney picture, 1940’s Pinocchio is a mesmerizing and creative experience, and at its core is a timeless benevolent lesson in goodness and purity. Artistically filmed and told, Pinocchio is a film that can be enjoyed by anyone regardless of age or gender.

Sleeping Beauty-1959

Sleeping Beauty-1959

Director-Clyde Geronimi

Voices-Mary Costa, Bill Shirley

Scott’s Review #721

Reviewed January 30, 2018

Grade: B+

Sleeping Beauty is a 1959 musical fantasy film and the sixteenth animated production from Walt Disney.  By this point Disney was a master at crafting wonderful and magical productions and Sleeping Beauty is a solid work. However, due to mixed reviews and a poor box office performance, Disney films were retired for a number of years. The effort achieves a lighter tone than heavies like Dumbo and Bambi, but is enjoyable nonetheless.

In a magical land of royalty, fairies, both good and evil, King Stefan and Queen Leah, the benevolent leaders of the land, are finally able to conceive their first child, named Princess Aurora. After proclaiming a special holiday and celebration, a festive scene turns dark when evil and powerful fairy, Maleficent, jealous with rage, puts a curse on the innocent baby. Thanks to a kindly fairy, the curse of death on Aurora’s sixteenth birthday is slightly blocked in favor of Aurora falling into a deep sleep- only to be awakened by true love’s kiss.

The characters in Sleeping Beauty are quite lovely and, by and large, sweet and kindly. My favorite characters are the three fairies- Flora, Fauna, and Merryweather.  Each has her own personality, but wields special magical powers- all of them of good-natured variety. While Flora and Fauna possess song and beauty, which they bestow on Aurora, it is Merryweather who arguably saves the young girls life. The three women are also instrumental in being the unsung heroes of the film, while the handsome Prince Phillip getting star billing.

Compared to many other Disney films, Sleeping Beauty is quite the grandiose showing, and lush with colors bright as stars. The sparkles which drizzle from the fairies wands ooze with magic that will make children giggle with delight and adults marvel with adoration. In this regard, Sleeping Beauty is extravagant and the most expensive Disney production created up to this point.

Maleficent is a fantastic villain and when she finally turns into a lethal, fire breathing, dragon, this is sure to scare youngsters watching the film for the first time. Sure to mention, Maleficent’s web of thorns that she uses to surround Aurora’s castle is a spectacle in and of itself.

Upon watching the film I continue to draw comparisons to another of Walt Disney’s famous films, 1937’s beautiful Snow White and the Seven Dwarfs, as both films resemble each other in a sheer mass of ways. The beautiful and innocent main female characters, both in peril from devious, older women, clearly jealous of the enriched goodness of Snow White and Aurora are the most obvious. In addition, both contain dashing princes to come to the rescue in just the nick of time, and kindly little things who assist in the drama.

Perhaps it is Sleeping Beauty’s similarities to  Snow White and the Seven Dwarfs- in fact the pair would be perfect to watch together on a rainy Saturday afternoon- that lead me to conclude that Snow White is the more charming and grabbing of the two films. Also, Sleeping Beauty does not triumph in the important humanistic lessons that the aforementioned Dumbo and Bambi (my favorites of all the Disney films) have.

Sleeping Beauty contains all of the elements of an empathetic , feel-good animated experience. A King, a Queen, a Prince, a vicious villain, giddy fairies, and a beautiful heroine are all represented in this fine and satisfying Disney venture- not the greatest in the pack, but assuredly a good time.

The Boss Baby-2017

The Boss Baby-2017

Director- Tom McGrath

Starring- Alec Baldwin, Tobey Maguire

Scott’s Review #713

Reviewed January 12, 2018

Grade: C

True confession- I was not expecting much from the 2017 offering of the animated film entitled The Boss Baby (a brooding, sarcastic newborn offered no appeal). However, since the film was nominated for a Golden Globe award, I decided to throw caution to the wind and settle down for a viewing. Predictably, the film fulfilled my hunch and resulted in a fair to middling experience- the attempt at a nice message was offset by cliched and silly characters and an over-produced film rather than a directed one, but yet held interesting  and sometimes even beautiful visuals.

Seven year old Tim Templeton (voiced by Tobey Maguire), as an adult, narrates a story of his childhood  days, living with his parents Ted and Janice, both busy marketing professionals, who work at Puppy Co.. One day, his parents return home with a bundle of joy in tow, Theodore Lindsey Templeton (voiced by Alec Baldwin), who immediately monopolizes their time and attention. Isolated, Tim is envious and begins a rivalry with his baby brother, who is secretly a spy named “The Boss Baby”, and who has the mind of an adult in a baby’s body. It is revealed that he is working undercover as a spy to investigate why puppies are now receiving more love than babies. The duo eventually team up and forge a bond to prevent corporate America from ruining all of the love in the world.

To be fair, The Boss Baby presents a positive, good message of love and acceptance, which is nice to see, but this message can only carry a film so far, and there is little else of substance. As with many animated films, the story here contains a “good versus evil” slant, which, in this case, renders the film rather one dimensional. We are instructed who to root for and who not to root for, and while  challenging corporate greed is certainly a cause worth championing, too often I found The Boss Baby causing my mind to wander elsewhere instead of keeping me engaged in the story- not a good sign.

Apparently the target audience for this film is quite young because many sappy or juvenile scenes continue to play out. Closeups of Theodore and whimsical shots of his bulging eyes give the film a cute, too wholesome quality, and in predictable fashion, there are the standard doody and poop jokes, which comedies do all too often to account for sloppy writing.

The character of Theodore is voiced by comedy stalwart Alec Baldwin, and this does wonders to make the baby a bit more interesting than otherwise might have been. Baldwin, fusing assertion and a sarcasm into Theodore, makes him witty and energetic, but again, this can only go so far, and by the time the film has concluded in happily ever after fashion, the once tough character has disintegrated into a hammy kid.

Older brother Timothy is perfectly fine and the idea of having Maguire narrate him as an adult is a nice touch.  The central theme of sibling rivalry between brother and brother and especially the difficulty of some kids adjusting to a newborn debuting into the family may be enough to encourage parents to make it a family outing and see The Boss Baby.

Sadly, the creative and unique sets of animations may be wasted on viewers seeking good story. What a pity that The Boss Baby does not hold both qualities, but alas the film is little more than adequate and will undoubtedly be forgotten before very long.

Beauty and the Beast-2017

Beauty and the Beast-2017

Director-Bill Condon

Starring-Emma Watson, Dan Stevens

Scott’s Review #634

Reviewed April 18, 2017

Grade: A-

Upon going to see 2017’s spring release offering of the live action version of the Disney animated classic, Beauty and the Beast, I was not sure what to expect. Would it be a cheesy or amateurish retread of the 1991 animated smash only with human beings? Why the lackluster March release date? Surely this is telling, otherwise why not release the film in the coveted fourth quarter with potential Oscar buzz? I do not have the answers to all of these questions, but this version of Beauty and the Beast is enchanting, romantic, and lovely- a spring treat for the entire family to enjoy.

Our protagonist , Belle, (producers wisely casting Harry Potter legend Emma Watson), is a kindly farm girl living with her father, Maurice (Kevin Kline),  in a quaint village outside of Paris. Considered a bit odd by her village mates because she loves to read, she rebuffs the advances of dashing soldier, Gaston, because he is arrogant- the other village ladies (as well as Gaston’s gay companion LeFou) flaunt over Gaston’s good looks.

When Maurice ventures into parts unknown and stumbles upon a dilapidated castle, he is locked up by a vicious beast, having once been a handsome prince, since cursed by a beggar woman. The only way the beast can return to his former self is to find true love before a wilted rose loses all of its peddles- enter Belle to the rescue. Belle convinces the Beast to let her stay prisoner and release her father. Will Beast and Belle fall madly in love? Of course they will. The fated romance is part of what makes the film heartwarming and nice.

The now legendary classic fairy tale feels fresh and energized with the Disney produced project. Director Bill Condon carefully, and successfully, crafts an honest effort, making sure that while providing a fairy tale happy ending, not to make the film seem contrived, overblown, or overdramatized. I fell for the film hook, line, and sinker. it is an uplifting experience. The song and dance numbers abound with gusto and good costumes- my personal favorites being the rousing “Be Our Guest” and the sentimental “Beauty and the Beast”.

The crucial romance between Watson’s Belle, and the Beast, earnestly played by Dan Stevens (Downton Abbey fame), works in spades, as their chemistry feels authentic and passionate. As Belle is at first held captive by the misunderstood bad boy in lieu of Maurice, the pair at first loathe each other, but this is done with innocence and no malice. Condon wonderfully exudes the right amount of slow build to make the pair beloved by audiences with the correct amount of pacing.

The CGI is heavy in Beauty and the Beast, as is expected. The distraction of the Beast is a bit confusing. Was the Beast a complete CGI creation save for the close ups or was Watson dancing with Stevens when filming commenced in certain scenes? I am unsure.

The controversial “gay storyline”, which helped the film be banned in the southern United States and Russia, as well as other countries is pure and utter rubbish. The subject is explored extremely superficially and not worthy of all the fuss. In fact, worthier of mention is the wonderful diversity that is featured in the film, most notably in the opening sequence. Interracial couples appear in the form of Madame de Garderobe (Audra McDonald), the opera singer turned wardrobe, and Maestro Cadenza (Stanley Tucci) turned harpsichord. On the gay issue, how sweet that the implied gay character of LeFlou finds love with another man at the end of the film.

A minor complaint is the scattered authentic French accents by many of the household staff and village people, but Belle and Maurice speak in British tongue. Being a fairy tale, liberties must be taken and suspension of disbelief is certainly a necessity, but this was noticed.

Beauty and the Beast is a lovely experience that mixes fantastic musical numbers with romance with a side of diversity mixed in for good measure. Since the film will undoubtedly be seen by oodles of youngsters and teens this is a wonderful aspect to the film and hopefully, a shining, positive example in film making.

Snow White and the Seven Dwarfs-1937

Snow White and the Seven Dwarfs-1937

Director-David Hand

Starring-Various Voices

Scott’s Review #625

Reviewed March 18, 2017

Grade: A-

Snow White and the Seven Dwarfs is the debut feature length production by storied producer, Walt Disney, and has the grand honor of being the first animated feature ever to be made. Until the time of its release, animated stories were not features at all, but rather, shorts that were shown as gag-filled entertainment not to be taken very seriously. Snow White and the Seven Dwarfs made animated films something to be appreciated and respected- the film, released in 1937, was re-released in theaters many times until the 1990’s and is a blueprint for what animated features would become. The film is based on the famous Brothers Grimm fairy tale and is a cherished treasure.

Beautiful inside and out, Snow White is a lonely princess who lives with her devious wicked stepmother, the Queen. Making the most out of her troubled life, Snow White hums and sings with her bird friends who gather to keep her company as she is forced by her stepmother to work as a scullery maid . The Queen is a vain woman, jealous of Snow White’s natural beauty, constantly consulting her mirror to ask “who is the fairest one of all?”. One day the Queen decides to put an end to Snow White and orders a henchman to kill her in the forest and return her bloody heart to her in a box. When the henchman is unable to do the deed, he pleads with Snow White to flee. She winds up in a little cottage housing seven dwarf men whom she befriends as the Queen is determined to take drastic measures to find her.

Circa 1937, and for years to come, animated features were not created as they are today. Rather, they were simplistic- and wonderful- in the use of storyboards and drawings in their creation. This daunting task, and the creativity involved, makes them just lovely to look at. Since Snow White and the Seven Dwarfs was the debut animated feature, the drawings are fantastic to view- like pictures- and to appreciate the craftsmanship involved. The characters are richly created, with bright, vivid colors that distinguish them from one another- the bright red lips of Snow White and the blue and gold colors of her dress contrast with the regal purples used on the Queen, to say nothing of the deep red color of the poison apple. The color makes the apple appear delicious, but also dangerously blood red. These nuances make the characters deep with texture.

The friendships Snow White makes with the dwarfs and the animal life in the forest are whimsical and filled with love and the animal element later would become a staple of Disney’s works- Dumbo and Bambi. The animals are naturally fond of Snow White because she is joyous and kind- they in turn warn her of impending danger as the Queen turns herself into an old woman and lumbers towards Snow White, snug in the cottage.

Snow White and the Seven Dwarfs features an old style romance- the handsome Prince takes a shine to Snow White, noticing her natural beauty as she sings and later determined to save her- which of course he does when he magically kisses her in the films finale. The songs featured only enhance the love story- “Some Day My Prince Will Come” is a lovely ode to romance and is tenderly sung by Snow White as she longs for the Prince’s touch, frustrated with her life.

The creation of the seven dwarfs is done in magical fashion and seven little men living together seems quite natural in those innocent times. Each distinctive from each other- Dopey being my personal favorite in his innocence and playfulness- Happy, Doc, Grumpy, Sneezy, Sleepy, and Bashful are all written with great zest as we fall in love with each of them from the first moment we meet them as they belt out “Heigh-Ho” in unison.

Since Snow White and the Seven Dwarfs deserves merit for being Disney’s first, overlooked can be the omission of any family members of Snow White’s besides the evil Queen. Where is Snow White’s father and mother? Any siblings? Certainly they are presumed dead, but they are never mentioned. Also, why does the Queen have a Magic Mirror and why does she have special powers that nobody else has?

At one hour and twenty three minutes, Snow White and the Seven Dwarfs is a quick film, but does not feel underdeveloped. The story and the characters are rich with appeal and intrigue making the film a classic that should be shared with all youngsters. It is a classic tale of good versus evil, a great love story, and sets the tone for other Disney masterpieces to follow.

WALL-E-2008

WALL-E-2008

Director-Andrew Stanton

Starring-Various voices

Scott’s Review #594

Reviewed January 8, 2017

Grade: B+

After hearing so much buzz about WALL-E, I decided to see for myself what all the fuss was about. Disney-Pixar has created another fantastic film. Visually, it is a creative and intelligent experience that warrants the praise it has received. They also do a lot with the intricate graphics and animations.

In a futuristic world where humans have destroyed their environment, and thereby abandoned planet Earth. Robot, WALL-E, is left to clean up the mess. He then meets a fellow female robot named EVE, and the two develop an innocent, sweet relationship that is charming and authentic.

The humans in the film are portrayed as fat, lazy, incapable of intelligent thought, and most unable to move very much since technology has trained them to be as such. Sad.

The story itself is very sweet, touching, and sends a very important message about society and taking care of our environment. Very enjoyable.

The Aristocats-1970

The Aristocats-1970

Director-Wolfgang Reitherman

Starring-Various voices

Scott’s Review #570

Reviewed December 29, 2016

Grade: B+

The golden age of Disney films mainly occurring prior to the release of this film, The Aristocats is a latter day Disney film, released in 1970- the first release since Walt Disney’s death in 1966. It is a darling story with a very cute subject matter- cats living in sophisticated Paris face peril from their butler. Like many Disney works, the film’s message pertains to the treatment of animals. The Aristocats is much safer fare than the dark Bambi or even Dumbo, but it is a fantastic film worth watching.

Glamorous and elegant retired opera star, Madame Adelaide Bonfamille, lives peacefully with her gorgeous mother cat, Duchess, and her three kittens, Marie, Berlioz, and Toulouse in the heart of Paris, circa 1910. They are sophisticated beyond measure and enjoy every luxury known to cats, and are accompanied in their estate by English butler, Edgar. One day while Madame is discussing her will with her attorney, Edgar learns that she plans to leave her entire estate to her cats, until their death, then all goes to Edgar. Filled with greed, Edgar plots to kill the cats. This leads to an adventure in the country as the accosted cats attempt to find their way back home to Madame, with the help of feral yet kindly cat friends.

Ever so sweet to the film is the burgeoning romance which erupts between Duchess and Thomas O’Malley, as he  aids the cats in returning to Paris. It is classic girl from high class, meets the bad boy from the wrong side of the tracks- only cat style. The chemistry is readily apparent between the pair and, on a personal note, my female cat Thora certainly seemed smitten with Thomas O’Malley as she sat smiling at Thomas as she watched the film.

During their adventure, Thomas and Duchess manage to dance and sing along with Thomas’s best friend Scat Cat, who leads a Jazz band of alley cats- this makes the film light and lively in tone. The group also shares adventures with English geese, Abigail and Amelia Gabble, who share a fondness for style and a prim and proper manner.

Throughout it all, the group continues to be pursued by Edgar, who is portrayed more as a bumbling villain than a sinister one, making The Aristocats a fun film rather than anything too heavy or sinister.

The sophistication of the film is really what makes me enjoy it so much. The high style of the Parisian city blocks, Madame’s gorgeous mansion, and the beautifully drawn French countryside are my favorite elements. I love the contrasts with this film- the city and the country, the high brow characters meet the more blue collar ones, but in the end, everyone comes together to conquer the mischievous foe.

Whereas, in Bambi man is the serious enemy, in The Aristocats, Edgar is more of a buffoon than a true dangerous element. He is cartoon-like (no pun intended), thereby the film is more of a caper with hi-jinks than of true danger.

For the cat lover in all of us, The Aristocats is a delightful film with a nice message, and a wonderful cultural experience. Who can forget the fantastic theme song, “Ev’rybody Wants to be a Cat”?

Toy Story 3-2010

Toy Story 3-2010

Director-Lee Unkrich

Starring-Tom Hanks, Tim Allen

Scott’s Review #562

Reviewed December 26, 2016

Grade: B+

It is not easy for sequels to succeed in the creativity or the originality categories, but surprisingly, Toy Story 3 is a fresh, imaginative, fun film. The characters are charming, interesting, and heartwarming, and the film is able to avoid a sappy result. Pixar has another hit.

Andy, now grown up and headed off to college, sees no reason to keep any of his childhood toys, now irrelevant and headed for the scrap box- at least that is what Woody, Buzz Lightyear, and friends, fear will happen as the dreaded day approaches. They must scheme to avoid their fate.

Many interesting new toys are introduced to this franchise with unique personalities, thereby giving a fresh approach, yet not forgetting the past. I adore how Toy Story 3 has many dynamic themes (loneliness, abandonment, togetherness), that play very well together with a nice message.

On a deeper level, the film certainly reflects the modern era. People are so easily thrown out, forgotten, and abandoned, whether through a job, relationship, etc. so that makes this film a sad reality if one chooses to look at it that way, which most won’t.

Great movie for kids and adults alike with a meaningful, relevant message. The film is not a sugar-coated affair and offers a cold reality, while still remaining accessible.

Scrooge-1970

Scrooge-1970

Director-Ronald Neame

Starring-Albert Finney, Alec Guinness

Scott’s Review #561

Reviewed December 25, 2016

Grade: A

A classic that is perfect to watch around the holidays, accompanied perhaps by a roaring fire and a bit of brandy, Scrooge is a magical, musical experience, that should be adored by the entire family. The film is a re-telling of the 1843 Charles Dickens story, A Christmas Carol. Set in London with spectacular London style art direction, it is perfect in its depiction of life around the holidays in the historic city, circa nineteenth century.

To be clear, this is the musical version of the popular tale- not to be confused with the 1935 or the 1951 versions of the story. The film is not as dark or scary as those films are. Rather, the 1970 Scrooge would be a fantastic companion piece to the 1968 classic, Oliver!, both based on Dickens stories, as both mix fantastic musical scores with the dramatic elements.

Albert Finney takes center stage in flawless form as the old, cantankerous, miser, Ebenezer Scrooge. He plays the character as both an old man, and, via flashbacks, as a young man (Finney was merely thirty four years old at the time of filming). Guinness, certainly a high caliber actor, is effective as the ghost of Jacob Marley- Scrooge’s former business partner. Scrooge is a money-lender, mainly to the working class, and is unforgiving in his collection of debts.

Filled with hatred of all things good, especially the Christmas holiday, Scrooge refuses to attend a family Christmas dinner hosted by his nephew, Fred, or to give to any charities. He begrudgingly gives his minion and bookkeeper, Bob Cratchit, Christmas day off. Finally left alone Christmas Eve night, Scrooge is visited by the spirit of Jacob Marley, deceased seven years, who tells Scrooge that he will be visited by three ghosts during  the night.

In a chilling scene, Marley takes Scrooge on a journey through the sky where he is greeted by spirits doomed to traverse the Earth as Jacob is, with shackles acquired from their life as living beings. Since they were greedy and wicked, they are doomed in the afterlife, just as Scrooge will be if he does not change his ways.

In a wonderful sub-plot, we get to know the Cratchit’s, led by father Bob, a poor, but earnest man. The family has little, but make the most of what they do have, and appreciate the glorious holiday. They prepare a meager Christmas bird, and savor being together as a family. Their youngest, Tiny Tim, is lame, and he lusts over a lavish train set in the local toy shop. The Cratchit’s epitomize goodness and richness of character, and clearly contrast Ebenezer Scrooge.

As Scrooge is visited by the ghosts of Christmas past, present, and Christmas yet to come, he slowly realizes he needs to change his ways before it is too late, and the audience is treated to stories of Scrooge’s youth, as we realize what has made him the miserly old man that he is today.

The clear highlight to this film is its musical numbers that will leave even the most tone deaf humming along in glee. Throughout each sequence we are treated to various numbers. My favorite is “Thank You Very Much”, as first appears during the Ghost of Christmas Yet To Come sequence. By this time feeling more sympathetic and appreciative, Scrooge merrily dances and sings along with the townspeople, unaware of the fact that they are celebrating his death and are dancing on his coffin to celebrate the fact that their debts are now free and clear. This catchy tune is a reprise at the end of the film.

Other cheery numbers are “Father Christmas” and “I Like Life”, which perfectly categorize the film as a merry, holiday one, despite the occasional dark nature of the overall film. This is necessary to avoid making Scrooge too bleak.

I also adore the vivid set designs as the gorgeous city of London is perfectly recreated to show the festive Christmas holiday. The film is not high budget, but makes the most of it by using small, yet lavish sets.

Scrooge is a perfect holiday film that contains fantastic tunes, a meaningful story, that comes across on film as celebratory of life, never edging toward contrived or over-saturated in nature. A wonderful holiday feast.

Dumbo-1941

Dumbo-1941

Director-Ben Sharpsteen

Starring-Various voices

Scott’s Review #559

Reviewed December 24, 2016

Grade: A

One of the best produced (and at sixty-two minutes, one of the shortest!) of the classic Walt Disney films of the golden age, Dumbo, in similar fashion to another Disney classic, Bambi, is both heartbreaking and mixed with fun entertainment. It should be heralded and viewed by everyone- children and adults alike, and teaches a valuable lesson in acceptance and tolerance- messages that never go out of fashion, despite the film being made in the grand old year of 1941.

To draw more comparisons to Bambi, we are introduced to the title character, as Dumbo is nuzzled and cherished upon being brought into the world by storks, by his warm and affectionate mother. Dumbo is an elephant and his mother a circus elephant, where she spends her days as entertainment, along with a group of other female elephants- none of whom has her grace, kindness, or dignity.

Sweet Dumbo is born with an imperfection- he has enormous ears. While others- namely the female elephants- ridicule and stare in horror at the lovable little elephant- his mother embraces and cuddles her little bundle of joy, eliciting a genuine, good-nature warmth rarely seen in cinema history. There is something so innately good about this character, (Mrs. Jumbo). She has a richness and way about her that is fantastic and consuming.

Sadly, one day, while entertaining the masses, a bratty human kid taunts Dumbo, causing Mrs. Jumbo to go ballistic, immediately going into protection mode. She is then deemed a “mad elephant”, shackled, and chained, and worse yet- separated from her baby. How anyone can watch this portion of the film and not shed a tear or get a lump in their throat is beyond me. Walt Disney was a master at eliciting raw emotion from his audience and writing a heartbreaking yet charming stories.

The centerpiece of Dumbo is the wonderful bond between mother and son- a sweet and powerful connection almost everyone can relate to. The pride and joy in Mrs. Jumbo’s eyes when she is granted a visit from Dumbo while imprisoned is magical- it means the world to her.

The supporting characters are key to the richness of the film- Timothy Q. Mouse is an important character to the story. Upon Dumbo and Mrs. Jumbo’s separation, he becomes Dumbo’s only friend, sympathizing with Dumbo, and is instrumental to Dumbo’s reunion with his mama as well as his future successes in the circus. The bitchy female elephants are crucial too- despite being one of their own, they still reject Dumbo and mother. There are some light moments, as when the ladies, (Catty, Giddy, and Prissy), gossip and act superior to others.

Another fun scene, to balance out the heavy drama, occurs when Timothy and Dumbo accidentally mistake champagne for water, causing them to hallucinate and imagine pink elephants.

Dumbo is important in that it sends a powerful message about the way animals (especially circus animals) have historically been treated. Why animals should be used to amuse and entertain human beings is anyone’s guess, but this film is a powerful reminder of such. Fortunately, the film goes for a happy and satisfying ending, which should please fans. An animated classic for the ages.

Bambi-1942

Bambi-1942

Director-David Hand

Starring-Various voices

Top 100 Films-#88

Scott’s Review #556

Reviewed December 22, 2016

Grade: A

Simply lovely, endearing, and a heartbreaking tale, Bambi is one of my favorite classic Disney animated features of all time. Gorgeous and flawless, the film sends a definite message of animals longing for peace in a world filled with hunters attempting to disturb and kill the graceful deer. After all of these years, this message still resonates loud and clear, in sad, heartbreaking fashion. All deer hunters should watch this film and then have the audacity to hunt. Bambi was released among the Golden Age of Disney films, led by Snow White, Dumbo, Pinocchio, to name but a few.

We first meet baby Bambi as his dear mother nurtures and nestles him, fawning over him with pride and teaching him the joys of the forest.  Bambi’s father is the Great Prince of the Forest- protector of all the creatures of the land. Bambi’s mother (unnamed) warns an exuberant Bambi to be cautious of the gorgeous, yet dangerous, meadows, where the deer are vulnerable and unprotected.

During the film’s famous gut-wrenching scene, tragedy occurs, and violence disrupts the peaceful forest, leaving Bambi alone, lost, and devastated, forced into a cruel world of tragedy, realism, and responsibility. The scene gets to me every time as we see the pain and the harshness of what life is like for the sweet deer, to say nothing of the other animals in the forest- namely, Thumper (a rabbit), and Flower (a young Skunk). These characters are Bambi’s best friends. The dripping teardrop that oozes from Bambi’s eye is unable to be forgotten.

To counterbalance the dark tone of the film, Disney successfully adds cheerful scenes of the animals dancing and co-mingling with each other- as one community. This is nice as it shows the power and the bond between the creatures- they are united as a family and take care of one another. I love this message, especially as young people will watch the film for the first time.  There is also a sweet romance offered between Bambi and Faline.

To watch the film and listen to the musical score is to experience sheer beauty. The music makes the film powerful- its classical and operatic elements are gorgeous and will elicit emotions for sure. Visually, each frame is a drawing set against a still and is magical to watch and marvel at the amount of work that undoubtedly went into this preparation.

In the end, the circle of life takes place. Bambi becomes the Great Prince of the Forest, replacing his father as the protector. Now  all grown up with two tiny babies of his own, he must protect his family and friends. Life goes on. A sad yet realistic message. How brave of Disney to create a piece as wonderful as Bambi.

A personal satisfaction for me is observing my beloved female feline friend, Thora, become mesmerized and attentive to the film each time I watch it.

Disney’s Bambi is a wonderful, cherished treasure that evokes emotion and teaches a valuable, though painful message. It is a timeless masterpiece to be enjoyed for generations to come. One will not escape the film with dry eyes, which is a testament to the marvelous film making involved.

Fantasia-1940

Fantasia-1940

Director-James Algar, Various

Starring-Leopold Stokowski, Walt Disney

Scott’s Review #544

Reviewed December 11, 2016

Grade: B+

Before viewing this 1940 gem by Walt Disney, I was naive to knowing exactly what Fantasia was about- certainly, I had heard of it and knew it was an animated production, but was also mystified by it. Now embarrassed, I realize what a creative treat I missed out on. Better late than never.

I expected a Walt Disney animated story along the lines of Snow White or Pinocchio, but I was sorely mistaken by this assumption. While the film took me a bit to get into, it is a marvel and quite extravagant. The mixing of classical pieces and animated story is brilliant and is visually amazing. There are eight pieces in total, all with stories to tell.

Animated films are not typically my genre of choice, but this one impressed me quite a bit, if nothing more than the imagination involved. A Fantasia reboot emerged in 2000.

How to Train Your Dragon-2010

How to Train Your Dragon-2010

Director-Dean DeBlois, Chris Chambers

Starring-Gerard Butler, America Ferrera

Scott’s Review #537

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Reviewed December 5, 2016

Grade: B-

How to Train Your Dragon is a  decent, but less than spectacular, animated film from 2010. Undoubtedly targeted toward youngsters, it contains G-rated elements and I may have enjoyed it more if I were nine years old. The film is loosely based on the British book series of the same name. A subsequent sequel has commenced in 2014.

From a story perspective, the film does tell a story with a nice message. Young Hiccup is a teenage Viking on the cusp of becoming a man. As a ritual, he is expected to kill a dragon to prove his worth as a warrior to his tribe . When put to the test, Hiccup finds that instead of desiring to kill the dragon, he wants to befriend it. Of course, the traditional Vikings want no part of any unity between the tribe and dragons, who are long-time enemies.

Mixed in with the main story is the inevitable love story between Hiccup and Astrid, a tough Viking girl.

There are way too many endless aerial battles between the tamed and vicious dragons, that it begins to feel more like an effort to fill time rather than furthering the main plot in any way.

This film has a nice message of kindness and togetherness, but seems very predictable and does not take any risks. There is nothing  wrong with it, and animated fans may look at it differently, but to me, it is run of the mill.

Fantasia 2000-2000

Fantasia 2000-2000

Director-James Algar, Various

Starring-Steve Martin, Bette Midler

Scott’s Review #535

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Reviewed December 4, 2016

Grade: B+

Fantasia 2000 is a visually stunning remake of the 1940 Disney film. The modern version is produced by Roy Disney, nephew of the famous Walt Disney.

There are nine segments in total, each set to a classical music piece. Masterpieces such as Symphony No. 5 by Beethoven and Rhapsody in Blue by Gershwin are featured. The Rhapsody piece is a gorgeous story of four individuals who dream of a better life in 1930’s New York City. The four do not know each other, but their lives intersect in a unique way.

Each segment is introduced by a celebrity: Steve Martin, Angela Lansbury, Bette Midler, and Quincy Jones appear, adding helpful thought and interpretation.

The final piece, in particular, is both moving and breathtaking. Firebird Suite-1919 version- by Stravinsky tells of a sprite (an ethereal entity), awoken by her companion, an elk, as a volcanic spirit has erupted in the peaceful forest, burning it down. The sprite must work to rebuild the peaceful land. It is an earnest, heartbreaking piece.

Being somewhat of a film traditionalist, I prefer the original slightly, but this version is great. Fantasia 2000 is wonderful to look at.

Despicable Me-2010

Despicable Me-2010

Director-Pierre Coffin, Chris Renaud

Starring-Steve Carell, Jason Segel

Scott’s Review #526

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Reviewed November 25, 2016

Grade: B-

My immediate reaction upon seeing Despicable Me is that it is a cute film, just custom made for the masses- children and families alike. This is fine, but I was honestly hoping for something a bit edgier or of more substance, but I did enjoy it at the same time.

To be clear, the film is a fun, family style affair for all ages with a nice story. It basically tells the story of a villain, named Gru, who is in competition with other super-villains and hatches a plan to shrink and steal the moon. He is reformed through three orphans (Margo, Edith, and Agnes) he first uses in his plan, but later comes to love and eventually adopts. The orphans predictably reform Gru and bring out the nice man within him. They clearly change his life for the better.

There is nothing really wrong with this film, nor is there anything really tremendous about it either. I know some people really loved it. To me it was decent, but I wanted a bit more and perhaps a more complex or interesting plot, but that is just my personal taste.

The Witches-1990

The Witches-1990

Director-Nicolas Roeg

Starring-Angelica Huston

Scott’s Review #483

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Reviewed September 20, 2016

Grade: B-

The Witches is a G-rated family film with a slightly dark tone that is done in a soft manner as the film is really targeted for children. However, it is a film that adults may love too. I found the film to be entertaining, with impressive special effects, and a dazzling comedic performance by Angelica Huston, but ultimately The Witches has a silly quality, though admittedly not trite, that does not completely make it a success in my book.

The film is based on a Roald Dahl children’s book – with predictably a child as the central character- similar to other Dahl novels that became films like James and the Giant Peach and Charlie and the Chocolate Factory. I cannot help but wonder if my mediocre rating of The Witches has to do with the fact that I have not read the novel, as I have the other aforementioned novels in his collection.

Our hero in the story is Luke- a  kindly, innocent young boy living in Norway with his parents and grandmother- Helga. When his folks are tragically killed, his grandmother takes him to London to begin a new life for themselves. When Helga falls ill, they stay at a seaside resort where they stumble upon a convention of witches disguised as the Royal Society for the Prevention of Cruelty to Children. Luke’s and his plump friend Bruno become victims of the witches plot to turn children into mice. The witch group is led by the Grand High Witch (Huston), who the other witches fawn over with grandiose praise.

Huston is fantastic as she overacts the part she plays- this is not a bad thing, but makes the role quite fun and energetic. When she transforms from a glamorous woman to a shriveled monster, the transformation is interesting to watch and an impressive part of the film. Furthermore, the way that Luke and Bruno interact when they are mice is also cute and a positive to the film.

I enjoyed the aspect that, if watched closely, can be seen involving the reveal that numerous witches are really men with female wigs on. This successfully gives the witches a grotesque, obviously mannish quality and emits a chuckle of pleasure at the same time.

Still, there is something slightly childish or juvenile about the offering- while the film appears dark on the surface. The subject is rather played for laughs instead of going full steam ahead as a dark film. Undoubtedly this is due to the target audience that the film is going for. For instance, hotel manager and his affair with a hotel maid seems slightly unnecessary.

The Witches is a decent offering due respect for the creative aspects that it elicits- I just felt the story might have been done a bit more serious. Additionally, the ending feels  slightly forced and abrupt- a Hollywood intended ending perhaps?

Babe-1995

Babe-1995

Director-Chris Noonan

Starring-James Cromwell

Scott’s Review #475

268776-1

Reviewed September 9, 2016

Grade: B

Babe is a cute, charming family film about a pig who becomes a hero while living on a farm with a family of other animals and a farmer and his wife. It is not a risky film from a story perspective- any doubts about a happy ending?- though here’s props for some visual creativity. And let’s face it- the film is sweet and heartwarming with not a mean bone in its body.

The film is an inspirational one, nice for kids no doubt, and the visual effects, i.e. how they edited the animal movements with voices successfully is well done and not tacky.

The film is certainly predictable and harmless and I’m not sure I agree with the Best Picture or Best Supporting Actor (for James Cromwell) nominations it garnered, but it was enjoyable and fun all the same.

Hotel Transylvania-2012

Hotel Transylvania-2012

Director-Genndy Tartakovsky

Starring-Adam Sandler, Kevin James

Scott’s Review #418

70220028

Reviewed June 18, 2016

Grade: C-

Hotel Transylvania is a 2012 animated film about an overprotective Dracula with a teenage daughter fascinated with the human world. The premise sounded interesting to me- a gothic, spooky feature, and the animations are very well done- bright, colorful, and unique, but the plot is way too predictable and the story as safe as they come.

Despite the dark mood of the film, there is nothing remotely scary about Dracula or any of the other characters. Rather they are completely cliched and quite amateurish. The target audience is obviously age 10 and under and parents might find themselves bored.  I am not a parent and I was bored to tears at one point. It is too cutesy for my tastes.

Save for the impressive animations, Hotel Transylvania is complete mainstream fare and forgettable film making. A great story achieves mountains and this one lacked.

The Peanuts Movie-2015

The Peanuts Movie-2015

Director-Steve Martino

Starring-Noah Schnapp, Hadley Belle Miller

Scott’s Review #304

80057058

Reviewed December 20, 2015

Grade: B-

Having adored the Peanuts comic strips in the “funnies” papers every Sunday as a wee child, as well as the wonderful classic A Charlie Brown Christmas special that aired every holiday season, I was eager to see a full-length film released in theaters.  The Peanuts Movie commemorates the 50 year Anniversary of the Christmas special.  The Peanuts gang are so All-American and ingrained in our culture that I could not resist seeing it. I expected “cute” and that is exactly what I received. The film was nice, but quite safe and certainly predictable.

The Peanuts gang is much more than just the antics of Charlie Brown and his faithful dog Snoopy, who clearly take center stage in the film. It is the entire beloved gang and they are all featured here- Woodstock, Peppermint Patty, Marcie, Linus, Lucy, Frieda, Pig-Pen, and others, albeit in clearly supporting roles.

There are two main stories featured in the film- the long-suffering and (in his mind) friendless (despite actually being loved by the gang), Charlie Brown is enamored with his new neighbor- the Little Red-Haired Girl- well-known from the original comic strips as Charlie Brown’s schoolyard crush-yet never seen. The other is Snoopy’s writing of a book about the Flying Ace- in which he saves his crush, Fifi, also a pilot, from the dangerous Red Baron and his army.

Per usual, the film is really about Charlie Brown’s endless insecurities prompted by bad luck and always screwing things up- no matter that his intentions are noble. When the Little Red-Haired Girl moves in across the street from Charlie Brown, he is immediately smitten and does numerous things to impress and acquire her attention- of course with difficulties arising. A talent show in which he plays a magician goes wrong. To his delight, he is partnered with the Little Red-Haired Girl on a book report, but when she is called out of town he is forced to write the report himself, thereby foiling his attempts at getting close to her.

Per usual, all parents remain unseen and speak in garbled voices as the story is solely about the kids. An interesting element is, while the Little Red-Haired girl is seen and does indeed speak, most of this occurs towards the end. Up until this point we see her only from behind allowing an element of mystery to surround her. It would have been interesting seeing some of the supporting characters explored more- is Peppermint Patty gay and is Marcie her love interest? How about a love interest or background for some of the others? A very quick side story explored is a growing romance between Pig-Pen and Patti.

The film does a nice job with featuring the familiar settings of the original comic strip- Lucy’s psychiatrist’s booth, the wall,  and the skating pond are prominently featured, which is a treat for long-time fans.

In the end, The Peanuts Movie is a nice film. I would have preferred a bit more of an edge or more creativity as original creator Charles Schultz had, but it is nice to be reminded of a simple time in life and this film is a good time.

The Lego Movie-2014

The Lego Movie-2014

Director-Phil Lord, Chris Miller

Starring-Chris Pratt, Elizabeth Banks

Scott’s Review #284

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Reviewed October 24, 2015

Grade: D

A child’s movie in every sense of the word, The Lego Movie is silly and amateurish. It contains a hackneyed plot and an incredibly fast pace that makes the viewing experience quite unpleasant, frankly. Computer animated and primarily created by imagery, a scene involving two human beings interspersed among all of the animation only makes the plot more sappy, overwrought, and predictable. The film is a complete dud and a waste of energy save for one lone catchy song appearing throughout the film. I am perplexed why this film received mostly positive reviews as I did not share the same sentiment.

The premise is too complex for the target audience, for starters. In a Lego universe, where all of the characters are Lego pieces, a mysterious wizard- Vitruvious, attempts to protect a super weapon (Kragle) from the evil Lord Business. While he fails, he prophesies that a person named “The Special” will one day find the Piece of Resistance capable of stopping the Kragle. Kragle turns out to be superglue in the human world, as a cameo with Will Ferrell reveals he is really the human version of Lord Business, and refuses to let his young son play with Dad’s Lego set, thereby threatening to permanently keep the set stationary with glue. Inevitably, this leads to a tender scene with Dad and son.

I simply did not find The Lego Movie very engaging story-wise or from a visual standpoint and was bored throughout most of the experience. Admittedly, modern animated films are not my favorite genre- I miss the days of the classic Disney drawing style films like Bambi or Dumbo. The major flaw is the frenetic pacing of the film. Did the powers that be think that all youngsters and parents dragged along to see the film suffer from attention deficit disorder? There was no time to pause and ponder what was going on in the story since immediately it was on to the next scene. In fact, during most scenes the action was non-stop so that the film seems like one long action sequence.

The main character of Emmett, a young Lego piece characterized by everyone as dull is voiced by Chris Pratt. Emmet stumbles upon a young woman named Wyldestyle looking for something at his construction site- she assumes he is The Special and they race to save the world from Lord Business. Emmet, as far as a lead character goes, is likable enough and predictably, a romance of sorts develops between he and Wyldestyle. Through their adventures we meet various creative characters like Batman and Princess Unikitty.

The film contains a sickeningly catchy song called “Everything is Awesome” that will stick in the viewers head whether desired or not and that is the strongest part of the film. It is not that the song is lyrically great or anything, but it is fun and hum along.

Overly high octane and an uninteresting plot make The Lego Movie perhaps appealing to young kids in the seven to ten range, but is a forgettable and tedious experience for this grown-up. The ending of the film leaves room for the inevitable sequel.

Inside Out-2015

Inside Out-2015

Director-Pete Docter

Starring-Amy Poehler, Diane Lane

Scott’s Review #272

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Reviewed September 8, 2015

Grade: B+

Frequently, when I view a modern animated feature, (and by modern, I mean 1990 and beyond), I am either bored or left with a “meh” feeling- or both. It seems the trend is “let’s create a manufactured film that will appeal to five year old’s who will drag their parents to it”. It is almost as if mediocrity is accepted in animated film, but Inside Out challenges this trend with a thoughtful, interesting slab of story. With this latest Pixar offering we find a refreshing, intelligent film that makes the viewer think, in addition to containing a genuine cute factor, with lots of colors and interesting animation interspersed throughout.

Our story finds eleven year old Riley Anderson, and her five different personalities, working within her brain in unison. The emotions are five distinct little people representing (and named) Joy, Sadness, Disgust, Fear, and Anger. They overlap, conflict, and humorously strive to take control of Riley’s mind and thought processes. Joy is the central, and obviously happiest of the emotions. They all live in Riley’s conscious mind, named Headquarters. One day, Riley and her family pack up and move from Minnesota to the unknown and overwhelming city of San Francisco to capitalize on a job opportunity offered to Riley’s father. The city is bustling and the family is thrown for a loop. Riley in particular has a difficult time adjusting to this vastly different world and finds herself friendless and acting out of character. Sadness accidentally begins touching other emotions within Riley’s mind, which sets off a plethora of strange emotions causing her to behave strangely and become irritable. Joy and Sadness struggle to return to Headquarters and fix the issues.

Inside Out is a complex animated film and will certainly go way above the heads of many youngsters who will undoubtedly see it. I find this rather refreshing. It is a coming of age tale for adults and mature kids that challenges its audience rather than spitting out a retread or formulaic family story that we have scene countless times over. In fact, Riley and her parents are arguably supporting players in the story, taking a back seat to the small, interesting creatures in Riley’s mind. In a way, her mind is a carnival of riches and cool characters emerge. I smiled as more characters were introduced. Riley’s imaginary friend from years ago, named Bing Bong, was pulled to the forefront of her emotions, as he was sadly was forgotten in her mind. Who cannot relate to this? A childhood ritual of creating a friend.

I adored the trip through Riley’s mind and marveled at the revelation of the inner workings of her mind- with creative colors and bright interesting lights. What a super-cool adventure for a young film lover to experience! Inside Out is quite sophisticated. The main concern is the level of patience that this film requires. It is not a force-fed story, but rather encourages one to experience and feel. Touching scenes do prevail, but the message I receive from Inside Out is an important one- a multitude of emotions in every human being is normal and the way the film shows them overlap and work together is ingenious- nobody is one emotion all the time- nor should they be as the movie promotes successfully. Human beings are meant to feel.

The film also contains humor. I had to laugh out loud when one character sees a button labeled “puberty” and assumes it is nothing of importance. This inside joke is also alluded to at the conclusion of the film- a sequel perhaps? Given that Riley is only eleven years old, puberty will be the natural progression and an enormous one at that.

Inside Out challenges the norm in animated film and entices audiences to think. It feels genuine, which is impressive in itself. It is sentimental without feeling contrived or corny. The film succeeds on many levels.

Annie-2014

Annie-2014

Director-Will Gluck

Starring-Quvenzhane Wallis, Jamie Foxx

Scott’s Review #231

220px-Annie2014Poster

Reviewed March 25, 2015

Grade: D-

The latest remake of the film version of Annie- the last film production having taken place in 1982- though at least one variation in television exists- and all based on the Broadway hit of the same name- is a saccharin-laden mess of a film. Annie stars Quvenzhane Wallis, Jamie Foxx, and Cameron Diaz as Annie, William Sparks (changed from Daddy Warbucks), and Miss Hannigan, respectively, and features Rose Byrne and Bobby Cannavalle in supporting roles.

Let me begin with the one redeeming quality of the film- though admittedly a bit of a stretch, I found the musical numbers okay- not great, but certainly far from the worst parts of the film. The numbers are remixed into hip hop type songs with a trendy approach- presumably to add a modern element. While not great, some songs are catchy and not dreadful, especially “It’s A Hard Knock Life” over the closing credits. Whether the actors actually sing their own songs is another question, which I might not want to know the answer to.

The rest of Annie is terrible. The casting is poor. Wallis, very believable in Beasts of the Southern Wild, portrays Annie as a precocious, social climbing child and I sensed awkwardness to the part- regardless it did not work for me. I did not buy her in the role and how she was awarded a Golden Globe nomination for Best Actress in a Musical Comedy speaks volumes for the limited choices that year. Jamie Foxx completely phones in his performance as Cell-phone technical mogul, running for mayor, William Sparks. Why the film felt the need to change the character from Daddy Warbucks is a mystery. He is unbelievable as a germaphobe, aggressive yet sensitive, powerful man who amazingly develops a soft spot for Annie. Cameron Diaz completely overacts and turns Miss Hannigan into an obnoxious, hysterical shrew, who towards the end of the movie somehow “turns good”, with no real motivation for doing so. Rose Byrne and Bobby Cannavalle give uninteresting, very one-note performances in their respective roles of Sparks’s assistant and love interest, and his right hand man.

The film chose to change so many aspects of the original stage version of Annie, that it is barely recognizable. It takes place in present times rather than Depression era 1930’s, Annie is no longer an orphan, but is in foster care. Miss Hannigan’s first name is changed to Colleen instead of Agatha and is now a former pop performer whose career subsequently died. Hannigan’s brother Rooster and his girlfriend Lily are not featured in this film version. The story has zero interest and zero believability.

But the worst part of the film is the over sentimental, corniness to it. It is so overwrought with contrived scenes that it is tough to take seriously. At a Mayoral function, Annie (an untrained singer) suddenly leaps onstage and belts out a perfectly sung, choreographed number suddenly melting the hearts of the wealthy powerhouses in attendance. The film is pure fantasy with no realism to speak of. Take for example the fact that Miss Hannigan fosters an apartment full of children whom she hates, to collect $150 a week, but her apartment is pretty damned spacious and beautiful for Manhattan standards.

The film contains one inconsistency after another and is a horrendous modern take of a long loved treasure, the 2014 version of Annie should be seen once, snarled at, and put back on the shelf and forgotten for good.