From Russia with Love-1963
Starring-Sean Connery, Daniela Bianchi
Scott’s Review #615
Reviewed February 5, 2017
From Russia with Love (1963), only the second in the storied James Bond film franchise, is a sequel to the debut installment, Dr. No, and received twice the budget that its predecessor did. This is evident as the cinematography and the look of the film are exquisite with chase and battle scenes galore. The film is lavish and grand and what a Bond film ought to be- consisting of adventures through countries, gorgeous location sequences, and a nice romance between Bond (Sean Connery) and Bond girl, Tatiana (Daniela Bianchi), though she is not in my top Bond girls of all time. Terence Young returned to direct the film with successful results.
Vowing revenge on James Bond for killing villainous Dr. No, SPECTRE’s Number 1 (seen only speaking and holding a cat) recruits evil Number 3, Rosa Klebb, a Russian director and defector, and Kronsteen, SPECTRE’s expert planner, to devise a plot to steal a Lektor cryptographic device from the Soviets and kill Bond in the process. Klebb recruits expert killer Donald “Red” Grant, and manipulates Tatiana into assisting. The story takes Bond mostly through Istanbul, Turkey, into a gypsy camp, and via the Orient Express through Yugoslavia to the ultimate climax.
The villains in From Russia with Love are outstanding and a major draw to the film. Both Klebb (Lotte Lenya) and Grant (Robert Shaw) are perfectly cast. Klebb, militant and severe with her short cropped red hair, has a penchant for deadly footwear (she has a spike that shoots out from her boot containing venom that kills in seconds) and casually flaunts her lesbianism in front of Tatiana. I admire this level of diversity in early Bond films from a sexuality perspective- it was 1963 and this was extremely rare to see in film.
Grant, on the other hand, is handsome and charismatic and has a chest of steel. With his good looks and beached blonde hair he is a perfect opponent for Bond as the final battle between he and Bond aboard the Orient Express is a spectacular fight scene and a satisfactory conclusion to the film.
The action sequences are aplenty and compelling especially the aforementioned, and lengthy Orient Express train sequence finale, which is grand. As Bond and Tatiana, along with their ally Ali Kerim Bey, a British Intelligence chief from Istanbul, embark on a journey, they are stalked by Grant, who waits for an opportunity to pounce on his foes. This sequence is the best part of the film for me- Grant, posing as a sophisticated British agent, has a cat and mouse style conversation with Bond and Tatiana over a delicious dinner of sole. Grant drugs Tatiana by placing capsules in her white wine- the fact that he orders Chianti with sole- a culinary faux pas- gives him away.
Other notable aspects of From Russia with Love are the soon to be familiar cohorts of Bond who will be featured in Bond films for years to come: M, Q, and Miss Moneypenny become treasured supporting characters that audiences know and love. Mere novices in this film, it is fun to see their scenes- especially lovelorn Moneypenny.
An odd scene of sparring female gypsies is both erotic and comical as the two women wrestle and fight over a gypsy chief, only to soon forget their rivalry and both bed Bond- falling madly in love with him as the two women suddenly become the best of friends.
The chemistry between Connery and Bianchi is good, but nothing spectacular and not the real highlight of this Bond entry. Don’t get me wrong- they make a gorgeous couple- his dark, suave looks, and her statuesque blonde figure look great, but I found the pairing just decent rather than spectacular.
The action sequences, especially the Orient Express scenes are a spectacle and the many locations shots in and around Istanbul are ravishing. From Russia with Love is a top entry in the Bond series and a film that really got the ball rolling with fantastic Bond features- it is an expensively produced film and this shows.