Category Archives: 1994 Movie reviews

Naked Gun 33 1/3: The Final Insult-1994

Naked Gun 33 1/3: The Final Insult-1994

Director-Peter Segal

Starring-Leslie Nielsen, George Kennedy

Scott’s Review #1,104

Reviewed January 26, 2021

Grade: B-

Despite being the third and final (get it?) installment in the popular Naked Gun (1988-1994) franchise, Naked Gun 33 1/3 The Final Insult (1994) is my favorite of the trio despite having a silly title. The title of “33 1/3” is a reference to the revolutions per minute of an LP playing on a phonograph, a point that has nothing to do with the actual film. It was also inexplicably decided to leave off the “The” in the title, leaving Naked Gun instead of The Naked Gun. Why is anyone’s guess? Nor does it matter.

Don’t get me wrong. It’s not a great film but it’s better than the other two, which is shocking in a spoof/screwball comedy going for the standard gags. But, as dumb as the film is, it’s also kind of fun and light-weight. Think- a needed chuckle requiring little thought following a rough day at the office.

A familiar formula is followed and this time the events culminate at the glorious Hollywood Oscar celebration, the apple in the eye of all Los Angeles, undoubtedly the main reason this effort is marginally enjoyable. For unfamiliar viewers, the Naked Gun films are a combination of the Airplane! (1980-1982) and the over-exhausted Police Academy (1984-1994) franchises. The films were out of gas by 1994.

The franchise is based on the short-lived television series Police Squad! (1982), a procedural comedy about bumbling police personnel and the situations they get themselves into to showcase their ineptness.

The Naked Gun 33 1/3: The Final Insult was O.J. Simpson’s final role before he was damned for all eternity for his presumed role in the murder of his wife and her friend in a ritzy area of California.

Leslie Nielsen returns as Frank Drebin, retired and living with his wife Jane (Priscilla Presley). Bored with life, they experience marital problems and seek counseling. Six months after Frank’s retirement, he is visited by Captain Ed Hocken (George Kennedy) and Officer Nordberg (Simpson), who ask for Frank’s help with an investigation. Police Squad has caught wind that mischievous bomber Rocco Dillon (Fred Ward), who is currently incarcerated, has been hired by terrorists to conduct a major bombing against the United States.

As Frank tries to keep Jane from finding out that he is dabbling in detective work again, he jokes that he is having an affair to throw her off the track. When she begins to suspect he really is having an affair this leads to a silly series of misunderstandings and gags which naturally are wrapped up as is always the case in films like this.

Nielsen is the main draw and he does what he does best and what makes him the king of spoof films. A serious actor before Airplane! he became typecast but had lots of successes ahead of him. He embraces his role which adds freshness. He doesn’t take himself so seriously so audiences can sit back and relax, enjoying the entertainment.

The lavish awards ceremony and the ingenious idea to plant the bomb within the coveted Best Picture Oscar sealed envelope is delicious, especially when the bomb is set to detonate when the card is pulled from the envelope and the winner crowned. This creates a good measure of suspense as the award show carries on toward the big finale.

George Kennedy has little to do but it’s the inclusion of stars like Vanna White, Weird Al Yankovic, and Pia Zadora that add zest to the production.

Director, Peter Segal, famous for lightweight comedies with heart, is wise to keep the running time at a quick one hour and twenty-two minutes. If longer, any momentum the film musters would have disintegrated. This was his feature-length directorial debut.

The Naked Gun 33 1/3: The Final Insult (1994) may be the best in the trio but that says quite little considering it’s based on funnier and fresher endeavors. I champion the early Police Academy films for a needed dose of police incompetence and hilarity done up in a fun way. If one must watch a Naked Gun film and is partial to the Academy Awards, this one is begrudgingly suggested.

Forrest Gump-1994

Forrest Gump-1994

Director-Robert Zemeckis

Starring-Tom Hanks, Robin Wright, Gary Sinise

Top 100 Films-#94

Scott’s Review #362

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Reviewed January 9, 2016

Grade: A

Awarded a bevy of Academy Awards in the year 1994, Forrest Gump is a film that is engrained in many people’s memories since the film was a monster hit in the mid 1990’s. Some complained that the unrealistic nature of the film was silly, and the story too saccharine, but the film is an innocent, sweet piece about a simple-minded man’s journey through life and the insurmountable success that he achieves. I adore the film largely from a sentimental standpoint and the memories that watching the film years later, conjures up. I find the film to be a comfort.

Zemeckis, certainly a feel-good film director (Back to the Future, Who Framed Roger Rabbit?), carves a whimsical tale of a fellow, Forrest Gump (played brilliantly by Tom Hanks), slow-witted, but a gentle soul, from Alabama, and his decades long journey through life. His lifelong love is Jenny (played by Robin Wright), who is a troubled girl and relies on Forrest over the course of their friendship-spanning decades. Forrest is always in the right place at the right time and influences the events of history in his own innocent way.

Forrest Gump is unique in its clever use of editing to incorporate Forrest into real-life historical events, which is a big part of the appeal of the film. In one instance, Forrest meets with Richard Nixon and reveals the Watergate scandal. He also meets President John F. Kennedy after winning a football scholarship. And who can possibly ever forget the numerous lines made famous from the film- “Stupid is as stupid does”, and “Life is a like a box of chocolates. You never know what you are going to get.”, to name just two.

What I love most about the film is that it has heart and the relationships that Forrest shares with the central characters in his life are rich. Forrest’s haggard, but kind mother (Sally Field) loves her son and they share a tender, emotional relationship.  When Forrest enlists in the Army during the Vietnam war, his grizzled commanding officer, Lt. Dan Taylor (an Oscar winning performance by Gary Sinise), surprisingly becomes one of Forrest’s closest friends. The film takes a darker turn when we begin to see a more human side to Taylor after a horrible accident, which leaves him without legs. To counterbalance this tragedy, Forrest is comically wounded in the buttocks.

I am not sure if I love or loathe the character of Jenny. Wright is perfect at giving her some vulnerability and her terrible upbringing can excuse some of her actions and taking advantage of Forrest for arguably her own gain. Still she has Forrest’s heart so she cannot be all that bad.

A favorite scene occurs in Washington as Forrest speaks at an anti-war rally. Jenny, in the crowd, recognizes Forrest and their reunion is sweet. Jenny, now a hippee and expelled from school, returns to Forrest’s life.

The fate of both Jenny and Mrs. Gump are scenes that will undoubtedly require tissues to get through as they are tender and emotional as can possibly be. Zemeckis’s Forrest Gump has emotion, sweetness, and heart, and those are nice qualities for a film to have. It is not too sappy or overwrought or manipulative, instead providing an honest story.

Oscar Nominations: Best Picture (won), Best Director-Robert Zemeckis (won), Best Actor-Tom Hanks (won), Best Supporting Actor-Gary Sinise, Best Screenplay Based on Material Previously Produced or Published (won), Best Original Score, Best Sound Effects Editing, Best Sound, Best Art Direction, Best Cinematography, Best Makeup, Best Film Editing (won), Best Visual Effects (won)

Pulp Fiction-1994

Pulp Fiction-1994

Director-Quentin Tarantino

Starring-John Travolta, Samuel L. Jackson, Uma Thurman

Top 100 Films-#22

Scott’s Review #242

880640

Reviewed May 12, 2015

Grade: A

Pulp Fiction is one of the most influential films of the 1990’s and single-handedly kicked the film industry in the ass. It led an entire generation of filmmakers, who were starved and determined to make more creative work after the largely dull decade of the 1980’s. The success of the film, both creatively and critically, helped ensure that edgier and more meaningful artistic expression would continue to occur. The leader of the charge, of course, was director Quentin Tarantino. With Pulp Fiction, a black comedy crime film, Tarantino mixes violence, witty dialogue, and a 1970’s cartoonish feel to achieve a filmmaking masterpiece.

The plot is non-linear and the story contains three main focuses that intersect- a new style of filmmaking that has become commonplace in commonplace in modern cinema, but at the time was a novel adventure. Set in Los Angeles, Samuel Jackson and John Travolta portray hit men named Jules and Vincent, who work for a powerful gangster, Marsellus Wallace, played by Ving Rhames. We get to know them as they interrogate four college aged youths who double-crossed Marsellus, all the while discussing fast-food hamburgers and adventures in Europe. On another front, Butch (Bruce Willis) is hired by Marsellus to lose a fight to another boxer. Later, Marcellus instructs Vincent to take his wife Mia (Uma Thurmon), a former unsuccessful television actress, out for dinner and a night on the town. Finally, we meet Pumpkin and Honey Bunny (Tim Roth and Amanda Plumber), two small town robbers plotting a heist at a local diner. As the film develops these plots relate to each other in unique ways.

The film is quite stylistic, resembling a 1970’s film production in the way it looks, and use of 1970’s style sets- the diner in particular looks very of that time, and an automobile where a death occurs, is a 1970’s Chevy Nova. The film, however, is set in present times.

The dialogue throughout Pulp Fiction is immensely impressive to me. Long dialogues occur between characters, usually sitting over a meal, discuss the meaning of life, religion, fast-food burgers, and other wonderfully real conversations. I love the many food references- from Butch’s girlfriend salivating over an impending meal of blueberry pancakes to the French version of the Big Mac being discussed, to the price of a shake, these make the conversations between the characters rich and unique and oh so creative.

My favorite sequence is the one between Vincent and Mia, mostly taking place at a trendy 1950’s themed diner named Jack Rabbit Slim’s, where the staff dresses up in costume impersonating their favorite stars of the day, such as Marilyn Monroe. After winning a dance contest (and a possible homage to Saturday Night Fever) the two go back to Mia’s place where she accidentally overdoses on heroin thought to be cocaine. The song “Girl, You’ll be a Woman Soon” by Neil Diamond, is both integral and haunting to the scene.

An intense and shocking scene of male gay rape is extremely violent and the hillbillies involved could be straight out of Deliverance from 1972 despite being in Los Angeles. This scene is disturbing yet mesmerizing at the same time, and might I say even comedic in a dark way?

Pulp Fiction is not a mainstream affair and certainly has its share of detractors and plain old non-fans, but for film-goers seeking a fun, entertaining, cleverly delicious work of art, influential to Hollywood and Independent filmmakers alike, Pulp Fiction is a film to watch over and over again and admire its style and creativity.

Oscar Nominations: Best Picture, Best Director-Quentin Tarantino, Best Actor-John Travolta, Best Supporting Actor-Samuel L. Jackson, Best Supporting Actress-Uma Thurman, Best Screenplay Written Directly for the Screen (won), Best Film Editing

Independent Spirit Award Nominations: Best Feature (won), Best Director-Quentin Tarantino (won), Best Male Lead-Samuel L. Jackson (won), Best Supporting Male-Eric Stoltz, Best Screenplay (won)

Ace Ventura: Pet Detective-1994

Ace Ventura: Pet Detective-1994

Director-Tom Shadyac

Starring-Jim Carey, Courtney Cox

Scott’s Review #106

215309

Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carey as a goofy private investigator specializing in pet rescue. He is fairly inept, but is hired by the Miami Dolphins to find their stolen mascot. The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carey who defined goofy, slapstick film star of the 1990’s and, although over-the-top, is actually quite funny with his weird gestures and absurd mannerisms. If the writing were only slightly better- think Dumb and Dumber or The Mask, this film would have been almost enjoyable, but it pushes the definition of dumb fun just a little too far and sooner rather than later becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this move seem sad and desperate. Sean Young is appealing as the villain.