Starring-Gary Oldman, Amanda Seyfried, Tom Pelphrey
Scott’s Review #1,110
Reviewed February 9, 2021
Everyone knows that Citizen Kane (1941) is one of the greatest films ever made. Well, I hope so anyway. Almost always appearing at the top of ‘best of’ lists its merits are justified and creativity astounding. In a word it’s groundbreaking. The visual beauty, tone, and lighting are exceptional, to say the least. But this review is not meant to kiss the ass of that treasured masterpiece.
Mank (2020) is a film that is a love letter to the Golden Age of Hollywood. For those unfamiliar with Citizen Kane, please see the film immediately or the beauty of Mank will be missed.
The film celebrates the brilliance of Citizen Kane by offering new fans a glimpse into the creation of the film while breathing life into the 1930s and 1940s film for new and younger fans to experience. It also gives classic film fans something to sink their teeth into and reaffirmation of their passion for the cinema. Film lovers will adore Mank.
The project stems back to the 1990s when director David Fincher’s father, Jack, began work on the film. It never came to fruition, and Jack Fincher died in 2003. Eventually, the project was officially announced, and filming took place around Los Angeles from November 2019 to February 2020.
The film is about Citizen Kane specifically but is so much more than that. It’s part biography about alcoholic screenwriter Herman J. Mankiewicz (Gary Oldman) as he scrambles to finish writing Citizen Kane given a tight deadline while also trying to recover from a broken leg. He is hired by the famous Orson Welles (director and star of Citizen Kane) to pen the script without any credit.
As terrific as Oldman is, as he always is, Mank also explores and dissects the politics of California of that time, the impending Nazi regime that soon led to World War II, and the rich and powerful producers. It harkens back to the 1930s so genuinely that I felt I was living this important decade through my cinematic eyes. How different Hollywood was then!
Oldman is the star of a large cast with many actors being given small yet important roles. Nearly unrecognizable with a bloated beer belly and stringy hair, Herman is a lifelong boozer. Mank spans ten years, from 1930 to 1940, and going back in forth between the years. Mankiewicz dictated dialogue to his secretary, Rita (Lily Collins) in one scene while visiting the set of films made in the early 1930s.
Fun fact- Collins is the daughter of British pop artist Phil Collins and is on the cusp of a big career.
With his wit and humor, never afraid to call a spade a spade, or insult billionaire American businessman William Randolph Hearst (Charles Dance), he offends glamorous starlets over an extravagant dinner, forcing them to depart one by one as he gets drunker and drunker.
Never a big fan of Amanda Seyfried’s, the actress impresses with a fabulous performance, the best of her career. Playing Marion Davies, the inspiration for a character in Citizen Kane, she befriends Mankiewicz platonically, and the pair become close. Seyfried nails it with a giving performance. Tom Pelphrey plays Herman’s handsome brother, Joseph, on the cusp of becoming a famous writer and director and the actor is terrific.
The look of Mank is delicious. The black and white cinematography offers an homage to Citizen Kane with the stark use of dark and light contrasting each other in gorgeous form. Two great scenes come to mind- In 1933 Herman and Marion go for a stroll in a lavish courtyard, where they bond over discussions on politics and the film industry. It’s a benevolent and sweet scene where many topics are explored and embraced and is a definite ode to Hollywood.
The other takes place within the Hearst Mansion, directly before the aforementioned scene, where a drunken Herman lets loose on some of the Hollywood elite. He insults Louis B. Mayer, founder of the famous MGM studios, the most famous and influential of all studios.
A gem is the addition of so many historic Hollywood figures, a treasure chest for fans of old cinema. Joan Crawford, Great Garbo, and Bette Davis are featured, although if you blink you’ll miss them.
A wonderful suggestion is to work double-time and follow-up a viewing of Mank with Citizen Kane (I did!) for further appreciation of the film. A gift is realizing how the characters who appear in the classic film are based on real-life characters in Mankiewicz’s world.
Mank (2020) should be appreciated and revered for its lovely hybrid of crisp dialogue and wry comedy based on a real-life Hollywood director, and its cinematography and visual appreciation of a long-ago era of cinema. I hope this inspires some to appreciate and salivate over films created almost a hundred years ago.