Category Archives: 1994 Movie reviews

Forrest Gump-1994

Forrest Gump-1994

Director-Robert Zemeckis

Starring-Tom Hanks, Robin Wright, Gary Sinise

Top 100 Films-#94

Scott’s Review #362


Reviewed January 9, 2016

Grade: A

Awarded a bevy of Academy Awards in the year 1994, Forrest Gump is a film that is engrained in many people’s memories since the film was a monster hit in the mid 1990’s. Some complained that the unrealistic nature of the film was silly, and the story too saccharine, but the film is an innocent, sweet piece about a simple-minded man’s journey through life and the insurmountable success that he achieves. I adore the film largely from a sentimental standpoint and the memories that watching the film years later, conjures up. I find the film to be a comfort.

Zemeckis, certainly a feel-good film director (Back to the Future, Who Framed Roger Rabbit?), carves a whimsical tale of a fellow, Forrest Gump (played brilliantly by Tom Hanks), slow-witted, but a gentle soul, from Alabama, and his decades long journey through life. His lifelong love is Jenny (played by Robin Wright), who is a troubled girl and relies on Forrest over the course of their friendship-spanning decades. Forrest is always in the right place at the right time and influences the events of history in his own innocent way.

Forrest Gump is unique in its clever use of editing to incorporate Forrest into real-life historical events, which is a big part of the appeal of the film. In one instance, Forrest meets with Richard Nixon and reveals the Watergate scandal. He also meets President John F. Kennedy after winning a football scholarship. And who can possibly ever forget the numerous lines made famous from the film- “Stupid is as stupid does”, and “Life is a like a box of chocolates. You never know what you are going to get.”, to name just two.

What I love most about the film is that it has heart and the relationships that Forrest shares with the central characters in his life are rich. Forrest’s haggard, but kind mother (Sally Field) loves her son and they share a tender, emotional relationship.  When Forrest enlists in the Army during the Vietnam war, his grizzled commanding officer, Lt. Dan Taylor (an Oscar winning performance by Gary Sinise), surprisingly becomes one of Forrest’s closest friends. The film takes a darker turn when we begin to see a more human side to Taylor after a horrible accident, which leaves him without legs. To counterbalance this tragedy, Forrest is comically wounded in the buttocks.

I am not sure if I love or loathe the character of Jenny. Wright is perfect at giving her some vulnerability and her terrible upbringing can excuse some of her actions and taking advantage of Forrest for arguably her own gain. Still she has Forrest’s heart so she cannot be all that bad.

A favorite scene occurs in Washington as Forrest speaks at an anti-war rally. Jenny, in the crowd, recognizes Forrest and their reunion is sweet. Jenny, now a hippee and expelled from school, returns to Forrest’s life.

The fate of both Jenny and Mrs. Gump are scenes that will undoubtedly require tissues to get through as they are tender and emotional as can possibly be. Zemeckis’s Forrest Gump has emotion, sweetness, and heart, and those are nice qualities for a film to have. It is not too sappy or overwrought or manipulative, instead providing an honest story.

Oscar Nominations: Best Picture (won), Best Director-Robert Zemeckis (won), Best Actor-Tom Hanks (won), Best Supporting Actor-Gary Sinise, Best Screenplay Based on Material Previously Produced or Published (won), Best Original Score, Best Sound Effects Editing, Best Sound, Best Art Direction, Best Cinematography, Best Makeup, Best Film Editing (won), Best Visual Effects (won)

Pulp Fiction-1994

Pulp Fiction-1994

Director-Quentin Tarantino

Starring-John Travolta, Samuel L. Jackson, Uma Thurman

Top 100 Films-#22

Scott’s Review #242


Reviewed May 12, 2015

Grade: A

Pulp Fiction is one of the most influential films of the 1990’s and single-handedly kicked the film industry in the ass. It led an entire generation of filmmakers, who were starved and determined to make more creative work after the largely dull decade of the 1980’s. The success of the film, both creatively and critically, helped ensure that edgier and more meaningful artistic expression would continue to occur. The leader of the charge, of course, was director Quentin Tarantino. With Pulp Fiction, a black comedy crime film, Tarantino mixes violence, witty dialogue, and a 1970’s cartoonish feel to achieve a filmmaking masterpiece.

The plot is non-linear and the story contains three main focuses that intersect- a new style of filmmaking that has become commonplace in commonplace in modern cinema, but at the time was a novel adventure. Set in Los Angeles, Samuel Jackson and John Travolta portray hit men named Jules and Vincent, who work for a powerful gangster, Marsellus Wallace, played by Ving Rhames. We get to know them as they interrogate four college aged youths who double-crossed Marsellus, all the while discussing fast-food hamburgers and adventures in Europe. On another front, Butch (Bruce Willis) is hired by Marsellus to lose a fight to another boxer. Later, Marcellus instructs Vincent to take his wife Mia (Uma Thurmon), a former unsuccessful television actress, out for dinner and a night on the town. Finally, we meet Pumpkin and Honey Bunny (Tim Roth and Amanda Plumber), two small town robbers plotting a heist at a local diner. As the film develops these plots relate to each other in unique ways.

The film is quite stylistic, resembling a 1970’s film production in the way it looks, and use of 1970’s style sets- the diner in particular looks very of that time, and an automobile where a death occurs, is a 1970’s Chevy Nova. The film, however, is set in present times.

The dialogue throughout Pulp Fiction is immensely impressive to me. Long dialogues occur between characters, usually sitting over a meal, discuss the meaning of life, religion, fast-food burgers, and other wonderfully real conversations. I love the many food references- from Butch’s girlfriend salivating over an impending meal of blueberry pancakes to the French version of the Big Mac being discussed, to the price of a shake, these make the conversations between the characters rich and unique and oh so creative.

My favorite sequence is the one between Vincent and Mia, mostly taking place at a trendy 1950’s themed diner named Jack Rabbit Slim’s, where the staff dresses up in costume impersonating their favorite stars of the day, such as Marilyn Monroe. After winning a dance contest (and a possible homage to Saturday Night Fever) the two go back to Mia’s place where she accidentally overdoses on heroin thought to be cocaine. The song “Girl, You’ll be a Woman Soon” by Neil Diamond, is both integral and haunting to the scene.

An intense and shocking scene of male gay rape is extremely violent and the hillbillies involved could be straight out of Deliverance from 1972 despite being in Los Angeles. This scene is disturbing yet mesmerizing at the same time, and might I say even comedic in a dark way?

Pulp Fiction is not a mainstream affair and certainly has its share of detractors and plain old non-fans, but for film-goers seeking a fun, entertaining, cleverly delicious work of art, influential to Hollywood and Independent filmmakers alike, Pulp Fiction is a film to watch over and over again and admire its style and creativity.

Oscar Nominations: Best Picture, Best Director-Quentin Tarantino, Best Actor-John Travolta, Best Supporting Actor-Samuel L. Jackson, Best Supporting Actress-Uma Thurman, Best Screenplay Written Directly for the Screen (won), Best Film Editing

Independent Spirit Award Nominations: Best Feature (won), Best Director-Quentin Tarantino (won), Best Male Lead-Samuel L. Jackson (won), Best Supporting Male-Eric Stoltz, Best Screenplay (won)

Ace Ventura: Pet Detective-1994

Ace Ventura: Pet Detective-1994

Director-Tom Shadyac

Starring-Jim Carey, Courtney Cox

Scott’s Review #106


Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carey as a goofy private investigator specializing in pet rescue. He is fairly inept, but is hired by the Miami Dolphins to find their stolen mascot. The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carey who defined goofy, slapstick film star of the 1990’s and, although over-the-top, is actually quite funny with his weird gestures and absurd mannerisms. If the writing were only slightly better- think Dumb and Dumber or The Mask, this film would have been almost enjoyable, but it pushes the definition of dumb fun just a little too far and sooner rather than later becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this move seem sad and desperate. Sean Young is appealing as the villain.