Starring-Meryl Streep, Tom Hanks
Scott’s Review #715
Reviewed January 15, 2018
Amid the current political upheaval occurring during the year 2017 comes a fresh and quite timely film named The Post, created by esteemed director, Steven Spielberg, and starring two of today’s biggest Hollywood film stars- Tom Hanks and Meryl Streep. The film is a political, historical thriller set during the tumultuous time of 1971, as the controversial Vietnam War raged on, and tells of the bravery of a female newspaper owner (Streep), who risked everything to publish the truth, along with her team of mostly male editors and staff.
The film is an intelligent piece of writing, with a crisp script and quick editing allowing for a believable foray into a different time, when newspapers were hot and rotary telephones, telephone booths, and polyester outfits were all the rage. Spielberg is brilliant at setting just the right mood and tone to transport the audience back to 1971- on the eve of the enormous Watergate scandal. While all of the elements are in play, and the truthful story is important, the film is very good, but not quite brilliant- falling just shy of that bombastic one or two scenes that would land it over the top.
The Post begins in the jungles of Vietnam in 1965, as military analyst Daniel Ellsberg documents the progress of military activities among the soldiers during battle. On the journey home he briefs then President Lyndon Johnson that the war is hopeless and should be stopped. As history unfortunately shows, the brutal war continued on with thousands of lives lost. The film then continues on a journey of the uncovering of top secret Pentagon papers documenting the White House’s knowledge of the useless nature of the war, but each administration chose to continue with the bleeding to avoid the United States being “humiliated”.
Streep gives her best performance in years as Katharine Graham, Washington Post newspaper heiress, a woman who struggles to be taken seriously in a man’s world- especially given the time period- many men were uncomfortable taking direction from a woman. Streep infuses the perfect amount of emotion, insecurity, and charm into the role. Despite her wealth and her control, she is frequently overruled by the all male board of directors, so much so that she often doubts her confidence.
Hanks, however, underwhelms as gruff editor in chief of the Post, Ben Bradlee. Given the enormous talents of the actor, I was expecting a meatier performance, which does not materialize. I also anticipated an equal balance of Hanks and Streep, but the film clearly belongs to Streep. Perhaps because Hanks (the ultimate nice guy) portrays Bradlee as a tough, yet family man, the performance does not quite work. Also, the chemistry between Hanks and Streep is not the specialty of the film.
Evident is the correlation between 1971’s President Nixon and 2017’s President Trump- both administrations shrouded in controversy. A neat trick Spielberg creates is to only show Nixon in shadows, wildly gesturing and threatening, similar to Trump’s mannerisms- this is no accident. In fact, the entire work of The Post seems a big call-out by Spielberg, a devout liberal, to the Trump administration. This comparison of past and present makes The Post incredibly timely and topical for 2017. Clever is the intriguing ending- as the Watergate scandal begins with a security guard catching intruders at the complex, Spielberg seems to be saying “watch out Trump!”
In 2017, the current state of the media versus the White House has never held more controversy, disdain, and even hatred as the “truth” is often tough to come by or even to distinguish. “Fake news” is now a thing and twitter rants are now a daily occurrence, making the “truth” a precious commodity. For this reason alone, The Post must be a film to celebrate and model ourselves after- how timely indeed.